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Since the beginning of the motion picture in the early 20th century, horror movies have been recognized as a genre of movie for those who seek a good source of thrill and nail-biting entertainment. From the time when horror movies had begun as new and upcoming source of entertainment to the current day, many subcategories of these horror flicks have diverged. Some examples of those subcategories are supernatural, horror-comedies, psychological, suspense, and monsters (Vantrepotte). One of the more prominent types of horror films could be illustrated as a sadistic tortuous blood and gore fest, otherwise known as “torture porn.” The producers and directors in the cinematic world argue that these films have no affect on its viewers and that the torture porn development into Hollywood is simply another way to produce money. For example Eli Roth, the director of the movie Hostel, argues this. Soon after the February 2006 release date, the movie produced roughly $47 million in the box office in the United States alone (Hostel 2006). Though Roth made heaping amounts of money for this film his argument becomes invalid when disputing the resulting psychological effects of its viewers. Groups of people, such as concerned parents, would argue that torture porn is a negative subgenre of the horror category. It can be considered negative due to its psychologically damaging affects on those parent’s children. Although “torture porn” can be viewed as a way to produce more money and as a source of entertainment, it is not a positive development into the cinematic world because of its damaging psychological affects, such as desensitization and violent influence, on its viewers--especially children. The subcategory of torture porn originated as an... ... middle of paper ... ...Inspired Real-Life Crimes." Whatculture.com. What Culture LTD, 5 June 2013. Web. 8 Apr. 2014. Osborn, Andrew. "Scream' Movie Inspires Teenage Girl's Copycat Killer." Rense.com. TheHostPros, 8 Nov. 2001. Web. 14 Mar. 2014. Schwerchel, Lauren. “Will Scary Movies Give me Nightmares?” Greatist.com. Greatists, 31 Oct. 2011. Web. 15 Apr. 2014 Smith, Gregory. "Modern Horror Films Reflective of Desensitization to Violence in Audiences." Examiner.com. Examiner, 16 Apr. 2013. Web. 13 Mar. 2014. Vantrepotte, Joe. "Top 10 Horror Genre Categories." Filmonic.com. Filmonic, 30 Oct. 2011. Web. 14 Mar. 2014. Vineberg, Steve. "How Hollywood Trains Us Not To Recognize Interesting Movies." Chronicle Of Higher Education 45.31 (1999): B9. Academic Search Elite. Web. 8 Apr. 2014. White, James. "The Story Behind Torture Porn." www.totalfilm.com. Total Film, 30 Oct. 2009. Web. 19 Mar. 2014.
Stephen King “Why We Crave Horror Movies” this article was published in Playboy Magazine (1981)
“Torture porn” developed the horror movies not by attracting so many audiences, but also by proving to be commercially successful, with some of the movies becoming the highest earning in the horror genre. I have already talked about the Saw(2004) movie. It is one of those movies to set the record for highest earning horror film, earning the growth collection of more than $100 million worldwide. After this movie got so successful, they made another squeal of this movie. They titled it Saw II and it actually earned more than $147 million. Similarly, they made it up to seven parts so far and as far as I know there is the last part or the final chapter; Saw VIII too, which is uncertainly going to be released in the summer of 2016. So far the total box office collected globally from all seven parts of Saw are above $800 million. Hostel sequels are the other movies to set the record on high grossing horror film. Its clearly stated in the Forbes,“Roth made Hostel for $4.5 million, and the film was released in January 2006. Hostel grossed a total $80 million worldwide in theaters, plus DVD sales of $21 million.” This is a total worldwide collection of just one part of this film. There are up to 3 sequels. They aren't bad at all. They are already higher than the Bollywood highest grossed film. I have
One of America’s famous actress film director and producer Katie Aselton once said,” I don’t love horror movies with something surreal happening. That doesn’t work for me. What’s terrifying is something that could actually happen to me and what I would do. I don’t know how to throw a punch, and I’ve never had to do it.” This quote shows connection to King’s article. I’m starting to consider that everyone has a crazy side. Why We Crave Horror Movies explains the reason people want to go see horror movies. The average person enjoys the horror movies because they are in a safe environment knowing they can not be harmed. By discussing the argumentative strategies such as ethos, logos,
Friedman, L., Desser, D., Kozloff, S., Nichimson, M., & Prince, S. (2014). An introduction to film genres. New York, London: W.W. Norton & Company.
