Narration in The Metamorphosis

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In Franz Kafka’s novella, “The Metamorphosis,” Kafka paints a picture of the

nightmarish world of Gregor Samsa, a young man who mysteriously turns into an insect.

Gregor works as a traveling salesman who experiences separation from his family and

the real world. Throughout the book, the narrator addresses the outrageous obstacles put

before Gregor as mundane and pedestrian. The detachment of the narrator exemplifies

the sense of abandonment that Gregor feels from his family and the outside world. “The

Metamorphosis” explores the feeling, very common in humans of Kafka’s and modern

times, of alienation. Kafka utilizes a detached and sober narrative style, absurdist tone,

and irony throughout “The Metamorphosis”. Through the omniscient and straightforward

narrator, Kafka creates a world where the abnormal is seen as the normal.

In the opening passage of The Metamorphosis, the narrator blatantly

describes the impossible and utterly outrageous transformation of a man, Gregor, “into a

monstrous vermin” (3). Through blunt narration, the idea of calm, matter-of-factness to

deal with startling content is created. By addressing this uncommon situation with

complete seriousness and normality, the reader understands that this world should be

expected to be chaotic, yet not viewed as chaotic by any character in the novella. The

narrator foreshadows Gregor’s focus and concern for ordinary issues by addressing his

metamorphosis as a pedestrian concern. Because the narrator remains detached from the

situation throughout the entirety of the book, the reader becomes more aware of the

isolation of Gregor. Gregor does not only experience isolation from his family because of

his job and isolation from the world...

... middle of paper ...

...s because the situations the

reader is observing are already crazy enough. Hearing the exact, unbiased events helps

the reader understand the transformation, any fights that took place, motivation and

emotion completely unclouded by any biased, or attached speaker. “The Metamorphosis”

explores alienation and the commonality of isolation as a part of the human condition.

The audience can see that even when a man becomes an insect, they can become more in

touch with their human side. When the reader is made aware of this irony, the audience

learns of how common isolation from one’s self is. Kafka employs a detached, sober, and

omniscient narrative style, absurdist tone, and irony throughout “The Metamorphosis”.

By accepting the outrageous as the common, the audience is able to push past the

farcicality of events and see Gregor as a real character.

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