Not For Publication “Journalists are given the privilege of shared access to the first draft of history, and some responsibility to make sense of it.”(NFP) The light that Chris masters sheds on the ethics and responsibility of investigative journalism in relation to the public and on whom the report on is explored in Not for publication. Masters’ expository discourse develops the common ‘essential objective is profit rather that saving the world.” Masters first hand experience and unearthing of the true facets that are todays investigative media, is more sinister than one would expect. Through direct expressions of Masters’ concern we see how the public is stimulated and deluded by masses of entertainment and propaganda, the cry for bad news is so inert in our society, that the concept of Masters exposition stories would not mediate to the mass media. The level of manipulation of the news is alarming when brought to our attention, Masters goes on further to explore why this news is manipulated, to our ill-surprise, it is manipulated for the very people who watch it, the public. The escalating sensationalism and violence that the media embellishes to is what Masters argues to be, what the public want, “the massage is hard to avoid: [the public] want blood, their own blood”. This is one of his major concerns, as a journalist, he wants to illuminate the factors that establish modern journalism, the condescending truths and untruths that deliver entertainment over morals. Chris Master incorporates the ‘duty of journalists [as] to reshape information and get that information to the public’, while this is important and periodically essential, it is his broad knowledge tells us that ‘the best journalism is the journalism to challenge the orthodox, respectfully challenge the public opinion and occasionally deliver bad news’(pg 5). While this is almost evident in Masters’ book, but the fact he did not deliver these stories that seem perfectly fit for ‘today’s journalism’ he attains a kind of benevolence, and consideration for his subjects. As seen in his anonymity, which shows the reader how it is not worth the social and media torment of the journalistic process. Quite powerfully he delivers the calming words that many of us already know, perhaps by our own nature or experience: ‘In order for there to be good journalism, journalists need to find a balance between what they want to present and what the public wants’.
Wang’s studies have shown that news industries are now tabloidizing news because it elicits the attention of their viewers. Now the only thing considered as “entertainment” in the news is “crimes, accidents, and disasters”. Wangs writes “News that bleeds seem to still lead the primary broadcasts” (Wang 722). People nowaday only tune in when a disaster has occurred and anything other that is not “interesting”. Unfortunately, people would rather watch Isis in action then heard about Obama releasing innocent victims from prison. The reporter in “Gray Noise” proves Wang’s words true when he records on his lens about a mother who had just lost her
Self-motivation and determination are two of the main ideals of being journalist. If a journalist does not have the desire to find and report a story, he has no career. A journalist depends on finding the facts, getting to the bottom of the story and reporting to the public, whether it’s positive or negative. Janet Malcom states in the book The Journalist and the Murderer, “Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible.” (Malcolm, 3) Her starting words speak volumes about “the Journalist and the Murderer” and the lessons that can be learned.
Epstein, Edward J. News From Nowhere: Television and the News, Vintage, New York NY. 1973, pp. 16; Pearson, David. “The Media and Government Deception.” Propaganda Review. Spring 1989, pp. 6-11.
In the documentary film, Page One: Inside The New York Times, the inner world of journalism is revealed through journalists David Carr and Brian Stelter as the newspaper company The New York Times, struggles to keep alive within a new wave of news journalism. The film is dedicated to reveal the true inner mechanics of what modern day new journalists face on a daily basis and leaves the audience almost in a state of shock. It broadcasts news journalism as yes, an old school method of news generation, but it also highlights an important component that reveals the importance behind this “old school” methodology. We often think that progression always correlates with positive products, but the documentary insists that within the case of modern journalism, the new wave method is actually a detriment that can reap negative consequences.
With the novels publication in the 1960s, a new genre called ‘New Journalism’ had begun to surface; it sought to combine the elements of journalism with the elements of fiction and in doing so it sought to challenge the readers mo...
In Laura Purdy’s account of Genetics and Reproductive Risks: Can Having Children Be Immoral?, Purdy’s claim is that conception of a child is immoral when there is reasonable concern of a genetic disorder and if prenatal screening is not done to see how likely it is for your child to obtain that disease, then it is wrong. Purdy thinks it is immoral to reproduce when we are at high risk of transmitting a disease or defect and she says it is wrong to reproduce without knowing the consequences of our genome. The birth of a child at risk of a serious defect could be prevented by abortion or preventing conception of a child. And conception is only allowable once a person has undergone a prenatal screening and if a selective abortion would be done, and for those who are against abortion must be extremely careful not to conceive.
"Journalism : Britannica Online Encyclopedia." Encyclopedia - Britannica Online Encyclopedia. N.p., n.d. Web. 11 Apr. 2012. .
