Miles Davis Essay

722 Words2 Pages

Andrew Stimson
Jazz Styles
Dr. Pfenninger
May 5th, 2014
Miles Davis: Kind of Blue
Kind of Blue is a phenomenal album recorded by the Jazz artist Miles Davis in 1959. This album was instrumental in introduced the modal style of Jazz that Miles helped to pioneer. The songs and sounds that come from this album are some of his best works, and they can be compared to some of the greatest recordings by other Jazz greats. The lineup of musicians features some of the best Jazz musicians on their respective instruments. One of the reasons for this is the mixture of Davis and Coltrane. Together they are an unstoppable force for musical perfection. Kind of Blue is a though provoking, entertaining and generally awe inspiring as a body of musical work.
Coltrane and Davis fit so well together. Miles Davis deviates from his normal soloist routine and focuses on using longer, heavier tones. Davis employs his knowledge of modes are he dominates the scales. On this album, Davis is more concerned with tonality than ever before. Speed is of no concern to him, as the carefully thought out tones stand out more than pure speed ever could. He seems to be searching for the perfect tone. In his search, all of the tones he finds seem to blend together in endless smooth and sweet sounds that allude to a rising tension. Miles can be heard using his well-known trumpet mute in the song, Blue in Green. This simple and beautiful ballad draws listeners in with the subtle tones used in his mute. In contrast to the smooth and seemingly relaxed tones of Davis, Coltrane seems to exist only to add that tension. His quick and carefully crafted solos was just enough of a deviation from Davis to provide depth in each track on this iconic album. Coltrane’s tenor demands th...

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...e first modal blues recorded. Not only was this track modal, but it was also considered to be written as a waltz. This can be heard in the way the song seems to persuade the listener to glide gracefully through the sounds.
The track So What was instrumental in the introduction of chords that were often referred to as the "So What Chords". Bill Evans’ chord voicing included intricate harmonies such as elevenths and sevenths of the minor seventh chord. Each song that came from this album would have a lasting effect on the world of Jazz. Kind of Blue has continuously been considered one of the best Jazz records ever. This is supported through all of the advancements seen on this record. We as listeners, have much to learn from this collaboration of greats. In conclusion, Kind of Blue is some kind of wonder, and I am thankful for this contribution to the world of Jazz.

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