A new marriage has ended, while an old marriage is finding its way back together. As a result, a confused husband must prove to his reunited wife that his love for her still burns like a freshly lit fire. A lost, frustrated, and confused women must now discover how to become a wife and mother once again. A broken family is finding what was once lost. While Garson Kanin’s My Favorite Wife (1940) and Michael Gordon’s Move Over, Darling (1963) have similar conclusions, Kanin’s scene of falling back in love portrays more passion and determination than Gordon’s story with no real growth or passion. In Gordon’s Move Over, Darling, the scene of mending the marriage back together is somewhat overlooked. After the judge (Edgar Buchanan) …show more content…
After the Judge (Granville Bates) annuls the marriage of Nick Arden (Cary Grant) and Bianca Bates (Gail Patrick), and determines Ellen Wagstaff Arden (Irene Dunne) legally alive, Nick and Ellen get into a disagreement about what they should do. Ellen decides taking the children to their mountain house for a while might be a good idea. This way Ellen can reconnect with her children and replace all the years she has been absent. Nick drives Ellen and the children, but when he arrives he has trouble allowing himself to let go. Nick constantly makes up reasons why he must stay and cannot return home. Then later in the movie flashes to the bedtime scene and Ellen sends Nick upstairs, he constantly comes down making up things to say on why he should stay down with her. Ellen then tells Nick that when Christmas comes they can be together, so Nick goes upstairs and dresses like Santa then bursts down stairs and says “Marry Christmas”. In this scene, Kanin shows the struggle Nick goes through to show Ellen that he really does love her. Kanin lets us see how determined Nick is to get back what was lost. Kanin leaves little room to wonder what will happen between Ellen and Nick and gives the audience the same low comedy ending we want to
Throughout history, women conformed to societal expectations of marrying for financial security rather than pursuing a strong emotional relationship. In Zora Neale Hurston’s novel Their Eyes Were Watching God, the protagonist Janie struggles to find her autonomy through the ubiquitous scrutiny from others. While transitioning from adolescence to adulthood, Janie’s internal conflicts in self exploration heighten, forcing her to comply to other’s opinions. Once wedded to Tea Cake does Janie finally comprehend her cause of happiness: love. Through Janie’s maturation, Hurston conveys Janie’s deviation away from monetary stability as a source of happiness, but instead finds fulfillment in ardor, which reveals no amount of material wealth ensures a jubilant life.
Pollard, Percival. "The Unlikely Awakening of a Married Woman." Chopin, Kate. The Awakening. New York: W. W. Norton & Company, Inc., 1994. 179-181.
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
Where there is a strengthening of the idea of love and companionship (Briggs, 2016b). That marriage should be based on friendship and a more intimate type of love. The capable women who were able to succeed in a “precarious male venture,” (Sleeper-Smith, 2000, p.440) that Sleeper-Smith presents contradicts the ideal women of the 19th century as being nurturing, gentle and in need of protection and support (Briggs, 2016b). Which reinforced the patriarchal model of marriage that native women worked hard to
The fact that the fictional mothers and daughters of the story have unhappy marriages creates a common ground on which they can relate. However, marriage has different meanings for each generation in this book. In the mothers’ perspective, marriage is permanent and not always based on love. Especially with their marriages in China, which was a social necessity that they must secretly endure in order to be happ...
Gaitskill’s “Tiny, Smiling Daddy” focuses on the father and his downward spiral of feeling further disconnected with his family, especially his lesbian daughter, whose article on father-daughter relationships stands as the catalyst for the father’s realization that he’d wronged his daughter and destroyed their relationship. Carver’s “What We Talk About When We Talk About Love” focuses on Mel and his attempt to define, compare, and contrast romantic love, while leaving him drunk and confused as he was before. While both of my stories explore how afflicted love traumatizes the psyche and seem to agree that love poses the greatest dilemma in life, and at the same time that it’s the most valued prospect of life, the two stories differ in that frustrated familial love causes Gaitskill's protagonist to become understandable and consequently evokes sympathy from the reader, but on the other hand frustrated romantic love does nothing for Carver's Protagonist, except keep him disconnected from his wife and leaving him unchanged, remaining static as a character and overall unlikable. In comparing “Tiny, Smiling Daddy” and “What We Talk About When We Talk About Love”, together they suggest that familial love is more important than romantic love, which we relentlessly strive to achieve often forgetting that we’ll forever feel alone without familial love, arguably the origin of love itself.
