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How to interpret chopin's awakening to someone
A quotation about the awakening by kate chopin feminist meaning
Critical Analysis of The Awakening Essay
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Edna Pontellier
Throughout The Awakening, a novel by Kate Chopin, the main character, Edna Pontellier showed signs of a growing depression. There are certain events that hasten this, events which eventually lead her to suicide.
At the beginning of the novel when Edna's husband, Leonce Pontellier, returns from Klein's hotel, he checks in on the children and believing that one of them has a fever he tells his wife, Edna. She says that the child was fine when he went to bed, but Mr. Pontellier is certain that he isn't mistaken: "He reproached his wife with her inattention, her habitual neglect of the children." (7) Because of the reprimand, Edna goes into the next room to check on the children. "She soon came back and sat on the edge of the bed, leaning her head down on the pillow…. She began to cry a little, and wiped her eyes on the sleeve of her peignoir." (7) This is the first incident in which we see Edna's depression. At first, it doesn't seem like it is that significant, but Edna then goes out and sits on the porch and cries some more: " The tears came so fast to Mrs. Pontellier's eyes that the damp sleeve of her peignoir refused to dry them…. Turning, she trust her face, steaming and wet into the bend of her arm and went on crying there, not caring any longer to dry her face, her eyes, her arms. She could not have told you why she was crying." (7-8)
As time goes on we can see that her depression grows ever so slightly, and that it will continue to grow throughout the novel. Such happenings are nothing new to Edna: " Such experiences as the foregoing were not uncommon in her married life. They seemed never before to have weighed much against her husband's kindness and a uniform devotion which had come to be tacit and self understood." (8) The author goes on to describe what Edna felt during the episode: " An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her whole being with a vague anguish. It was like a shadow, like a mist passing across her soul's summer day." (8)
	When Edna goes to mass with her friend, Robert Lebrun, we see another instance where she's not herself: "A feeling of oppression and drowsiness overcame Edna during the service. Her head began to ache, and the lights on the altar swayed before her eyes. Another t...
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...has gone:
"Despondency had come upon her in the wakeful night, and it had never lifted. There was no one thing in the world that she desired. There was no human being whom she wanted near her except Robert; and she even realized that the day would come when he, too, and the thought of him would melt out of her existence, leaving her alone." (108)
With her mind already gone, Edna's body begins to swim out into the sea, not caring about what lies ahead: "She did not look back now, but went on and on, thinking of the blue-grass meadow that she had traversed when a little child, believing that it had no beginning and no end." (109)
	There are definite signs of Edna Pontellier's depression, from the beginning of the novel and all the way to the end when she commits suicide. If there had been someone who had seen this, Edna might not have been driven to death, but she felt that no one could understand her wanting to be on her own. She thought of Doctor Mandelet, that he might have understood, but it was already too late, she was too far from shore and her strength was gone. So in the end there was really no one that could have saved her from this fate.
In Kate Chopin's, The Awakening, Edna Pontellier came in contact with many different people during a summer at Grand Isle. Some had little influence on her life while others had everything to do with the way she lived the rest of her life. The influences and actions of Robert Lebrun on Edna led to her realization that she could never get what she wanted, which in turn caused her to take her own life.
In Kate Chopin’s The Awakening, Edna Pontellier’s suicide is an assertion of her independence and contributes to Chopin’s message that to be independent one must choose between personal desires and societal expectations. Chopin conveys this message through Edna’s reasons for committing suicide and how doing so leads her to total independence. Unlike the other women of Victorian society, Edna is unwilling to suppress her personal identity and desires for the benefit of her family. She begins “to realize her position in the universe as a human being and to recognize her relationship as an individual to the world within and about her” (35).
The Awakening is a novel about the growth of a woman becoming her own person; in spite of the expectations society has for her. The book follows Edna Pontellier as she struggles to find her identity. Edna knows that she cannot be happy filling the role that society has created for her. She did not believe that she could break from this pattern because of the pressures of society. As a result she ends up taking her own life. However, readers should not sympathize with her for taking her own life.
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
Throughout Kate Chopin’s The Awakening, Edna Pontellier, the main protagonist, experiences multiple awakenings—the process in which Edna becomes aware of her life and the constraints place on it—through her struggles with interior emotional issues regarding her true identity: the confines of marriage vs. her yearning for intense passion and true love. As Edna begins to experience these awakenings she becomes enlightened of who she truly and of what she wants. As a result, Edna breaks away from what society deems acceptable and becomes awakened to the flaws of the many rules and expected behavior that are considered norms of the time. One could argue that Kate Chopin’s purpose in writing about Edna’s inner struggles and enlightenment was to
	At the end of this story, Edna kills herself by swimming out into the ocean. The movie shows just that, omitting two very significant symbols which are present in the novella. The first of these two symbols is the injured bird that’s "beating the air above, reeling, fluttering, circling disabled down, down to the water." (Chopin, 124) This bird symbolizes Edna’s struggle to become the master her own life as well as her failure to achieve this goal. The other symbol is "the old terror [that] flamed up for an instant, then sank again." (Chopin 124) This is the same terror she feels when she swims out for the first t...
