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Good art esay on african art
Good art esay on african art
Good art esay on african art
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The word Mbole means “people of the downstream.” The people of the downstream is a fairly accurate name because the Mbole are located just south of the Congo River. The second largest river in the world covers a vast area of territory and along that territory are people that live above and below the stream. The Lengola, Metoko, and the Yela people just to name a few. These people are very close to one another and although there are differences across each group in areas such as food, culture or lifestyle, one aspect that is similar about these groups is their art. In many societies, especially now a day in the 21st-century art is a subject that has taken a backseat in many schools and in society in general. There are few art classes that …show more content…
At first glance, the Mbole Ofika figure looks like an ordinary sculpture that anyone can encounter at the local museum, but these figures were made and hold a great value to Mbole society. Also, the figure is tougher to find than one may imagine. The Yela people also have Mbole sculptures but the only difference between their sculpture compared to the Mbole is that theirs has a rounder face, whereas the Mbole’s sculpture has more of a heart shape face. The Mbole Ofika Figure is a 3-dimensional wooden figure that was made in the Democratic Republic of the Congo in central Africa. The University of Iowa happens to have one in its collection. When viewing the figure’s composition it is very hard not to notice the placement and visual elements of its head. The repetition and contrasted elements of the figure’s head are interesting because of the convex and concave patterns with an added spotlight of white pigment. The eyes and the nose are very narrow and the nose of the figure is protruded in the shape of a triangle. Ofika figures are small, light in weight and can be held by just about anyone. The balance of the figure is great and the figure easily stands in place on its two legs when placed down. The contrast in the figure varies from medium to dark brown and sometimes can be as dark as black. The University of Iowa has a black Ofika figure in their
Again, I had difficulty selecting which piece to use for my second piece. Ultimately I selected Temptation, 1880 William-Adolphe Bouguereau. The dimensions are 39x52 inches and is oil on canvas.
“A picture is a poem without words” – Horace, the purpose of art is to reveal the sensations of life but also allows humans to express their emotions and views on certain aspects. Jean-Michel Basquiat was a Neo-Expressionist painter throughout the 1980’s who was known for his style. He was African American artist and musician that was part of the SAMO. The SAMO was a graffiti group that wrote epigrams. While growing up, one of Basquiat inspirations that encouraged him to paint was his diverse cultural heritage. Basquiat was a creative self-taught artist who thought outside of the box when it came to painting. Most of the pieces he made were a collaboration of different ideas and constructed them together into a collage. During the 1980’s Basquiat’s art used the human figure to portray Minimalism and Conceptualism. His target market that were in many of his pieces was on suggestive dichotomies that focused on the lower class versus the higher class. Even though Basquiat work was remarkable, he was criticized and faced some challenges among his journey because of the symbols and words that were used his paintings. Despite the criticism,
At a mere 16 3/8 inches, the Fudo Myo-o at the Art Institute at Chicago is not the first object in the Japanese collection to catch your eye. Yet, when you pass by it will stop you in your tracks. The Fudo Myo-o is like nothing you’ve ever seen. His bulging eyes fasten onto your own, a gaze so vicious you cannot tear away from it. His piercing stare draws you in and his stance seems to beckon you to come forth. His furrowed brow and protruding fangs created a facial expression so intense it feels almost as if he is trying to tell you something. His arms seem to have, at some point, been holding something and they are open as if they are welcoming you and offer some kind of promise. Fudo sits upon a rectangular foundation, which gives the impression that his is some kind of deity or god-like figure. The Fudo Myo-o has fabric draped over his left shoulder and is wearing lavish jewelry reminiscent of a Bodhisattva. His jewelry also hints to the viewer that he must have some level of nobility. He also has shell li...
The statue of King Menkaure and his Queen exhibits with clarity the Egyptian devotion of art to a cannon of proportions. Its strictly frontal view point, the rigid poses of the figures, and a faithful accordance to rules and established customs can be interpreted as manifesting the nature of the Pharaoh’s authority over his subjects while at the same time exemplifying the highly regulated, hierarchical structure of ancient Egyptian society. The measured grid of verticals and counterbalancing horizontals, the stiff artificial postures and the overall idealized anatomical shapes of the bodies combined with naturalism is indicative of Egyptian taste for art and a representation of the character of Egyptian culture.