All over the world, marriage is one of the main things that define a woman’s life. In fact, for women, marriage goes a long way to determine much in their lives including happiness, overall quality of life whether or not they are able to set and achieve their life goals. Some women go into marriages that allow them to follow the paths they have chosen and achieve their goals while for other women, marriage could mean the end of their life goals. For Janie, the lead character in Zora Neale Hurston’s Their Eyes Were Watching God, who was married twice first to Joe sparks, and to Vergile Tea Cake, her two marriages to these men greatly affected her happiness, quality of life and pursuit of her life goals in various ways, based on the personality of each of the men. Although both men were very different from each other, they were also similar in some ways.
...opin’s idea in each story was very contradictory. At first the women were almost held captivate and dissolved of happiness in their marriages, but without a man in their lives they almost become nonexistent. In each of the women’s lives they are looking for attention, lust, and freedom. Once each woman is given all or one of those things, she may enjoy them for a moment and then her victory is snatched away in a flash.
...lationships, but the husband did not change. This angered Carroll and she began to dislike her husband and feel he was mistreating her, which triggered revenge. Through this chain of events the couples miss the real experience of passion. This is all contributed to the innate wiring that is a natural feeling in a human when it is born into the world. This is a basic instinct that alerts a person to protect oneself when it senses something it fears. When couples use their intellect, and deduction along with psychoanalysis to determine love, it could be a bit disappointing. I do agree with Horney. Horney has touched some points, like trust and mistrust, confused emotions start from childhood. Love and power are mixed together and used to control relationships. It’s all a part of the power men want to have to dominate women.
Henry David Thoreau famously said that “the mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” When we compare and contrast these two stories, “The Story of an Hour” and “Desiree’s Baby,” by Kate Chapin, we learn that this sentiment may be especially true for women. Kate Chapin uses “The Story of an Hour” and “Desiree’s Baby” to bravely explore the social inequalities of women in terms of marriage and divorce. The combination of these two stories point out that despite the presence of love, not all marriages are happy and not all divorces are sad. In “Desiree’s Baby,” Desiree has married for love and wishes to stay married and through no fault of her own, she is forced to divorce. In contrast “The Story of an Hour” is about Louise, who has married out of social obligation and wishes to divorce, but is forced to stay married. Both women are forced to follow paths not of their own choosing and submit to the rules set down by a male dominated society. In spite of society’s tendency to romanticize marriage, many women find marriage to be a limiting burden; for others, marriage may be the only chance at life.
Although their love has endured through many years, it has come to an end in the story. All throughout the story the couple is reminiscing about their life and while they are there are some odd details that are strewn throughout.
In “The Yellow Wall-paper by Charlotte Perkins Gilman, the unnamed female protagonist is going through a rough time in her life. (For now on, this paper will refer to this unnamed character as the “the narrator in ‘Wall-paper,’” short for “The Yellow Wall-paper. The narrator is confined to room to a room with strange wall-paper. This odd wall-paper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the protagonist, Mrs. Mallard must also deal with conflict as she must deal with the death of her spouse. At first there is grief, but then there is the recognition that she will be free. The institute of marriage ties the two heroines of these two short stories together. Like typical young women of the late 19th century, they were married, and during the course of their lives, they were expected to stay married. Unlike today where divorce is commonplace, marriage was a very holy bond and divorce was taboo. This tight bond of marriage caused tension in these two characters.
In April, Joyce’s wife Natalie reportedly confronts Ms Campion in Tamworth and later on, Ms Campion is transferred from Joyce’s office to Mr Canavan’s office. Natalie and Joyce try to make the marriage work.
The bleak tone of this story takes a particularly sad and disturbing tinge when the wife illustrates a scene from early on in her marriage where she tries to get her husband to satisfy her desire and provide her with mutual satisfaction, only to have him rebuke and reprimand her. In fact, the husband responds in such a particularly brusque and hysterical manner that the reader can see how traumatized the wife would have been at ...
The short stories “Souls Belated” and “The Yellow Wallpaper” have in common ‘Marriage’ as main theme. However, the marriage is treated quite differently in both short stories. In "Souls Belated", Lydia chooses to take control of her destiny, to deviate from conventions and to choose what is good for her. She is the strongest character of the couple. Whereas, in "The Yellow Wallpaper", the name of the main character who is also the narrator of the story is not known. She is identified as being John’s wife. This woman, contrary to Lydia in "Souls Belated" is completely locked up in her marriage. This essay will first describe and compare the characters of Lydia and John's wife in the context of marriage, and then it will look at how marriage is described, treated and experienced by couples in these two short stories.