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Literary Theories in the Metamorphosis
Metamorphosis allegory essay
Metamorphosis allegory essay
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Kafka’s perspective on Mental Illness
“I cannot make you understand. I cannot make anyone understand what is happening inside me. I cannot even explain it to myself”(3). Before even getting up from bed, Gregor Samsa’s life and the life of his family is irreversibly changed. In The Metamorphosis, written by Franz Kafka, Gregor, a traveling salesman, transforms overnight into a gigantic insect. As a result of this physical change, Gregor’s relationships with his family deteriorate as they are repulsed by his vile appearance. The Metamorphosis suggests that Gregor’s transformation serves as an allegory for mental illness. Kafka creates these parallels through the casual nature of Gregor’s metamorphosis, his inability to function as a member of
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Grete, Gregor’s younger sister, takes on the responsibilities as being Gregor’s primary caregiver. Kafka writes, “She had become accustomed, certainly not entirely without justification to adopt with her parents the role of the particularly well-qualified expert whenever Gregor’s affairs were being discussed”(32). Gregor’s current condition has jostled the roles in the Samsa family. Grete becomes Gregor's caregiver, but this is a tedious process and it wears Grete down and erodes the relationship that she once had with her brother. This is reflective of many families burdened with mental illness because it is nearly impossible for any loving family member to detach themselves from the person they used to know. Furthermore, Mr. and Mrs. Samsa take different approaches to Gregor’s condition. Unable to process what has happened, Mrs. Samsa is in denial. Naively she is waiting for Gregor to return to his previous self.On the other hand, Mr. Samsa is embarrassed about his son’s condition this as shown through his tendensy to push Gregor away and hide him from others. Such as when Mr. Samsa force Gregor into his room when Gregor’s boss is horrified by his appearance and how he hides Gregor from the borders. Kafka uses Gregor’s three family members to show the attitudes that people display for the mentally …show more content…
Kafka creates this allegory through the common nature of Gregor’s situation, his inability to hold a position in his family and career and how Gregor's relationship within his family change. Kafka is able to model how people are viewed as a result of mental illness through how people view Gregor as a vile bug. Kafka is able to show that even though Gregor has remained all of his humanity, people around him assume that he has lost all traces of humanity. Kafka’s novella service the reader by showing that in spite of the adversity faced by any human being they are still indeed human and deserve to be treated as
... to do this every day Gregor would have had to have some sense of time. His dwindling human aspects are prominently marked in two places: the first when Gregor is incapable of communicating with his family and the sales manager and the second when he takes pleasure in rutting about in dirt and filth. Lastly, Gregor's loss of consciousness causes a polar change within his family. As Gregor is no longer able to earn money to support the family, everyone else is forced to take action to bring in capital. The most obvious change is in the father who transformed from a dead weight into a zealous worker. Despite Freedman's employment of flawed logic to formulate some of his theories, the majority of his conclusions are quite valid and probe deeply into the meaning behind Kafka's writing.
Gregor Samsa’s mother, whose name is never revealed, is a physically and constitutionally weak woman. She cares dearly for Gregor which is first shown by her distress as Gregor does not wake up at his usual time. It is evident that Gregor’s mother has the hardest time coping with his transformation. She can not bear to lay eyes upon Gregor. Though she has trouble adjusting, she doesn’t stop loving her only son. As Gregor’s mother and sister begin to move furniture out of his room, his mother stops to contemplate whether this is the right course of action. As Sheldon Goldfarb states in his critical essay, “When his mother and sister start removing his furniture, his mother's second thoughts provoke him to resist: he does not want to give up his human past and the possibility of returning to it” (Goldfarb). On the outside, Gregor’s mother reacts with repulsion at the sight of the bug, but on the inside still cares deeply about her son underneath. Gregor is able to see this and it gives him new hope.
When comparing Franz Kafka and his personal life to The Metamorphosis it is obvious in more ways than one that he was writing a twisted story of his life. The emotional and physical abuse Gregor goes through are similar to what Kafka went through in real life. They were both abused and neglected by their fathers when they were disappointed with them. Kafka uses Gregor transforming into a bug as a way of exaggerating himself, trying to express his feelings and point of view. When writing, Kafka felt as if he was trapped in his room which he referred to as "the noise headquarters of the apartment". Gregor was an exaggeration of this because he could not leave the house to escape the noises and abuse.
Franz Kafka's The Metamorphosis is a masterfully written short story about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understanding of the relationships around him. The underlying theme of The Metamorphosis is an existential view that says any given choice will govern the later course of a person's life, and that the person has ultimate will over making choices. In this case, Gregor?s lack of identity has caused him to be numb to everything around him.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
and Mrs. Samsa. Gregor describes throughout the novel his sister’s passion for music. He also points out the fact that their parents do not assist Grete in pursuit of this type of career, “Often during Gregor’s short days in the city the Conservatory would come up in his conversations, but always merely as a beautiful dream which was not supposed to come true, and his parents were not happy to hear these innocent allusions” (Kafka 26). The Samsa’s hindered Grete’s potential which forced her into a path she did not want to follow. Another example is how she was forced to become the primary caregiver for Gregor.
Kafka’s The Metamorphosis takes on an wide variety of main themes. One of the most important of these is the collapse of morality and mercy, even among those people who are expected to be most fair and compassionate. Gregor’s metamorphosis is indeed terrible, but more terrible still is the psychological corruption of Gregor’s family. Their inability to adapt to the changes that have occurred signal a total breakdown in the family structure, and offer a cautionary tale about the fragility of notions of justice and mercy and how a certain change can change a persons perception of them.
