There he is as handsome as ever. He comes to the theatre everyday just to watch me perform. I get so nervous when he is around “Prince Charming” the first time I ever saw him come to the theatre he took my breath away. I think I saw him come in before he even saw me, I felt as if he was the actor I came to watch perform. As I am performing I had a tendency to glance in his direction and was always gazing at me not just at the play but specifically at me, as if the play is not going on, as if it’s just him and I in the whole theatre. Each time I see him at the theatre gives this passion more like a passion, it makes me want to perform at my highest potential. He has seen me be every character from Rosalind to Imogen. He’s seen me die in the gloom of an Italian bomb, he’s watched me wander through the forest disguised as a boy in a dainty cap. …show more content…
He’s seen me in every age and every costume. He threw me flowers on the third night when our eyes met it felt like the world and everything surrounding me just went silent and all I saw was him. When we first met I was beyond shy. He told me how he felt about me performance and hearing that he loved it made my eyes grow in size. While talking I think I was more nervous than he was. Backstage he was accompanied by an old Jew that continued to call him “my lord” he assured me he was nothing of the sort, to me he looked like a prince anyways. That’s when I stared to call him Prince Charming saying that definitely made him nervous. He was everything I imagined and more. The more we got acquainted the more I think I started to fall in love with this man. He continued to come to every show and after the tenth show he asked me on a date. I was so startled by the question he had to ask me a second time and I immediately said yes that
To Dance at the Palais Royale written by Janet McNaughton, is an exciting historical fiction novel that follows Agnes Maxwell on her adventures in the big city of Toronto. McNaughton’s novel is an accurate description of the technology available and fashion trends of the late 1920s. She includes many details in her novel such as the refrigerator, which was accurately described. McNaughton incorporates the use of the Victrola, a popular phonograph used in the 1920s and Agnes Maxwell has the chance to wear a beautiful dancing dress typical of the time period. To Dance at the Palais Royale is a historically accurate novel that authentically describes technology and fashion typical of the late 1920s.
We instantly started talking about the film we wanted to see and proceeded to get our tickets together. After the movie, he politely asked if it was okay for him to hold my hand and I let him. We walked around the whole mall hand-in-hand talking about the movie we just watched. Then we went outside for a full-blown make out session in a secluded spot. The only reason we stopped was because security told us to leave the premises, we could have easily been there all night. My mom had dropped me off at the mall that night and so he offered to give me a ride home. Right before dropping me off he asked for me to be his girlfriend. And then he shared he was already falling deeply in love with me. I was so shocked by how fast it all happened and it all seemed like a dream to me. I agreed to be his girlfriend, but told him a benevolent lie when I also agreed that I was also falling in love with him already because I did not want to hurt his feelings (Alder, pg 97). Our first date was intriguing because it first felt like we were barely initiating our relationship, then experimenting, then straight to intensifying, all the way to integrating the relationship by the end of the night.
The liminality in performing Twelfth Night lies in sexual ambiguity on the stage. It enables a boy actor to play viola's role and disguised as a boy who is wooing another boy who plays a female role . The audience sees no more than a p...
Many people say, "Do not judge a book by its cover," but the cover of this book drew me into a journey of reading. The line of the letters Silent Dancing is on top; just below that is a picture of a beautiful four-year old girl. Perhaps she lives with a wealthy family; the girl looks so cute and pretty in her dress. Like many other young girls who usually love toys, she is holding a rattlebox; however, she does not pay attention to the toy in her hands. The young girl appears sad because of wide opened eyes that seem interested of what is in front of her. The quiet lips that have no smile make her look shy and older than her time. Why does this young girl have a feature of sadness? This picture seems to suggest that after reading Silent Dancing I should have the proper answer to that question.
Catherine, Catherine is who I am. I am a young American-Italian girl, that loves making people happy. Yet I get hurt easily, and can’t make decisions on my own. I lived with ma aunt (Beatrice) and ma uncle (Eddie). Sadly, Eddie died because he snitched to the immigration bureau on ma husband Rodolpho, but you will find out later exactly how he died. For now, all ya need to know it dat it wasn’t a smooth year.
First came the pride, an overwhelming sense of achievement, an accomplishment due to great ambition, but slowly and enduringly surged a world of guilt and confusion, the conscience which I once thought diminished, began to grow, soon defeating the title and its rewards. Slowly the unforgotten memories from that merciless night overcame me and I succumbed to the incessant and horrific images, the bloody dagger, a lifeless corpse. I wash, I scrub, I tear at the flesh on my hands, trying desperately to cleanse myself of the blood. But the filthy witness remains, stained, never to be removed.
