Metamorphosis And The Present Social Astention In Kate Chopin's The Awakening

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Eventual Awakening As Kate Chopin’s The Awakening develops a woman’s journey to defy the present social oppression, this selected passage is Edna’s metamorphosis and the turning point in the novel. After listening to Mademoiselle Reisz’s music at Robert’s departure party, Edna swims for the first time and experiences her awakening to the desire for freedom. The surrounding ocean becomes a place that provides Edna strength to free herself and an isolated hiding where she can express her true essential self. However, Edna’s attempt for liberation eventually resigns to the overwhelming presence of death and the unfortunate realization about the society’s dominance. This passage from page 47-48 is the point of epiphany, establishing Edna’s transformation …show more content…

Previously, she cannot swimming without having others’ protection, “But that night she was like the little tottering, stumbling, clutching child, who of a sudden realizes its powers, and walks for the first time alone, boldly and with over-confidence” (line 6-7). The narrator’s use of progressive climax, “tottering, stumbling, clutching”, creates an imagery of her definite transformation in order to emphasize her developing yearning for freedom. He further compares Edna to a child, which symbolizes purity and hope, to evoke a brighter image that reveals Edna’s amazement about this new awakening. Her enthusiastic motions create a happy atmosphere to convey her feelings to the readers. Edna’s similarity to a child at this moment demonstrates her significant growth into a heroic woman, who is independent and can “walk alone, boldly and with over-confidence”. This part preludes to her later solitude in this …show more content…

“A quick vision of death smote her soul, and for a second of time appalled and enfeebled her senses. But by an effort she rallied her staggering faculties and managed to regain the land” (line 26-27). The rising motif of death is present in the diction: “smote”, “appalled”, and “enfeebled”, foreshadowing Edna’s inevitable, yet dignified death at the end of the novel. Death is a metaphor for the societal forces that condemns Edna’s forbidden desire, and it paralyzes her as if by the work of the devil. The repeating terrors comment on the lethal social oppression with death as the price for liberation. As Edna regains the land again, it symbolizes her temporary submission to the pressure and returns to reality from her fantasy in

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