The fundamental characteristic of magical realism is its duality, which enables the reader to experience both the character’s past and the present. In the novel, Monkey Beach, Eden Robinson uses this literary device to address the the trauma and mistreatment of the Haisla community in Canada by unveiling the intimate memories of the protagonist, Lisamarie, and the resulting consequences of this oppression. Monkey Beach illustrates how abuse in the past leads to another form of self-medication in the future - a neverending, vicious cycle for the members of the Haisla community. Many characters in Monkey Beach are scarred from childhood sexual abuse and family neglect, and resort to drug and alcohol abuse as a coping mechanism. These appalling memories are an account of the impact of colonization on the Haisla territory which continues to haunt the Aboriginal community throughout generations. Many of the characters in Monkey Beach are frequent smokers, and this habit influences the children in the community. Lisa had her first cigarette “six or seven years ago” (Robinson 19). Lisa was very young when she first started smoking, and is also a popular habit among her Aboriginal friends. Among the Aboriginal youth in Canada, the smoking rate is two times higher than in their non-Aboriginal counterparts (Reading and Allard 1999). Most of the adults in Monkey Beach are smokers, and because the adults smoke, this habit influences the youth. If one or both parents are current smokers, their children would have a significantly greater risk of intending to smoke because of the easy access to cigarettes and the indifferent perspective towards smoking (Jackson and Henrikson 1997). This is an example of how the past - in this case the ... ... middle of paper ... ...latest in the unspoken and unrecorded events of misery and misfortune that the community must suffer. Monkey Beach shows how the collective memories of individuals are woven together and held in the memory of the community, and these burdens of the shared past are suffered together. Works Cited Silman, Janet. Enough is Enough: Aboriginal Women Speak Out. Toronto: Women’s Press, 1987. Print. Moreton-Robinson, Aileen. Talkin’ Up to the White Women: Aboriginal Women and Feminism. Australia: University of Queensland Press, 2002. Print. Perkins, J. J., and Sanson-Fisher R.W.. "The Prevalence of Drug Use in Urban Aboriginal Communities." Addiction 89.10 (1994): 1319-331. Web. 19 Mar. 2014. Kahawi, Jacobs, and Gill Kathryn. "Substance Abuse in an Urban Aboriginal Population." Journal in Ethnicity in Substance Abuse. 1.1 (2001): 7-25. Web. 19 Mar. 2014
King Solomon wrote wisely, and later was wisely paraphrased by the folk band “The Byrds”, “To everything there is a season and a time to every purpose under heaven...” (Ecclesiastes 3:1,8). Seasons often represent the periods of a person’s life; birth, youth, age and death. In the short story “Summer” by David Updike, the lake provides an eternal and unchanging witness to Homer’s transition from season to season and from boy to man.
In the article Skin Deep written by Nina Jablonski and George Chaplin, they discuss and look deeper into the diverse differences in skin color. Our skin color has developed over the years to be dark enough to prevent the damaging sunlight that has been harming our skin and the nutrient folate that it carries. At the same time out skin is light enough to receive vitamin D.
In Nevil Shute’s On the Beach, the story of the last days of the lives of the last humans on Earth is told. Victims of Global-Thermonuclear war, which they took no part in, they are aware of the massive radiation cloud drifting south towards Australia. The main focus of the novel is not the plot, but the characters, who they become and what they do in their last days. Two such characters are John Osborne, a scientist studying the effects of the radiation, and Mary Holmes, a Navy-wife and recent mother. Through the course of the novel, though there is little interaction between the two, it becomes apparent that they are foils for each other, portraying near opposite reactions to the impending end.
reacts to the crosser. At the beginning of the poem, the speaker’s first impression of the swamp
Drifters by Bruce Dawe This poem is about a family that’s always on the move, with no place to settle down for long, hence the poem was titled ‘Drifters’ to describe this family. ‘Drifters’ looks at the members of this family response to frequently change and how it has affected them. This poem is told in third person narration in a conversational tone. This gives the feeling as if someone who knows this family is telling the responder the situation of this family.
Maxine Kumin?s, Woodchucks provides an interesting and creative perspective into the mind state of those influenced by nazi warfare. What begins as a seemingly humorous cat and mouse hunt, reminiscent of such movie classics as Caddyshack, soon develops into an insatiable lust for blood. Kumin?s descriptive language provides the reader with the insight necessary to understand to the speaker?s psychology as they are driven beyond the boundaries of pacifism.
“I’d Rather Smoke than Kiss.” is Florence King’s very astute retort to anti-smokers. In this writing she advocates for smoking as a simple enjoyable thing to do. To emphasize this she recalls her first smoking experience, which is for the most part very normal and unexciting. However, this inconsequential account is not indicative of the rest of the story. King quickly switches gears as she goes on the attack. In the first section she labels hatred of smokers as a form of misanthropy which she goes on to say is “the most popular form of closet misanthropy in America today” (King 32). This perspective is further augmented by the fact that she considers second-hand smoke an invention; a means for the “Passive Americans” (King 32), to justify prejudice towards smokers.