The movie “Save The Last Dance” directed by Thomas Carter, is a story about a white female named Sara, who moved to south Chicago to live with her dad after her mom had died in a tragic car accident during Sara’s audition for Julliard, school of dance. Sara doesn’t get accepted into Julliard and starts school in south Chicago which is located on the rougher side of town. At this new school, Sara meets Chenille and Chenille’s brother Derek, who are both African-American. Chenille and Derek take Sara to a club which is completely out of her element because this club centers their dancing around hip hop and Sara only has experience in ballet and contemporary dance. Derek agrees to give Sara lessons on how to dance hip-hop. While teaching her
I’m Freda Josephine Baker born to Carrie McDonald and Eddie Carson on June 3rd, 1906, in St. Louis, Missouri, but most of you may know me as Josephine Baker. At the age of 12 I dropped out of school to become an entertainer, yes yes, I remember it like it was yesterday, I was young and ready to become a star. I grew up cleaning houses and babysitting for white families, and they always reminded me “be sure not to kiss the baby”. When I was 13, I got a waitressing job at the Chauffeur’s Club, which was where I met my first husband, our marriage was very brief; I had never hesitated to leave anyone, never depended on any man for anything, that’s for sure.
But in this battle I’ll give you a L so you can use it in ya language
In the movie ‘The Soloist,’ Nathaniel experienced mostly positive symptoms. Ronald Comer, ‘Fundamentals of Abnormal Psychology, defines positive symptoms as “pathological excesses,” or bizarre additions, to a person’s behavior, thoughts, and emotions, and negative symptoms as a deficit of thoughts, emotions, and behaviors. Nathaniel Ayers displayed signs of an abundance of excessive thoughts, emotions, and behavior. One example was when he initially met Steve Lopez; Nathaniel was extremely verbose and illustrated symptoms of disorganized and rapid speech patterns. He later expressed deep emotions towards Steve, by revealing to him that he loved him. Nathaniel held the delusion that Steve Lopez was god and this belief dominated his life. There was a scene in the movie where Steve Lopez had received a donated cello for Nathaniel; he told Nathaniel that he would only be allowed to play it if he went to the LAMP community center. Against his own desire, Nathaniel complied and went to the community center in hopes of playing it again. Auditory hallucinations are said to be common in people with
Baz Luhrmann is smart in using young, attractive characters to make the adaptation more appealing to a more adolescent audience. Shakespeare would be proud of it. Through an explosion of colourful costumes, the audience is amazed at Luhrmann’s use of symbolic ensembles.
The movie that I enjoy the most would be ’’ Save the Last Dance’’. I enjoy this particular movie because, it leaves me speechless, and the only word I could think of is wow. This movie is full of romance, and it takes my mind out of space in a place called mars. This movie would really leave you wondering what would happen next.
Blanche Dubois, a refined and delicate woman plagued by bad nerves, makes her first appearance in scene one of A Streetcar Named Desire by Tennessee Williams. She unexpectedly arrives in New Orleans to visit her sister Stella Kowalski who ran away after their father’s death. Upon their reunion, Blanche is sharp-tongued and quick to state her shock over the unsavory status of the apartment in comparison to the luxurious plantation where the two sisters were raised. Though dissatisfied by the living conditions, Blanche quickly explains that she had been given leave of absence from her teaching position due to bad nerves and could not stand being left alone—her excuse to invite herself to stay with Stella for an undetermined period of time. It
When I began my lessons with Ken, they took place at school, but then somewhere down the line, he wanted them to be at his house. He was the teacher, and I was told that you never argued with what the teacher had to say. Our next lesson, I showed up at his house at 1:00 sharp, ready to sing. I had never been to his house before, and I was a little nervous about seeing it. However, when he opened the door and greeted me with his cute little smile, I knew there was nothing to be nervous about. We started our lesson by singing a few songs for fun (we always sang duets together). He said that I wasn't singing my best and asked if I was stressed. Of course I was stressed! I was the lead in our school musical and it would open in two weeks. "One can never reach their full potential when they are stressed," he said, as he began to rub my shoulders. This was weird for me, but like I said, he was the teacher, and you never argue with the teacher. We finished our lesson, I thanked him and I was on my way out. Before I left though, he took my face in his hands, and he kissed me goodbye. I didn't really know what to do. Had that just happened? Did he just kiss me? Did I kiss him back? Is that wrong? He's too old! I'm too young! He's my teacher! We spoke on the phone several times that week, but never brought up the kiss.
When discussing the poetic form of dramatic monologue it is rare that it is not associated with and its usage attributed to the poet Robert Browning. Robert Browning has been considered the master of the dramatic monologue. Although some critics are skeptical of his invention of the form, for dramatic monologue is evidenced in poetry preceding Browning, it is believed that his extensive and varied use of the dramatic monologue has significantly contributed to the form and has had an enormous impact on modern poetry. "The dramatic monologues of Robert Browning represent the most significant use of the form in postromantic poetry" (Preminger and Brogan 799). The dramatic monologue as we understand it today "is a lyric poem in which the speaker addresses a silent listener, revealing himself in the context of a dramatic situation" (Murfin 97). "The character is speaking to an identifiable but silent listener at a dramatic moment in the speaker's life. The circumstances surrounding the conversation, one side which we "hear" as the dramatic monologue, are made by clear implication, and an insight into the character of the speaker may result" (Holman and Harmon 152).