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Essay about the history of portraiture
History of portraiture youtube
The role of portraiture throughout history
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Throughout history, art continues to change over time along with the change in society’s culture. But for some styles of art it has remained the same for centuries. Art work such as painting the portraits of high-class individuals such as world leaders, generals, officers and the rich. Have been seen throughout history since the Greek and Romans have made statues. Portrait paintings have always captured my imagination. I always look at the portraits featured in art museums of people who were the leaders of their time. Such, as portraits of military leaders have always captured my eye. I look to see if I can tell what kind of leader they truly where based on how the painter has them portrayed. Painters such as Nicola Marschall, who is known for painting portraits such as the painting of First Lieutenant J. Mack Walker. …show more content…
“Nicola was born in 1839 in the village of St. Wendel, Prussia” (ADAH). After his mom and dad died Nicola tried to follow his dad’s footsteps by being a tobacco merchant as well. However, he found that he was artistically inclined and decide to peruse the career. In 1849 Nicola came to the united states and set up a studio in Marion Alabama. Where he became a teacher at the Marion female institute where over the next few years he gained his reputation as a portrait painter (ADAH). As the civil war broke out he was in Europe furthering his painting skills. He was asked by Mrs. Napoleon Lockett and her daughter Fannie Lockett Moore the daughter in law of Alabama governor Andrew Moore. To design a flag for the confederacy and he has also designed the Confederate uniform. However, he came back and enlisted in the Confederate army were “he had risen to the rank of lieutenant in the Second Alabama Regiment of Engineers, as chief draftsman of maps and fortifications, some of which exist today” (EOA). In 1917 Nicola Marschall died at the age of 78 however, he stopped painting in 1908
factors that made the work look as it is today. Most sculptures were seen as symbols of politics
The Renaissance Period is widely known for the abundance of amazing portraiture that circulated around Europe. During the Renaissance, Albrecht Dürer, a German artist painted a self-portrait in 1500 that had qualities that differed from the usual style of artist in that time (Chauhan). Jean Clouet also painted a portrait for the King of France and became the official court painter. Both artists had a talent for portraiture, while their styles were quite different. King Francis I wanted to be seen as a powerful man, and appointed Clouet to paint him in a classically renaissance way that highlights his wealth and authority. Dürer, described as a cocky, self-centered man, painted himself in a light that is unique and puts him on a ‘holy’ pedestal (Stokstad 356). In this essay I will show how although both paintings have clear differences with their style, both men in the compositions are conveyed in a great and very powerful sense.
Caetlin Asher Spanish 325 10 March 2017 Lack of Separation Between the Church and State The separation between state and Church has been a controversial issue for decades. In the movie “Mar Adentro”, this separation between Church and state, or lack thereof, is brought to attention through the court battle between the state and Ramón Sampedro. Ramón Sampedro was a sailor who became a quadriplegic during an accident diving into the ocean water causing a permanent spinal cord injury leaving him paralyzed. Over twenty years of being paralyzed from the neck down, Ramón decides to receive legal permission to end his life through assisted suicide, specifically Euthanasia.
“Painting is a way to examine the world in ways denied me by the United States justice system, a way to travel beyond the walls and bars of the penitentiary. Through my paints I can be with my People—in touch with my culture, tradition, and spirit. I can watch little children in regalia, dancing and smiling; see my elders in prayer; behold the intense glow in a warrior’s eye. As I work the canvas, I am a free man.” – Leonard Peltier
Art has been the reflection, interpretation and representation of artists' beliefs and morals eternally. Various artists stand for different matters that quite possibly affect their lives, or might be of an interest to them. Norval Morrisseau is an artist that I was intrigued by his portrayal and the techniques used in his paintings. In this paper, we are going to look at the implementation of Morrisseau's painting style used to expose his philosophies of different aspects in his life.
Themistocles contribution to the defence of Greece was more significant than any other Greek individual. To what extent do you agree?
