Orpheus and Eurydice is another myth where two characters show how love is boundaryless and uneasily retainable by going to extreme lengths. The myth starts off on Eurydice and Orpheus’ wedding day. As Eurydice is walking down the aisle to her lover, Orpheus, a snake bites her and she dies on the spot. Orpheus is heartbroken when the love of his life dies. He becomes so determined to get Eurydice back that he goes down to the underworld with his lyre and convinces Hades to let Eurydice have one more chance at life. Orpheus even offers to sacrifice himself to be with Eurydice in the underworld. Hades allows Orpheus to have his way under one condition; Orpheus cannot look at Eurydice on the whole journey to the upper world. Orpheus and Eurydice embark on this mission, but his lack of faith and his temptation to take one peek, pull him the wrong …show more content…
One day Apollo, the god of light, is shot by Cupid’s arrow of intense love. The only downside is that the first person he met eyes with was Daphne, a woman with no means for men. The arrow caused Apollo’s obsessive quality to emerge, making him pursue Daphne in a forceful way. Apollo begins to follow Daphne, attempting to impress her , but she runs from him scared. At the time Apollo catches up to Daphne, she has already prayed to transform into a tree to elude his pressuring presence. Ovid shows how Apollo surpasses limits for love in the quote, “But her pursuer, driven by his passion, outspeeds the girl, giving her no pause, one step behind her, breathing down her neck, her strength is gone. (Met.1.745-748)” The phrase “You want what you can't have”, really applies to this myth because Apollo loves Daphne so much but she is extremely opposed to the idea of loving him. He wants her so badly but this love is unattainable. This love is boundaryless and infeasible because only one character loves the other so the relationship will never work
Visual connection in both Inception and Metamorphoses signals trauma. Cobb’s primary look through the window reflects Orpheus’s glance backwards which causes Eurydice to die a second time. In the flashback scene, Mal closes her eyes when Cobb shouts to her, “Look at me!” The closing of her eyes reverses the Orpheus and Eurydice myth. Here, Mal’s refusal to look toward Cobb causes her death. We see the action through reverse shots between the point of view of Cobb and Mal, heightening the scene’s traumatic nature. However, the camera stays with Cobb’s point of view for longer in scenes where both character interact, especially true when Mal falls from the window ledge as the camera tracks her progress down, mimicking Cobb’s line of sight. Just
Half of the room had their faces painted orange and brown. Half of the room had their faces painted black and yellow. I sat and looked at the other side of the room with total disgust. How could they call themselves Clevelanders as they sat and cheered on the enemy?
Can a simple emotion such as love be regarded as one of the greatest weapons to create or attain power? It’s a renowned fact that human beings are by nature designed to need, crave, and even require love as part of their survival mechanisms. It comes to no surprise that one of the first accounts of antique poetry maintains love and the craving for it as its main theme; thereby, reinforcing the deep importance that it upholds in the lives of many individuals. Sappho’s “Deathless Aphrodite” clearly epitomizes the suffering and bitterness that arises from an unrequited love. In Sappho’s case, which portrays the case of many, she constantly finds herself in loneliness and despair for though she tries repeatedly, she is only let down recurrently as no one reciprocates the love she gives. It is only the Greek goddess Aphrodite, who holds
In the story of Orpheus and Eurydice, the two get married but Eurydice quickly perishes. Overcome with grief Orpheus convinces Hades to let him bring back Eurydice to the world of the living. He agrees but on one condition; Eurydice has to walk behind Orpheus and he cannot look back to see if she's following. Orpheus agrees, but when the couple are just about to leave Erebus, Orpheus looks back to see his lover. With a final "Farewell" Eurydice
Love is often misconstrued as an overwhelming force that characters have very little control over, but only because it is often mistaken for the sum of infatuation and greed. Love and greed tread a blurred line, with grey areas such as lust. In simplest terms, love is selfless and greed is selfish. From the agglomeration of mythological tales, people deduce that love overpowers characters, even that it drives them mad. However, they would be wrong as they would not have analyzed the instances in depth to discern whether or not the said instance revolves around true love. Alone, true love help characters to act with sound reasoning and logic, as shown by the tales of Zeus with his lovers Io and Europa in Edith Hamilton’s Mythology.
