MACBETH ESSAY ROUGH DRAFT Masculinity is a collection of socially constructed ideas, stereotypes and roles that surround the idea of being a man. Typically, men are viewed as strong, emotionless and powerful, which stands in contrast to women who are viewed as compassionate, emotional, and weak. Throughout William Shakespeare’s Macbeth, both Macbeth and his wife, Lady Macbeth explore and test the relationship between masculinity and cruelty. Despite having slightly contrasting ideas of masculinity at the beginning of the play, Macbeth and Lady Macbeth both agree that becoming masculine represents becoming cruel, violent and emotionless,
The theme of masculinity and cruelty is first explored in the beginning of the play. When Macbeth first
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Banquo is Macbeth’s friend and fellow warrior but Macbeth believes that Banquo suspects him of killing Duncan, so he decides he must be removed. When Macbeth tries to convince two men to murder Banquo, but they are not convinced, he insults sarcastically says, "Ay, in the catalogue ye go for men; / As hounds and greyhounds, mongrels, spaniels, curs, / Shoughs, water-rugs and demi-wolves, are clept / All by the name of dogs" and goes on to insult their masculinity and their rank in society (3.1.90-94). He elaborates by telling them that if they truly wish to be men, they must kill Banquo. This is similar to how Lady Macbeth treated Macbeth, tying together the idea that masculinity and cruelty seem to be inevitably linked together. Later, when Macbeth hosts a banquet of all his friends, the ghost of Banquo appears to only Macbeth. He begins to become agitated, making a scene in front of their friends, and feeling guilty. Lady Macbeth once again insults him for showing weakness and asks him, “Are you a man?" (3.4.57). Later, she goes on to tell Macbeth that he is acting like a foolish woman, and not like a man at all because he is frightened and causing a fuss. When the ghost of Banquo reappears later, similar to Lady Macbeth, becomes manlier and confronts the ghost by challenging, "What man dare, I dare" in this Macbeth proves his fearlessness and he is accepted as a man by his wife (3.4.98). These exchanges between Lady Macbeth and Macbeth continually reinforce the theme of masculinity and its link to violence and
Macbeth is the remaining contributor to turning himself into the power-hungry animal he is before he is finally taken down. Macbeth let himself get talked into killing Duncan; he rationalizes with himself to kill Banquo. He is too ambitious. As soon as the witches cast the prophecy that he would be King, Macbeth lets himself be jealous. Once it is an option, he realizes how divine it would be to be King. Now, Macbeth will do what is necessary to get there, even if he suffers terrible consequences. After killing Duncan, Macbeth suffers by not being able to speak. “As they seen me with these hangman’s hands,/List’ning their fear. I could not say ‘Amen’/When they did say ‘God bless us’” (2.2.38-40). Macbeth cannot utter the sacred words of God; moreover, this illustrates to the reader how terrible the consequences are psychologically for this murder. Macbeth is also jealous of the prophecy Banquo gets, which also drives him to kill Banquo. Soon after he kills Banquo, Macbeth hosts a banquet, where Banquo’s seat is left empty. Only Macbeth truly knows what has happened to Banquo. However, he hallucinates that Banquo is at the table with all the guests when Macbeth says, “Avaunt, and quit my sight! Let the earth hide thee./Thy bones are marrowless; thy blood is cold;/Thou hast no speculation in those eyes/Which thou dost glare with” (3.4.113-116). Macbeth is seeing Banquo at his banquet even after he ordered murders to kill Banquo and Fleance, Banquo’s son. Macbeth cannot believe his eyes, he is shocked at the sight of Banquo and he is losing his mind. Macbeth endures horrific hallucinations, falling into the depths of insanity. These two quotations in the play are very important because they emphasize how Macbeth has turned into a mon...
In Shakespeare’s play, Macbeth‚ the theme of masculinity is explored. As Macbeth matures‚ there are times when his masculinity is put to the test, mostly after the murder of Duncan. There are four main themes in which masculinity is presented in the play.
