Mona Lisa Analysis

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Leonardo da Vinci was also responsible for creating the famous painting, Mona Lisa. During the Renaissance in 1503 to 1507, da Vinci created his oil painting on a piece of wood, which became to be an exquisite art piece. The Mona Lisa is one of da Vinci’s widely known art pieces, “the harmony of figure and landscape in the Mona Lisa has been thought to be an expression of the analogy-between the human body and the body of earth” (Smith 1). This painting is properly displayed on the wall in the Louvre in Paris, France. This woman, dressed in the fashion of Italy during the Renaissance era, seated in a chair with a landscape of nature behind, is a representation of da Vinci’s techniques and expression, which gave the portrait fame. The portrait …show more content…

A discussion over the expression of the portrait, and how Leonardo wanted it to be perceived, became a huge discussion. According to Bishop, “the sitter’s bemused calm contrast to the spectacular landscape, with its craggy peaks and misty rivers”, the way she was placed contributed to expression and the feel of the painting overall (Bishop 211). Since the Mona Lisa was a portrait, it was said that Leonardo did no addition to the painting over something he felt, because of the difficulty to express it on the face of Mona Lisa, who also did not show it herself (Kobbé 68). The concept of the expression presented in the painting has been shadowed, creating different opinions on how the Mona Lisa actually should have been seen. This painting is distinguished by the unique form of Leonardo da Vinci’s artistic style, he took a new form of expression and made it one of the focuses on this piece of work. In the Mona Lisa, Leonardo da Vinci created a new form of painting giving his painting a sense of soul and connection. According to Kobbé, it seemed as if Leonardo found this expression and smile in this woman so delightful, that “from now on the endowed it on all the free creations of his fantasy” (Kobé 68). Da Vinci found that certain smile very charming, that he eventually began judging the facial features of expression on a human character, and that certain smile could be seen in multiple paintings of

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