In the novel, The Metamorphosis, Kafka writes about a man who one day transformed into a bug. Kafka’s own feelings of nothingness caused this story to shape into this unique story. Kafka writes, “The dream reveals the reality, which conception lags behind. That is the horror of life – the terror of art” (qtd. In Kennedy and Gioia 299). Kafka said this as a rebuttal to a friend trying to pry information out of him about The Metamorphosis. Kafka meant that the true burden of art is that a person’s experiences will always heavily influence their creations, and that is horrifying. It is clearly shown in his writings that his personal experiences helped shape the story The Metamorphosis. Every little detail about Gregor’s life is a reflection of Kafka’s own life. Gregor’s family, job, and dreams all were influenced by Kafka’s personal experiences. His father was domineering just as Gregor’s father controlled him after he turned into an insect. He had a horrid job just as Gregor did, and he lived at his parent’s house for most of his life. Gregor’s dreams of being free from his job and parents were also Kafka’s dreams. Kafka’s reality is shown in his story, The Metamorphosis, through Gregor’s family and dreams of freedom.
People want their family to love and support them during times of need, but if they are unable to develop this bond with their family members, they tend to feel alone and depressed. In the novel The Metamorphosis by Franz Kafka, Kafka describes the theme of alienation and its negative effect on people and their relationships with the people around them. This theme can be shown through Gregor Samsa, the main character in The Metamorphosis. After Gregor’s metamorphosis, or transformation, he is turned from a human being into a giant bug which makes him more and more distant from the people in his life. The alienation that Gregor experiences results in his eventual downfall, which could and would happen to anyone else who becomes estranged from the people around them. Gregor’s alienation and its effect on his relationship with his family can be shown through his lack of willing interaction with his family members due to his inability to communicate to them, the huge burden he puts on the family after his metamorphosis, and his family’s hope to get rid of him because he is not who he was before.
In the novella “The Metamorphosis”, Franz Kafka focuses on the topic of alienation and considers its underlying effect on the human consciousness and self-identity. The alienation Kafka instigates is propagated towards the main character Gregor Samsa, who inevitably transforms into a giant cockroach. The alienation by family relations affects him to the extent that he prioritizes his extensive need to be the family’s provider before his own well-being. This overwhelming need to provide inevitably diminishes Gregor’s ability to be human-like. Kafka also enforces the idea of the ability to resurrect one’s self-identity following psychologically demanding events. In this essay, I utilize Gregor Samsa’s metamorphosis to address that alienation, in its various forms, is instrumental in the dehumanization process and can also oppositely induce a restoration of self-identity. The metamorphosis acts as a metaphor to express the inhumane change of state that occurs to a victim of alienation; it also formulates Gregor’s epiphany. He suffers through three forms of alienation: exploitation, violence, and neglect. The joint presence of these three external forces deprives him of a human distinctiveness, but in turn, influences a final realization that enforces the restoration of his self-identity, and therefore human identity.
Kafka uses impractical symbolism in order to stress that Gregor being authentic as a bug still is dissatisfying as his inauthentic state as a human. The reason his family continually is discontented with Gregor is, the reason he never meets the expectations that they he should pay off the family debt and stabilize the family with his hard work; the fact that his bug form enables him to support his family they no longer deem him a burden. No matter what Gregor does to get his family’s approval, it either leaves him depressed because he isn’t being authentic or his family is upset that he doesn’t support them. Either way Gregor sways, authentic or inauthentic, Gregor and his family are displeased.
...within the story completely alienates Gregor from his family and the reality of life. The ironic setting, the family, specifically Grete, and the presence of the violin playing all contribute to Gregor’s downfall caused by the inability to communicate. Gregor’s struggle to converse both begins and ends his downfall, yet people, surroundings, and objects spark his depression. Kafka emphasizes the true importance of communicating and how society depends on it. The inability to properly communicate combined with uncontrollable factors often relates to the destruction of families in our modern society. Focus less on the world’s distractions and more on the people that need the most support, because many never know when others need to express themselves and require insight.
Kafka’s shows the shifting in the structural dynamics when Gregor’s new formation changes the attitudes from supportive to neglect when his needs affect their wants, needs and lifestyle. Gregor’s sense of duty to family was his main propriety towards his family. Even though he loathed his job as a travelling salesman, his devotion to financially clear his parent’s debt and care for his sister Grete was more important. He dreamt of fleeing the tightly coiled grip from his parent’s hands, but his loyalty was a pertinent family duty. To Gregor, this was what family was all about.
One of Franz Kafka's most well-known and most often criticized works is the short story, "Die Verwandlung," or "The Metamorphosis." "The Metamorphosis" is most unusual in that the first sentence is the climax; the rest of the story is mainly falling action (Greenburg 273). The reader learns that Gregor Samsa, the story's main character, has been turned into an enormous insect. Despite this fact, Gregor continues to act and think like any normal human would, which makes the beginning of the story both tragic and comical at the same time. However, one cannot help but wonder why Gregor has undergone this hideous transformation, and what purpose it could possibly serve in the story. Upon examination, it seems that Gregor's metamorphosis represents both his freedom from maintaining his entire financial stability and his family's freedom from their dependence upon Gregor.
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.