Lady Macbeth is the wife of Macbeth from the tragic play by William Shakespeare. Macbeth is estimated to have been played for the first time in 1606. Lady Macbeth is one of the few and only woman we hear from in the play, except for the recurring weird sisters and a few comments from Lady Macduff. Being the female who draws the most attention to herself, Lady Macbeth would not only be a fascinating role to play, but she is an interesting character to analyse as well. Considering the typical stereotype of a woman and how she should portray femininity, Lady Macbeth would not be the most feminine of her kind. In the time period of Macbeth, a woman was the weaker sex, physically and emotionally, and it would be their significant other or father
A prominent theme in William Shakespeare’s novel Macbeth is the idea of universal masculinity. Throughout the play, Shakespeare utilizes male gender stereotypes to present conflicting views on the definition of manhood. Macbeth tells the reader about a man who allows both societal pressures inflicted upon him by his wife and his intense ambition to drag Macbeth into a spiral of committing obscene acts of violence. Characters often associate being a man with courage, cruelty and power. This pervading caricature of a “man” is evident to the reader throughout the play. Lady Macbeth, for instance, goads Macbeth about his masculinity to the point of murder. Additionally, Malcolm and Macduff’s rigid discussion on revenge reveals a defined notion of “true” masculinity. Perhaps the culmination of rigid gender stereotypes is evident in Macbeth's pondering of the legitimacy of the hired murderers' manhood. Clearly, Shakespeare upholds male gender stereotypes throughout Macbeth.
### 1st part of essay ### William Shakespeare wrote Macbeth in 1603. The play was set in Scotland, 1040. At the time, society was patriarchal and men gained advancement by killing others. In contrast, women were usually gentle mothers who nurtured their children. However, the play Macbeth does not follow this blueprint as Lady Macbeth is the domineering partner and ultimately she leads to their demise.
The Relationship between Cruelty and Masculinity Characters in Macbeth frequently dwell on issues of gender. Lady Macbeth manipulates her husband by questioning his manhood, wishes that she herself could be?unsexed,? and does not contradict Macbeth when he says that a woman like her should give birth only to boys. In the same manner that Lady Macbeth goads her husband on to murder, Macbeth provokes the murderers he hires to kill Banquo by questioning their manhood.... ...
After murdering Duncan, Macbeth feels that he needs to kill Banquo. He is afraid that Banquo is going to be a problem for him. He is suspicious that Banquo believes Macbeth had something to do with Duncan's murder, "Our fears in Banquo/ Stick deep; and in his royalty of nature/ Reigns that which would be feared" (3.1.47-49). He plans to kill him, though Banquo has made no direct threat against Macbeth. He speaks of feeling inferior to Banquo, even though he is king. "There is none but he/ Whose being I do fear; and under him/ My genius is rebuked" (3.1.53-55). Banquo is Macbeth's closest friend, he is starting to lose trust in everyone around him.
