Negritude, Harlem Renaissance

358 Words1 Page
bulb-icon

Recommended: The emergence of Jazz

During the 1920s and 1930s in particular, the French capital, more perhaps than anywhere else in the world, was the center of African diasporic intellectual production, playing host to three of its most influential strands: Negritude , Harlem Renaissance ( many of whose members summered in Paris), and jazz. Several parallel though unconnected movements- Cuban literary movement “Negrismo” akin to French-speaking Haiti and Martinique in Negro renaissance in the United States that followed the First World War, in Marcus Garvey’s much reviled “back to Africa movement” and in W. Du Bois’s Pan Africanism created an atmosphere which fostered Negro self consciousness. Negritude was the culmination of all these efforts at affirming the cultural authenticity

Show More
Related

  • Analysis: The Harlem Renaissance

    946 Words  | 2 Pages

    The Harlem Renaissance is the name given to a period at the end of World War I through the mid-30s, in which a group of talented African-Americans managed to produce outstanding work through a cultural, social, and artistic explosion. Also known as the New Negro Movement. It is one of the greatest periods of cultural and intellectual development of a population historically repressed. The Harlem Renaissance was the rebirth of art in the African-American community mostly centering in Harlem, New York, during the 1920s. Jazz, literature, and painting emphasized significantly between the artistic creations of the main components of this impressive movement. It was in this time of great

    Read More

  • The Harlem Renaissance: The New Negro Movement

    1679 Words  | 4 Pages

    “Poetry, like jazz, is one of those dazzling diamonds of creative industry that help human beings make sense out of the comedies and tragedies that contextualize our lives” This was said by Aberjhani in the book Journey through the Power of the Rainbow: Quotation from a Life Made Out of Poetry. Poetry during the Harlem Renaissance was the way that African Americans made sense out of everything, good or bad, that “contextualized” their lives. The Harlem Renaissance, also known as the Black Renaissance or New Negro Movement, was a cultural movement among African Americans. It began roughly after the end of World War 1 in 1918. Blacks were considered second class citizens and were treated as such. Frustrated, African Americans moved North to escape Jim Crow laws and for more opportunities. This was known as the Great Migration. They migrated to East St. Louis, Illinois, Chicago 's south side, and Washington, D.C., but another place they migrated to and the main place they focused on in the renaissance is Harlem. The Harlem Renaissance created two goals. “The first was that black authors tried to point out the injustices of racism in American life. The second was to promote a more unified and positive culture among African Americans"(Charles Scribner 's Sons). The Harlem Renaissance is a period

    Read More

  • The Voice of the Harlem Renaissance

    1587 Words  | 4 Pages

    The Voice of the Harlem Renaissance The Harlem Renaissance was a cultural revolution that happened mainly in Harlem, New York but also in other parts of America. The Harlem Renaissance took place from 1918 until 1937. The Harlem Renaissance was never about a single entity or event, but the gathering of the best and brightest minds around the Americas. These great minds helped create one of the biggest cultural movements in American history. The work contributed during the renaissance helped future African American artists in the future.

    Read More

  • Langston Hughes and Alain Locke's Harlem Renaissance

    1027 Words  | 3 Pages

    There has been much debate over the Negro during the Harlem Renaissance. Two philosophers have created their own interpretations of the Negro during this Period. In Alain Locke’s essay, The New Negro, he distinguishes the difference of the “old” and “new” Negro, while in Langston Hughes essay, When the Negro Was in Vogue, looks at the circumstances of the “new” Negro from a more critical perspective.

    Read More

  • Harlem Renaissance and Jessie Redmon Fauset

    728 Words  | 2 Pages

    Originally referred to as the “New Negro Movement”, the Harlem Renaissance was a cultural movement during the early twentieth century. It was started by the Great Migration of blacks to the North during World War I. This period resulted in many people coming forth and contributing their talents to the world, inspiring many. One of the poets of this time, Jessie Redmon Fauset, was one of those who wrote about the life of blacks and life in general during this time period. She used her good and bad past experiences as influences for her works.

    Read More

  • The Universal Agro Improvement Association And Marcus Garvey And The Universal Negro Improvement Association

    1011 Words  | 3 Pages

    Marcus Garvey had a huge influence on the African Diaspora and where it connected with the black men and women. Ethiopia, in Garvey’s perspective, was seen as the home of all African’s in exile in the African Diaspora. (McMurray 48) See now what Garvey was influencing, yet not the initiator of, was on how the African Diaspora connected with the idea or dream of returning home to Africa. With that movement already going on and established, he was able to feed off other ideas and goals and incorporate them into his own. Garvey began to wonder who was the voice for the African’s and why the black men and women didn’t have the opportunities that other people, not African, did.

    Read More

  • Baldwin's Views on Struggles of Blacks in America

    1533 Words  | 4 Pages

    Since the 1880?s, when European nations colonized Africa, Europe had almost complete control over the continent, but this changed during the 1950?s and 60?s. By 1958, ten African countries had gained their independence, and sixteen more joined the list in 1960 alone. Although these nations? gain of independence demonstrates the ability of blacks to overpower their white oppressors, Baldwin argues ?The word ?independence? in Africa and the word ?integration? here are almost equally meaningless; that is, Europe has not yet left Africa, and black men here are not yet free? (336). While black people had been legally free in the United States since 1863, two decades before the European colonization of Africa, they were still not truly free, almost a century later.

