Megan Fairchild And Gonzalo Garcia Character Analysis

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Performance three: Megan Fairchild and Gonzalo Garcia. This is Megan's debut in the role, even though she's been a principal at NYCB for 12 years. One can see why she wasn't given this role before: she's short, with the proportions of a soubrette. She also tends to do best in comedy -- she was absolutely wonderful as Ivy Smith in On the Town. Fairchild and Garcia gave a decent, respectable performance, but it didn't match the poetry of Hyltin/Catazaro. Megan is technically very strong, but her physique really limits how expressive her body can be in this role. Her movements lacked grandeur. Gonzalo Garcia is a good partner and a sincere actor, but there's something so joyful and pure about his persona that the angst of Siegfried's plight doesn't come naturally. Their white swan adagio was well-danced, but lacking in drama. I thought Megan would do better with the Black Swan pas de deux than the White Swan adagio but oddly that wasn't the case -- she just wasn't very convincing as the vampish Odile. Her Odile variation was very secure, but her fouettés were not -- they traveled quite a bit and looked shaky. The final scene was disappointing -- unlike Hyltin, Fairchild didn't completely transform herself back into a swan as the apotheosis music played, but …show more content…

Tiler for one didn't have the swan arms to make that final transformation back into a swan at dawn quite as effective. But it worked, because Chase's portrayal of the prince was so selfish and full of self-regard that Odette leaving him alone in his grief seemed like just punishment. And Tiler, who was passive and expressionless in the earlier lakeside scene, ratcheted up the emotion for an affecting farewell to Siegfried. She's a remarkable dancer, and she will clearly grow in this role. She and Chase got 7 raucous curtain calls. Also: Aaron Sanz, Sara Adams and Kristen Segin were IMO the most charming of the pas de trois that I

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