The main character of this book is Susan Caraway, but everyone knows her as Stargirl. Stargirl is about 16 years old. She is in 10th grade. Her hair is the color of sand and falls to her shoulders. A “sprinkle” of freckles crosses her nose. Mostly, she looked like a hundred other girls in school, except for two things. She didn’t wear makeup and her eyes were bigger than anyone else’s in the school. Also, she wore outrageous clothes. Normal for her was a long floor-brushing pioneer dress or skirt. Stargirl is definitely different. She’s a fun loving, free-spirited girl who no one had ever met before. She was the friendliest person in school. She loves all people, even people who don’t play for her school’s team. She doesn’t care what others think about her clothes or how she acts. The lesson that Stargirl learned was that you can’t change who you are. If you change for someone else, you will only make yourself miserable. She also learned that the people who really care about you will like you for who you are. The people who truly love you won’t ask you to change who you are.
Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.
Justin Torres Novel We the Animals is a story about three brothers who lived a harassed childhood life. There parents are both young and have no permanent jobs to support their family. The narrator and his brothers are delinquents who are mostly outside, causing trouble, causing and getting involved in a lot of problems and barely attending school, which their parents allowed them to do. The narrator and his brothers were physically abused by their father, leading them to become more violent to one another and others, drinking alcohol and dropping out of school. Physical abuse is an abuse involving one person’s intention to cause feelings of pain, injury and other physical suffering and bodily harm to the victim. Children are more sensitive to physical abuse, they show symptoms of physical abuse in short run and more effects in the long run. Children who sustain physical abuse grow up with severely damaged of sense of self and inability. The narrator and his brothers were physically abused by their father and showed long run symptoms of Antisocial behaviors, drinking problems and most importantly they becoming more violent themselves. Many psychological and sociological studies such as “Childhood history of abuse and child abuse potential: role of parent’s gender and timing of childhood abuse” and “school factors as moderators of the relationship between physical child abuse and pathways of antisocial behavior can be used to prove the argument that children who sustain physical abuse grow up with criminal and antisocial behaviors.
who were there but learn them in such a way that we are allowed to
World War I was fought on the battlegrounds of Europe. Death and dismay was strewn throughout the landscape. The major players included, but were not limited to, The United States, Great Britain, Germany, Italy, and France. Much like the Vietnam War, that would occur later on in the century, this war was one of bewilderment for most of the people involved, and not involved, for that matter. The soldiers and civilians alike were uncertain about the events leading up to this escalation of mass bloodshed. This uncertainty through Europe and the US, led to a myriad of recurring themes on and off the battlefields. The novel Regeneration, written by Pat Barker, discusses these experiences, and consequential themes in depth. In particular, one of these recurring motifs found in the novel that is incredibly interesting is that of Emasculation. It can be found throughout the novel through a variety of medium, including experiences and even clinical healing methods used by a doctor. Emasculation was expressed as a major theme throughout the World War I era and should be addressed properly.
Sidewalk is a book written by Mitchell Duneier, an American sociology professor at Princeton University, in 1999; where the book has gained a lot of favorable reviews, leading its winning the Los Angeles Times Book prize and C. Wright Mills Award. Similarly, the book had become a classic in urban studies, especially due to the interesting methodology, which was used by Duneier while he was conducting his research. The book is based on observations, participant observation and interviews, which gave the author the ability to live and interact with the book and magazine vendors on daily bases. Although, this gave him an insight into the life of the sidewalk, many methodological issues have concerned scholars and students of sociology since the day this book was published. Duneier had admitted during the book that he couldn’t be completely subjective while conducting his research and writing his book due to his involvement and personal relationship with people who work and live at the sidewalk, which raise the question, whether the research is still relevant if the researcher is only giving us an objective outcome?
What comes to mind when one thinks of the word ‘puppy’? It is probable describe a puppy as a lovable, adorable, and cuddly companion. However, one might also identify the animal as a menace and a liability or even as a delicious source of food. Why does this single word hold so many meanings? One’s past experiences and biases influences these conflicting views and attitudes. For instance, an individual’s fond view of puppies may exist because they were raised with puppies and consequently grew affectionate toward the animals. On the contrary, if another individual has not bonded with puppies as pets, then they will share the latter point of view. In the short story “Puppy” by George Saunders, the multiple characters view single events and objects with contrasting perceptions. Therefore, instead of painting a precise picture of the characters and the plot, the story expresses several views regarding the morals of the characters, the motivations of their actions, and the meaning of the events that take place. In “Puppy”, George Saunders explores the theory that perception is not an elementary, universal definition of an object or idea, but a complex interpretation that is influenced by one’s unique and varying past experiences and opinions. The complexity of perception is evident in one the story’s narrator’s, Marie’s, vantage point.
In Alice Walker’s Meridian, she tells the story of the slave Louvinie who buried her tongue, that her white slave masters cut out, beneath a weak magnolia tree on a slave plantation. Walker’s character, Meridian follows suit by laying the decomposing body of five-year-old boy that drowned due to the city commissioner’s neglect, in front of a representative of the racist hierarchy. These stories follow a classic Alice Walker theme, “when they torture you too bad to talk plant a tree” (Torture). Meridian carries the body of the boy like flowers to a gravesite, and teaches us to use our experiences to invest in our future, as an opportunity to grow stronger.