Through manipulation and lies, media manages to modify objective news into biased news in order to convince the public of what the media wants them to believe. The article, “How the Media Twist the News”, by Sheila Gribben Liaugminas discusses the major influence that news has on readers based on their choice of stories and words. “How the Media Twists the News” has borrowed from multiple other texts such as the books like Public Opinion and Liberty and News, news magazine writers such as Ruderman, and news networks like CBS through Bias, A CBS Insider Exposes How the Media Distort the News and CNN to make her arguments valid and prove that the news is biased and that it does influence readers significantly because of it.
In “12 O’Clock News,” Elizabeth Bishop accentuates the difficulty involved in perceiving the “truth.” She utilizes a technique of constructing an exotic world out of objects that can be found in a newsroom. By defamiliarizing a newsroom, she questions our trust in what we perceive. Is it truly a journey to another world or just another perspective on something we are already familiar with? The intent of this transformation is to create a substitute for reality, analogous to the substitute reality which the media presents to us each day as its product, the “news.” The news media are capable of creating a world beyond what we see everyday, presenting us with what appears to be the truth about cultures we will never encounter firsthand. Bishop’s manipulation of a newsroom parallels the way the media distorts our perception of the world, and by doing so questions our ability to find our way out of this fog which is “reality.”
In this era of globalization, news reporting is no longer just a means of communications, but it has also developed into a tool for change. Prominent journalists like Julian Assange, Nick Davies, Sir Charles Wheeler and many more has changed the landscape and outcomes of information, war and news reporting itself. But Martin Bell has challenged the fundamentals of journalism that is to be balanced and impartial with what he calls ‘Journalism of Attachment’. He even coined the phrase, ‘bystanders’ journalism’ for continuing the tradition of being distant and detached (Bell 1997), which he criticizes “for focusing with the circumstances of violence, such as military formations, weapons, strategies, maneuvers and tactics” (Gilboa 2009, p. 99). Therefore it is the aim of this essay to explain whether it is ethical for reporters to practice what Martin Bell calls the Journalism of Attachment by evaluating its major points and its counterarguments, and assessing other notions of journalism such as peace journalism.
The first is the crisis of viability. The chance of success in the journalism in the mainstream is approaching a decline due to the transformations in technologies and new access to multiple sources of information. The second is a crisis in civic adequacy. The contributions of journalism to citizenship and democracy have begun to shift and this shift has caused a question of the relevancy of journalism to democratic processes. In a democratic society journalism plays the role of the government watchdog. The effectiveness of society’s watchdog is now being challenged and in turn alternating the structure of the current democratic society. Many critical theorists of the press during the beginning of the 20th century were concerned with finding appropriate forms of public regulation of the press and journalism to ensure that journalists are writing “news and information about public affairs which sustains and nurtures citizen information, understanding and engagement and thereby a democratic polity” (Cushion and Franklin, 2015: 75) (Dahlgren, Splichal 2016). Journalism is a political entity that influences and informs the public. It is meant to work as a source of public information that helps and does not hinder the general public specifically in political processes. The article
Bates, Stephen. “The Reporter’s Privilege, Then and Now.” Society Aug. 2001: 41-54. Academic Search Complete. Web. 18 March. 2014.
An argument can be made that Journalism is one of the very few professions in the world of media that is handled with some sort of dignity and pride. After reading “The Elements of Journalism” by Bill Kovach and Tom Rosenstiel, I realized how important journalism is to each and every one of us. Whether you’re a writer or a reader, the back and forth exchange between provider and consumer is extremely important in pushing society forward. Journalism after all is designed to challenge society, promote new ideas and spark conversation between one another. Despite the positives of journalism, there are issues that exist within the profession that cannot be excused and cannot be ignored.
“Power is the ability to define reality and to have other people respond to your definition as if it were their own (Nobles).” People fail to see responsible journalism as a crisis because it is so convenient to have news media make up your mind for you. The foundation of our personal philosophies stems from irresponsible journalism through the major news sources we consume, the exposure to less responsible entertainment, and the biased reporting enforcing negative stereotypes.
McLoed and Hawley (as cited in Wilson, 1995) elucidated appropriately, "a recurrent journalistic controversy has involved the question whether journalism is a true profession or merely a craft." Sparked primarily by Lippmann and Dewey, extending into the age of the penny press (mid 1980s) and later, the attempt to commercialise the news (late 1980s) to our present era, there has existed a contentious debate on journalism being distinguished as a profession (Wilson, 1995). Encapsulated in a democratic homeland since the advent of time, media systems are habitually acclaimed as the “fourth power,” with its journalists often hailed as the “watch-dogs” of such a society. Lending itself to act as ‘gatekeeper’ for the wider society and performing the traditional role of journalism, the media (overall) exist as powerful “instruments of knowledge” that perform the function of providing information to the masses in a public sphere, where issues may be discussed, justified and contested (Scannell, 1995, p. 17). Evidently, media workers play a pivotal role in our society; however, their status in the realm of professions is not definite.