When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions. Since she wanted to be free from a societal rule of a mother-woman that she never wanted to be in, she emphasizes her need for expression of her own passions. Her needs reflect the meaning of the work and other women too. The character of Edna conveys that women are also people who have dreams and desires they want to accomplish and not be pinned down by a stereotype.
In The Awakening, by Kate Chopin, Edna Pontellier is a married woman with children. However many of her actions seem like those of a child. In fact, Edna Pontelliers’ life is an irony, in that her immaturity allows her to mature. Throughout this novel, there are many examples of this because Edna is continuously searching for herself in the novel.
Something rarely mentioned when discussing The Awakening by Kate Chopin is the possibility of the main character, Edna Pontellier, having a mental illness. Her unconventional awakening and suicide is often attributed to Edna not being able to withstand the pressures of society. However, there is a deeper reason for her motives. Edna Pontellier struggled depression and other mental illnesses, which ultimately resulted in her awakening and suicide.
Albert Camus once stated, “In the end, one needs more courage to live then to kill [themself].” When it comes to the act of committing suicide, more courage is needed to push past the urge and refuse defeat than simply throwing the towel in. In Kate Chopin’s scandalous novel, The Awakening, Edna Pontellier fails to muster up enough courage to prove herself victorious against her life battles, which, unfortunately, leads to her pathetic defeat. By examining Mrs. Pontellier’s epiphany regarding her “accidental” husband, her bold first swim, Madame Ratignolle’s birth scene, and how hastily she gave up on her final swim, her inferred suicide must be seen as a pathetic defeat. In addition, Edna Pontellier consistently repudiates the notion of growing
In the novel The Awakening, Kate Chopin tells of Edna Pontellier's struggle with fate. Edna Pontellier awakens from a slumber only to find that her life is displeasing, but these displeasing thoughts are not new to Edna. The actions taken by Edna Pontellier in the novel The Awakening clearly determine that she is not stable. The neglect of her duties as a wife and mother and as a woman of society are all affected by her mental state. Her choices to have affairs and disregard her vow of marriage represent her impaired judgment. The change in her attitude and interests becomes quite irresponsible, and that change along with her final decision to commit suicide tell the reader that Edna Pontellier is not capable of making valid judgments. Had Edna Pontellier been of sound mind and body, she would not have ended her young life by suicide. The fact that she can clearly and easily turn to such an alternative suggests that she is depressed and obviously in opposition to the church. The thoughts and actions of Edna Pontellier are solely determined by her manic depressive state, her apparent repressed abuse from her childhood, and her abandonment of Christianity.
Chopin carefully establishes that Edna does not neglect her children, but only her mother-woman image. Chopin illustrates the idea by telling the reader, "...Mrs. Pontellier was not a mother-woman" (689). Edna tries to explain to Adele how she feels about her children and how she feels about herself, which greatly differs from the mother-woman image. She says, "I would give up the unessential; I would give my money; I would give my life for my children; but I wouldn't give myself. I can't make it more clear; it's only something I am beginning to comprehend, which is revealing itself to me" (720).
As the novel starts out Edna is a housewife to her husband, Mr. Pontellier, and is not necessarily unhappy or depressed but knows something is missing. Her husband does not treat her well. "...looking at his wife as one looks at a valuable piece of personal property which has suffered some damage." She is nothing but a piece of property to him; he has no true feelings for her and wants her for the sole purpose of withholding his reputation. "He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother's place to look after children, whose on earth was it?" Mr. Pontellier constantly brings her down for his own satisfaction not caring at all how if affects Edna.
...ory in such a way that Edna has come to know herself, her true self, and does not need to continue living and searching.
The sexual aspect of Edna’s awakening is formed through her relationship with a supporting character, Robert LeBrun. In the beginning of the novel, Robert assigns himself to become the helper of Mrs. Pontellier and his advances help to crack the barrier in which Edna is placed in due to her role as a woman of the Victorian era. Her feelings begin to manifest themselves as she intends to liberate herself from her husband and run away with Robert. He on the other hand has no intention of having a sexual affair because of the role placed upon him as a man of the Victorian era which is not to destroy families. Her quest for complete independence ultimately brings her to committing suicide at the end of the story. Her suicide does not represent a disappointment in how she cannot conform to the society around her but a final awakening and symbol for her liberation.