...ou.” This is the same exact wording Orpheus used in his letter to Eurydice. It appears that Eurydice will finally move on and accept the child, the king of the underworld, as her new husband. However, Orpheus will not give up so easily; this is strange because in the opening scene of the play it appears that Eurydice loves him more than he loves her. As Orpheus realizes Eurydice will never be able to return to the real world, he decides to kill himself in order to be with her. This is not directly stated but implied; the stage directions read, “Orpheus appears in the elevator. He sees Eurydice.” Orpheus is happy at this point, but not for long. “The elevator starts raining on Orpheus,” and he forgets everything. The irony of this ending leaves the audience feeling almost heartbroken and sympathetic for the couple, for they will never live happily ever after.
There has been much debate on who is the greatest hero of the ancient world. There has also been much dispute on which is the greatest epic poem of the ancient world. However, comparing The Aeneid to The Odyssey is entirely a difficult task itself. Odysseus' journeys, both physical and emotional, are essential in the overall work because it defines The Odyssey as an epic poem. Aeneas also shares a similar experience as Odysseus as well. Both stories are similar in countless ways because they both undergo comparable experiences on their travels and their life journeys. With that being said, they both demonstrated leadership in their own way. However, it is difficult to determine who the best leader actually is. Both men exhibit great leadership skills; therefore, causing a challenge for some in determining which the greater epic is. After analyzing both texts, it is possible to conclude that Aeneas is the better leader, but The Odyssey is the greater epic.
rapidly, it may not be indicated by the script that it has changed, and was most
King gives an example of riding a rollercoaster and the emotions we may feel when we ride it. Negative emotions such as; fear, panic, and violence are considered anticivilization emotions. Kings example of the rollercoaster confirms his thesis by implying that riding a rollercoaster relieves negative emotions we harbor. We all harbor negative emotions that we need to release from time to time. Both watching a horror movie or riding a rollercoaster gives us that release without requiring us to act them out in real life. Watching that horror movie, we may feel the excitement of fear and/or violence. Likewise, riding that rollercoaster, we may feel the excitement of fear and/or panic. Thus, confirming we all harbor these emotions and use diverse
Ultimately, Odysseus' journey to Ithaka is about embracing one's life, accepting the challenges, the dangers, pitfalls, and joys, with courage, tenacity and a keen sense of what it takes to maintain balance in one's life.
One situation included Oedipus and Tiresias arguing over Laius’ murderer. Tiresias didn’t want to explain the horrible truth to Oedipus, but when Oedipus says “ In my mind, you are one of the men who killed Laius!”(7) ,he angrily replies by saying “It is YOU! You are the wound! You pollute this unfortunate city!”(7) He says this as he has been angered by Oedipus’ arguing, as he is too absorbed in the search to render that he could be the murderer.
Sophocles' trilogy of Oedipus the King, Oedipus at Colonus, and Antigone is a powerful, tragic tale that examines the nature of human guilt, fate and punishment. Creon, Oedipus' uncle and brother-in-law, is the story's most dynamic character. His character experiences a drastic metamorphosis through the span of the three dramas. Creon's vision of a monarch's proper role, his concept of and respect for justice, as well as his respect for the design evolve considerably by the trilogy's tragic conclusion.
The meaning of love is as intricate and unique as the purpose that it serves. It seems that the nature of love is found in the mind, the body and the soul. In Plato’s Symposium each member of the drinking party gives their own interpretation of love. As each speaker engages in their discourse, the concept of love is evaluated from different angles. According to Phaedrus, homoerotic love is the highest form of love and that sacrificing oneself for love will result in a multitude of rewards from the gods, while Pausanias believes that there are two forms of love: Commonly and Heavenly. As a physician, Eryximachus claims that love appears in every part of the universe, including plants and animals and that protection results from love. Before starting his speech, Aristophanes tells the group that his discussion about love may seem completely absurd, as he explains that in the beginning one body had two people who were eventually split in half by Zeus. This is meant to explain why people are constantly looking for their “other half”. Moreover Agathon, the poet the symposium is celebrating, critiques the previous speakers by stating that they failed to praise the god of love. He claims that love rejects feebleness and embraces youthfulness while also implying that love creates justice, courage and wisdom.
The story of Orpheus and Eurydice is one that has been retold countless times over the years. It started as a Greek myth, later being made into a movie titled Black Orpheus. After reading the myth and watching the movie, it is easy to see that there are far more differences in the two works than similarities. These differences are not only in the way the story is told, but also in the organization of the events that take place and in the description of the characters. The main differences in these two versions of the myth are the role of the characters, the main plot scheme, and the journey into the underworld.
The Editors of Encyclopædia Britannica. "Orpheus (Greek Mythology)." Encyclopedia Britannica Online. Encyclopedia Britannica, n.d. Web. 30 Mar. 2014.