Media Representation Of Women

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In an everyday context, it is incredibly easy to allow oneself to be exposed to a multitude of media sources that broadcast potentially harmful messages of all sorts. In fact, most times we don’t even have a choice. These types of things are routinely shoved in our faces on TV, in magazines, and even pop up internet ads. This repeated exposure has turned into widespread desensitization and thus it is not as easy to realize that something is truly amiss in this situation, no matter how overtly bold the representation might be. Some of the most prevalent representations in today’s media are degrading and sexist portrayals of women. Jane Caputi defines these types of depictions as “everyday pornography”. She states that “everyday pornography …show more content…

This series of ads are explicitly provocative, portraying a greased up female model portrayed in various sexual ways, the bottle of cologne just barely concealing her more indecent parts. In one ad, the model grasps her breasts, showing off a sharp scarlet manicure, a matching slick red mouth agape in sexual pleasure with the cologne bottle wedged in between her cleavage. It is important to note that the model is shown below the eyes down, obscuring any sort of real character behind this sexual exhibition. In perhaps the most lurid ad, the model reclines on her back, legs spread wide open, one hand spreading open her vagina whilst the container of cologne rests conveniently in front of her display. This particular ad leaves little to the imagination and thus directs the attention of male gaze towards all the right places. In this ad, the model’s head is cut off and she is pure lower body, again portraying parts rather than a whole. The campaign is overtly sexual in nature and pushes the boundaries of what is usually seen when it comes to the depiction of sexuality in media …show more content…

The color white has long been equated with chasteness and purity while the color red is conversely associated with seduction and more specifically the wickedness of women’s sexuality, an example being the Book of Revelation’s Whore of Babylon who sits upon a scarlet colored beast. In juxtaposing these two colors, two contradictory statements about women’s sexuality are made, with the wicked scarlet effectively cancelling out the chastity of the white. The woman’s skin is slick and shiny, which Myers discusses in her analysis as well, saying that “the skin of the pornographic model is oiled to give the effect of a sheen of perspiration which can signify activity and tension”

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