... to kill Banquo he says “ Not I’ th’ worst rank of manhood say ‘t And I will put that business in your bosoms”(3.1.115) This was the same technique that Lady Macbeth used when she was persuading Macbeth to kill Duncan; she questioned his manhood. While Macbeth is loosing his morals, Lady Macbeth is developing hers. After Macbeth reveals his plot to kill Banquo she is reluctant to add another murder to those already committed: “You must leave this”(3.3.40)
Gender roles in Macbeths society automatically expect men to be physically and emotionally stronger than women, however, lady Macbeth plays as a juxtaposition to Macbeth; encapsulating the emasculating woman prototype. She wants to abandon all her feminine qualities as she recognises that the characteristics she wants are not acceptable for females. She asks the spirits to "unsex" (1.5 46) her and to fill her "from the crown to the toe, top-full/ Of direst cruelty" (1.5 46). It is in gaining these ‘masculine’ characteristics in Lady Macbeth ultimately attacks Macbeths biggest insecurity- his masculinity. Lady Macbeth is more ambitious and power hungry than Macbeth, and uses him as a vice for her own power conquests. It is at times when he doubts what is right and wrong for his own ambition, that Lady Macbeth uses her power of manipulation to call his manhood into question. At first, Macbeth suggests that killing the King would make him less a man and would cause him too loose his humanity, however, he changes his mind as Lady Macbeth proposes that a real man keeps promises and acts on his ambitions: "When you durst do it, then you were a man;/ And, to be more than what you were, you would/ Be so much more the man" (1.7 54-56). Macbeth therefore murders Duncan to prove that he would be defeated neither by his fear
Although Macbeth's character greatly changes throughout the play, in the beginning, he is seen as a good model of what a man should be like. Known as a "valiant cousin [and a] worthy gentlemen", Macbeth wins the great respect and admiration from his king, Duncan, and his soldiers through his actions on the battlefields. His views on manhood are that one must be loyal to his king, honorable to his friends and honest and loving to his wife. He shows his belief in loyalty to his king by "dar[ing] to do all that may become a man", by fighting seemingly losing battles for the safety of Duncan. Also, the idea of murdering Duncan makes him feel that he would lose his manhood. This is because he feels that if he "dares to be more" that what he is then he is not humble but instead greedy and therefore not a man. Macbeth, as well, shows that although he is cold-hearted on the battlefield, he is not with his wife. Deeply in love with his wife, Macbeth shares everything with her example here. Although this leads him to his eventual doom, his powerful affection towards Lady Macbeth makes him feel complete in his definition of a man.
In Shakespeare’s Macbeth, he uses the theme of manhood to create motives for characters to act like a man. This is seen in many occurrences in Macbeth where characters try to act like men for certain reasons. Characters that apply this action are Macbeth, the first murderer, Macduff, and Young Siward. These actions are seen throughout the play, and play a key role in the development of the performance.
In the old Shakespeare play Macbeth, women wear the pants, while the men wear the dresses, this is the theme throughout the play. It focuses on the marriage of Macbeth and Lady Macbeth takes the lead role, while she convinces her husband to kill Duncan. Shakespeare play concerning gender roles, shows the untraditional marriage in Scotland; what one sees is not what one gets. It also show how one starts is not how they end. The story of Macbeth shows power and betrayal. It shows power because it shows how one can take charge and get it done. It shows betrayal because he kill Duncan just to get the crown.
Throughout Macbeth, Shakespeare dramatically shows what can happen when our common gender roles are broken. He shows the power that people can have over others when they aren’t acting the way they’re expected to.
Lady Macbeth represents all the stereotypical qualities of manhood, such as unrelenting determination, cruelty, and lack of emotions. Her interpretation of masculinity is made clear from the very first scene she appears in. When Lady Macbeth realizes that she must kill Duncan in her own home, she states, "Come, you spirits/ That tend on mortal thoughts, unsex me here" (I. iv. 43-44). Her request shows that she believes a woman is not capable of such cruel and evil acts, and that only a man is. Furthermore, she wants to be filled up from the "crown to the toe, top-full/ Of direst cruelty!" with the "access and passage to remorse", completely blocked off, implying that a man is without remorse and feelings, and full of cruelty (I. iv. 45-47). Lady Macbeth then imposes her idea of Manhood on Macbeth. When Macbeth decides not to kill Duncan, Lady Macbeth quickly challenges his manliness by c...
.... The theme of masculinity being displayed throughout the play, particularly by Macbeth himself, reinforces his position in terms of importance. This revolving notion can be justified through the manner in which the audience views Macbeth’s own urge for power- over femininity and also for the throne; thus slowly developing a setting for the preceding plot. Once again Macbeth is also imperative in regards to the story line, as he is the figure in which Shakespeare tends to propose certain principles and consequences.