This semester, in comparing works of visual art and opera and particularly between works of the same time period, many parallels emerge. But beyond the scope of individual time periods (e.g., Renaissance, Romanticism, Modern), there are parallels that transcend the scope of time entirely. Individuals of varied cultures and periods in history seem to be invariably fascinated by the idea of an archetypal character whom they can adapt and reinterpret according to the terms of their own zeitgeist and with whom they can identify. A salient example is the Orpheus figure, who hails from the myths of antiquity and has been remade and adapted in operas by composers including Monteverdi, Schütz, Lully, Fux, Telemann, Rameau, Gluck, Haydn, Offenbach, Debussy (in an unfinished project), Milhaud, Birtwistle, and Philip Glass—and that is really only the tip of the iceberg! We see Oprheus depicted as well in paintings by Gennari in the 17th century and by Redon in the 19th century, Corot (1861), dell’Abbate, and Rubens. I could similarly enumerate artists, writers, or composers who have famously depicted any of the figures we have studied this far: the Norse figures held so dear by Wagner, Saint Sebastian...
The famous deaf person that I chose is Laurent Clerc being the first deaf teacher of the deaf in America. He was born December 26, 1785 in France and he had become deaf at the age of one. He was involved in an incident when he was left in his high chair for a few minutes by a fire and happened to fall off leading him to burn the side of his face. However, because of the scar that got left behind from the burn had permanently made name sign for him which was two fingers brushed against his right cheek. At the age of seven his parents believed that his deafness could be treated with injections but, in the end learned there was no cure. During his childhood he did not attend any schooling to learn how to write nor read. His family communicated with him through gestures because, he didn’t know sign language as well.
Goldwater, Robert and Marco Treves (eds.). Artists on Art: from the XIV to the XX Century. New York: Pantheon Books, 1945.
When entering the room, one cannot help but feel pulled into each and every painting. The realization that the artwork hanging on the walls was created hundreds of years ago, and still exists in pristine order, to me makes these pieces of art, relics. Gazing around the still and almost silent gallery, I could not help but think that each of these paintings are windows into the past. In his essay Ways of Seeing, John Berger states that “An image became a record of how X had seen Y” (136). At the time the paintings in this gallery were painte...
?Any work of art owes its existence to the people and culture from which it has emerged. It has a functional and historical relationship with that culture.? Michael W. Conner, PhD#
Children fool around every day with parental supervision always there to catch the youth when they are at risk of vulnerability. Without parental supervision, they need to be self-conscious of their own well-being. Once a child becomes an adult, they learn to take their own path through life with no safety net and to take responsibility for their own actions, unlike Chris McCandless. The novel, Into the Wild, by Jon Krakauer, exposes a cocky and arrogant, Chris McCandless, who is to blame for his own death, because he lives a life of taking risks, and depends on those that care for him to save him from the edge of disaster.
Thus, the Roman portrait, Head of an Old Man, has features reflecting old age and weariness to demonstrate the Republican’s period of valuing moral reforms, fighting for the love of the country, and hard work. Roman portraiture looked much more
Velazauez’s 1650 portrait of Juan de Pareja and Peale’s 1782 portrait of George Washington differ greatly in their places and times of origin, as well as the historical contexts in which they were painted. Their color palates and compositions appear as polar opposites to each other, and their subject matters are entirely dissimilar. Despite these apparent contrasts between the two works, they both preserve the likeness and honor the characters of their respective subjects. The comparison of these works illuminates how although both structure and context may vary significantly from portrait to portrait, there are characteristics inherent to many if not all portraits that remain unaltered even when in seemingly disparate contexts.
The Italian Renaissance and the Baroque era are two major periods in art history, some of the types of art in those periods were painting, sculpting, and architecture. During these periods, many artist gained enormous fame from creating wonderful pieces of work that represented their beliefs and artistic thinking. This essay will analyze and evaluate two pieces from those major art periods. Rembrandt 's painting The Anatomy Lesson of Dr. Nicolaes Tulp and the sculpture David, by Michelangelo. These two masterpieces shed light of their significance in art history. David represents the Italian Renaissance for it being a strong symbol of the new republic, The Anatomy Lesson of Dr. Nicolaes Tulp depicts the focus on human progression.