    Read More

  • Brent Hayes Edward's The Use of Diasporal and African Diasporal

    889 Words  | 2 Pages

    In Brent Hayes Edwards essay, “ The Use of Diaspora”, the term “African Diaspora” is critically explored for its intellectual history of the word. Edward’s reason for investigating the “intellectual history of the term” rather than a general history is because the term “is taken up at a particular conjecture in black scholarly discourse to do a particular kind of epistemological work” (Edwards 9). At the beginning of his essay Edwards mentions the problem with the term, in terms of how it is loosely it is being used which he brings confusion to many scholars. As an intellectual Edwards understands “the confusing multiplicity” the term has been associated with by the works of other intellectuals who either used the coined or used the term African diaspora. As an articulate scholar, Edwards hopes to “excavate a historicized and politicized sense of diaspora” through his own work in which he focuses “on a black cultural politics in the interwar, particularly in the transnational circuits of exchange between the Harlem Renaissance and pre-Negritude Fran cophone activity in the France and West Africa”(8). Throughout his essay Edwards logically attacks the problem giving an informative insight of the works that other scholars have contributed to the term Edwards traces back to the intellectual history of the African diaspora in an eloquent manner.

    Read More

  • The Harlem Renaissance

    1572 Words  | 4 Pages

    Occurring in the 1920’s and into the 1930’s, the Harlem Renaissance was an important movement for African-Americans all across America. This movement allowed the black culture to be heard and accepted by white citizens. The movement was expressed through art, music, and literature. These things were also the most known, and remembered things of the renaissance. Also this movement, because of some very strong, moving and inspiring people changed political views for African-Americans. Compared to before, The Harlem Renaissance had major effects on America during and after its time.

    Read More

  • The Harlem Renaissance

    641 Words  | 2 Pages

    The Harlem Renaissance, originally known as “the New Negro Movement”, was a cultural, social, and artistic movement during the 1920’s that took place in Harlem. This movement occurred after the World War I and drew in many African Americans who wanted to escape from the South to the North where they could freely express their artistic abilities. This movement was known as The Great Migration. During the 1920’s, many black writers, singers, musicians, artists, and poets gained success including Zora Neale Hurston, Langston Hughes, Marcus Garvey, and W.E.B. Du Bois. These creative black artists made an influence to society in the 1920’s and an impact on the Harlem Renaissance.

    Read More

  • The Impact Of The Louisiana Purchase

    970 Words  | 2 Pages

    The African-American Years: Chronologies of American History and Experience. Ed. Gabriel Burns Stepto. New York: Charles Scribner 's Sons, 2003.

    Read More

  • The Renaissance, Langston Hughes And The Harlem Renaissance

    1450 Words  | 3 Pages

    The Harlem Renaissance was an intellectual movement that was expressed through art, literature, and music igniting a new cultural identity. At the time it was called the “New Negro Movement” named after Alain Locke a well-known philosopher and writer. The base of the movement involved the Great migration of African Americans from poor to urban areas and from South to North. Escaping its harsh caste system so they can find a place where they could uninhibitedly express their talent. Among those artists whose works accomplished acknowledgment were W.E.B Du Bois, Alain Locke, and Langston Hughes.

    Read More

  • The Harlem Renaissance

    533 Words  | 2 Pages

    The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.

    Read More

  • Symbolism in Their Eyes Were Watching God

    1106 Words  | 3 Pages

    3. Dictionary of Literary Biography, Volume 51: Afro-American Writers from the Harlem Renaissance to 1940. A Bruccoli Clark Layman Book. Edited by Trudier Harris, University of North Carolina at Chapel Hill. The Gale Group, 1987. pp. 133-145.

    Read More

  • The Negative Impacts of the Harlem Renaissance

    1138 Words  | 3 Pages

    The 1920’s were a period or rapid growth and change in America. After World War I American’s were introduced to a lifestyle of lavishness they had never encountered before. It was a period of radical thought and ideas. It was in this time period that the idea of the Harlem Renaissance was born. The ideology behind the Harlem Renaissance was to create the image of the “New Negro”. The image of African-American’s changed from rural, uneducated “peasants” to urban, sophisticated, cosmopolites. Literature and poetry abounded. Jazz music and the clubs where it was performed at became social “hotspots”. Harlem was the epitome of the “New Negro”. However, things weren’t as sunny as they appeared. Many felt that the Harlem Renaissance itself wasn’t so much a celebration of Black culture, but rather a regurgitation of White ideals. To these African-Americans, the Harlem Renaissance represented conformity and submission to the White culture. Yet there were also those who were not even given the opportunity to be a part of the Harlem Renaissance. The poor Blacks in the South never received any of the racial tolerance up north. They lived in a world of racism and the Ku Klux Klan. The Harlem Renaissance did not redefine African-American expression. This can be seen through the funding dependence on White Americans, the continued spread of racism and the failure to acknowledge the rights of poor Southern African-Americans.

    Read More

More about Negritude, Harlem Renaissance

Open Document