Mufty-Zade K. Zia Bey’s excerpt is certainly less absorbed in defining Turkey’s nationalism in absolute terms like Gökalp has done in The Principles of Turkism. Instead, Speaking of the Turks focuses its attention elsewhere with a more realistic extension of Turkish nationalism. Mufty-Zade K. Zia Bey does a masterful job at depicting the world through the eyes of a Turk. The narrative in ‘A Stamboul Night’ gives the reader a sense of tranquillity and unity within the Turkish people. This is displayed through the subtle use of social interactions within the city. Even though there was widespread poverty and indigent people within Istanbul, Mufty-Zade K. Zia Bey stipulates that Turkish people take care of their own, and only wish to be left …show more content…
The narrative by Mufty-Zade K. Zia Bey takes on a better-defined meaning once we include the features of Ziya Gökalp’s work. Likewise, Gökalp’s text is exceptionally enhanced when absorbing account of what Turkish national identity actually looks like in the real world. To explain how each text is able to compliment each other, let’s look at the character Carayanni from ‘A Night In Pera’. Through Mufty-Zade K. Zia Bey’s narrative, we are given an unclear discernment of what to make of him. Despite being labeled as an Ottoman Greek, Carayanni is described as being “well bred” , he appears to act in consideration of his Turkish friend’s morality whenever the situation obliges it, and as well as being able to speak their language. In essence, Carayanni seems to have been conditioned under Turkish education, so what then distinguishes Carayanni from being a Turk in principle? By incorporating definitional concepts from Gökalp’s text, we get a more thorough understanding of Carayanni’s relation with the Turk identity. According to Gökalp, “sharing education and culture” are paramount, however, the genuine determinant is the sentiments associated with a person’s primary education. When bearing this in
In Black Dog of Fate, Balakian illustrates how his Armenian background impacted him as being in the first generation of his family born and raised in America. In the beginning of his memoir, the young Balakian lacked interest in the “old country”. As a kid living in a heavily populated Jewish community, he was envious of his friends walking down the street with their parents to go to the synagogue. Through this feeling of jealousy, he felt as though his Armenian ancestry was stopping him from being like his peers. Because Peter’s grandmother and parents did not give him any information about his family’s past at that time, he did not get to know the similar history Jews and Armenians once shared. At the time of adolescence Armenia’s past put a strain in Peter’s relationship with his father after he wrote a paper on Turkey. “. . . the Turkish term paper marked a turning point; in its wake, my father became even more alien to me” (Balakian 95).
Galchen creates the character of her narrator to be very similar to that of the young narrator in “Araby” in a modern setting. In their youth, each narrator becomes infatuated and obsessed with someone who does not realize. The narrator of “Araby” falls in love with his friend Mangan’s sister, as seen in that he states that “when she came out on the doorstep [his] heart leaped” (123). He forms an obsession with her, as evidenced by the fact that he “had never spoken to her . . . and yet her name was like a summons to all [his] foolish blood” and in that “her image accompanied [him] even in places the most hostile to romance” (123).
Joyce, James. “Araby”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 427 - 431.
Khaled Hosseini, author of A Thousand Splendid Suns, is indisputably a master narrator. His refreshingly distinctive style is rampant throughout the work, as he integrates diverse character perspectives as well as verb tenses to form a temperament of storytelling that is quite inimitably his own. In his novel, A Thousand Splendid Suns, he explores the intertwining lives of two drastically different Afghani women, Lailia and Mariam, who come together in a surprising twist of fate during the Soviet takeover and Taliban rule. After returning to his native Afghanistan to observe the nation’s current state amidst decades of mayhem, Hosseini wrote the novel with a specific fiery emotion to communicate a chilling, yet historically accurate account
Stone, Harry. "Araby" and the Writings of James Joyce. N.p.: n.p., n.d. EBSCO. Web. .
Enderwitz, Susanne. “Shahrazad Is One Of Us: Practical Narrative, Theoretical Discussion, And Feminist Discourse.” Marvels & Tales: Journal of Fairy-Tale Studies 18.2 (2004): 187-200. MLA International Bibliography. Web. 16 Mar. 2014.
Literature that was published in the 1800s in Germany is still used as a basis, or can be, for modern movies. I found this to be true when comparing Faust to the movie “Bedazzled.” Faust is a Romantic story that encompasses the Romantic movement to the fullest. “Bedazzled,” while encompassing many of these characteristics, has characteristics of the enlightenment, modernism, and postmodernism. Society’s character at the time of production of each storyline plays a huge role in how the story plays out. We can see this in how each desire is portrayed, how good and evil are portrayed, and how each hero gets themselves into their situation.
The author’s intention in the beginning of Mahtab’s story is to give the reader a descriptive introduction regarding the feelings and cricumstances of Mahtab’s journey. She uses descriptive language to inform the reader of Mahtab’s feelings of uncertainty as the “fog of darkness” (p.2) closes in on the family as they travel by truck through the Afghani mountains in a search for a better life.
When life becomes a question of survival, do rules in everyday life/ behavior seem to matter? Lies and deceit can show to be motive if or when life is threatened. Throughout this paper it will become apparent that when put into a certain position where there are decisions to be made, everyone might show another side of themselves that you may not have known to be there. Within the story, Night lies and deceit will prove to show not only character traits, but how they affect decisions that are made and how the overall ending is changed due to denial that comes along with it all.
Joyce, James. “Araby.” The Norton Introduction to Literature, Shorter Eighth Edition. Eds. Jerome Beaty, Alison Booth, J. Paul Hunter, and Kelly J. Mays. New York: W.W.Norton.
The history of The Thousand and One Nights is vague, and its shape as hard to pin down as colud's. The starting point of the work in Arabic wa...
Written by the same author, “Araby” and “Eveline” are very similar in several aspects, both formal and contextual. As they are taken from the same collection of the short stories, namely “Dubliners”, these works develop the same theme – the life of those living in Dublin, their joys and problems, their ups and downs; therefore, it is logical that they share many similarities which may be traced while analyzing the main characters, the plot peculiarities, the themes and the conflict, the mood and the tone etc.
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
Although he had endured trials and tribulations to attend the bazaar, he soon finds that, exotic name withstanding, he is still in Dublin, is still impoverished, and his dreams of Araby were merely that, dreams. Our narrator remains a prisoner of his environment, his economic situation, and painful reality. North Richmond Street, the dead-end street described in the first sentence of “Araby” is more than a street. It is a symbol for the way that our protagonist views his life.