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
Crooked Beak of Heaven Mask is a big bird-figure mask from late nineteenth century made by Kwakwaka’wakw tribe. Black is a broad color over the entire mask. Red and white are used partially around its eyes, mouth, nose, and beak. Its beak and mouth are made to be opened, and this leads us to the important fact in both formal analysis and historical or cultural understanding: Transformation theme. Keeping that in mind, I would like to state formal analysis that I concluded from the artwork itself without connecting to cultural background. Then I would go further analysis relating artistic features to social, historical, and cultural background and figure out what this art meant to those people.
Many African cultures see life as a cycle we are born, we grow and mature, enter adulthood, and one day we will eventually die but the cycle continues long after death. In Africa art is used as a way to express many things in their society, in this paper I will focus on different ways traditional African art are used to describe the cycle of one’s life. Since Africa is such a large continent it is important to keep in mind that every country and tribe has different rituals and views when it comes to the cycle of life. It is estimated to be well over a thousand different ethnic groups and cultures in Africa today. Thousands of cultures in Africa see the stages of life bound together in a continuous cycle; a cycle of birth, growth, maturity,
Western attitudes to African people and culture have always affected how their art was appreciated and this has also coloured the response to the art from Benin.
I chose this artwork because I found it be very interesting, because it was sculpted very beautifully. Also it was young girl who is blind and have obviously experienced devastation. I think that is what attracted me immediately inside of the museum was her facial and body expression. Has soon has I saw the sculpture I imagined Nydia story. I also found it very intriguing the way her eyes were shut close has her hand hugged her ear. Which was clear that the artist was expressing the importance of Nydia’s
Three dimensional art is defined as media which “occupies space, defined through the dimensions of height, width and depth” (SAYLOR). These art works can be geometric or organic in nature (NORTON). Three dimensional art forms include sculptures, crafts and architecture. Three dimensional art form is fascinating to me because of the amount of realism and beauty it embodies, as well as for its functional and aesthetic value. For this assignment, I chose two beautiful pieces that illustrated the characteristic of three dimensional art and the processes it took to produce them. The first art work I want to analyze is a sculpture done by an Iraqi artist from Kalhu (modern day Nimrud) entitled, “Assurnasirpal II Killing Lions” (Sayre, 420).
This function is evident in the sculpture’s perfect, uniform, geometric lines, which are created by the linear arrangement of the inorganic shaped tank. This structural and repetitive use of lining is apparent in the scientific, clean dimensions of the tank and the white frame surrounding it. In contrast, however, the lining of the pig itself is very natural, and is emphasized by the j...
Throughout many centuries, art has portrayed an exceedingly dominant role in Japanese culture. These forms of artwork varied from everything from pottery to clay figurines. Overall, the majority of Japanese art was and still is considered to be of high importance in Japanese history. However, the most intriguing and unique form of art was the Isho-ningyo and Iki-ningyo dolls, otherwise known as the "fashion doll" and the “living doll”. Both the Isho-ningyo and the Iki-ningyo were merely two of the plentiful assortment of dolls created by the famous Japanese artisan, Goyo Hirata, as items of “luxurious indulgence.” The Kintaro doll of Isho-ningyo type or Iko-ningyo type illustrates the significant advancements in Japanese doll art throughout history with the newfound technologies and composition attributed in each period.
It is essential in representing the strong african heritage and it 's importance can be seen in many aspects of culture (Gaines 1).
Kasfir, S. L. (2007) African Art and the Colonial Encounter: Inventing a Global Commodity, Bloomington: Indiana University Press.
Most art has some sort of reason or purpose behind it. It might be religious, symbolic, literal, traditional, customary, or just a preference by the artist. Most African art has a symbolic reason. Masks, pottery, figures, portraits, jewelry, baskets and clothing reflect the religious belief of the different tribes. Africans believed that everything in nature is alive. For example: rocks, grass, plants, trees, rivers and mountains. African art was not popular and was looked down upon until recently. In Nigeria, people were tattooed as a test of courage. The figure- “Portrait Head of a King (Oni)” reflects this. The King has this tattooing on his entire face. The King has big slanted eyes, a prominent nose, and big full lips. All these things represented something to the Nigerian people; the King...