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
Often times I wonder if people go to see horror movies for enjoyment, or is it something much more than that? I have mixed feelings about the idea that, “the horror film has become the modern version of public lynching” (King 562). Horror movies do promote violence and can influence the mindset of the audience, but sanity people is not based on the excitement we receive from watching a horror film. Instead, it is based on what is already within us, not what we witness on a movie screen, but what we experience throughout our lifetime.
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
A Brief History Of Horror Movies. Ezine Articles. Spark Net, 10 Aug 2010. Web. The Web.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
Describe some ways in which business values and artistic values in Hollywood contend with one another.
Horror movies have been part of mainstream cinema since the early 1930s when films such as Dracula and Frankenstein were created. As the horror genre evolved, so did the stories in the films. Friday the 13th (Marcus Nipsel, 2009) is a very good example of this evolution. Even though it is a remake, Friday the 13th changed the way horror movies were seen by the audience. The ideas and theory behind this slasher sub-genre of horror films can be summed up in a book. Carol Clover, an American professor of film studies, wrote a book in 1992 entitled Men, Women, and Chainsaws: Gender in the Modern Horror Film in which she described the horror film genre. In a chapter entitled “Her Body, Himself”, Clover describes how weapons play a very important role in horror movies as well as explaining her Final Girl theory. Her book’s ideas changed not only academic notions but also popular beliefs on horror films. The 2009 remake of Friday the 13th implies that Carol Clover’s ideas about 80s slasher films, including male tormentors, the importance of weapons, and the Final Girl, have stayed the same through the years.
When most people think of a “slasher film” (Clover 1992) they tend to think of movies such as Friday the 13th, Halloween, and The Texas Chainsaw Massacre. These movies align with the basic necessities for a slasher film ,but at the same time, are repetitive. In 1984 A Nightmare on Elm Street was created and completely changed what was looked at as a “slasher villain”. In A Nightmare on Elm Street the viewer is introduced the evil omnipresent being known as Freddy Krueger. Freddy Krueger is a nightmareous malicious monster whose only purpose is to kill. He is the embodiment of fear and evil with immense power and abilities that some would dub as “Godlike.” In James Kendrick’s Razors in the Dreamscape: Revisiting A Nightmare on Elm Street and the Slasher Film Kendrick discusses A Nightmare on Elm Street’s originality as compared to other slasher films such as Friday the 13th, Halloween, etc. Kendrick presents an understanding of how A Nightmare on Elm Street fights common archetypes and tropes associated with the slasher genre by discussing the amalgamation of Krueger and his victims and how it ultimately emasculates Krueger and leads to his demise.
After more of these films started to become popular, they were commonly known as “torture porn.” Being a sub-genre of horror, torture porn is efficient at entertaining
Introduction Horror movies are probably the most hate to love movies in the world and they have really hit a peak within the last few years, grossing more than they ever have before and almost doubling the amount produced. Every culture and nation has their own idea of how horror should be presented in the movie and in just what ways. Every culture does this differently of course which is why the horror industry is so grand. There are two main cultures that stick out when talking about horror movie styles: the Japanese and the Americans. They each have a certain quirks that make their movies stand out from each other and make one better than the other, so when considering which style you should watch, American horror is better than Japanese
The danger involved in violent movies, and the stimulation of the mind, also attracts people to watch them. The idea of people getting hurt, and seeing dangerous situations, may lure people in to see the outcome. I remember the first time I watched the movie “Terminator.” There was a scene where the child in the movie was being protec...