Through Macbeth’s violence, seen through the murders of Duncan and Banquo, he is unable to live with his own guilt, further leading to his failure of a good leader. For example, when planning on killing Duncan, Macbeth imagines a dagger, “A false creation” (Shakespeare 2.1.50), exemplifying his hallucinating mind, and not being able to think clearly. In fact, he becomes so insanely paranoid that he imagines the ghost of Banquo, saying, “Thou canst not say I did it. Never shake / Thy gory locks at me” (3.4.60-61). It is evident that Macbeth is losing his mind, and is constantly shifting between a state of complete madness and the real world. Even when Macbeth's insanity is made clear, he does not stop his murderous plans when another great …show more content…
After these actions, Macbeth promises to himself, “No boasting like a fool; / This deed I’ll do before this purpose cool” (4.1.174-175). This exemplifies that Macbeth does not properly think about his actions and their effects, which further leads to his failure as a King. In the Harvard Business Review, “The Focused Leader,” Daniel Goleman mentions that leaders must, “Imagine how the choices they make today will play out in the future,” (Goleman “Focused” 57) which is once again, not what Macbeth does. Macbeth will take any action against threats he feels necessary before he loses his sense of purpose. Now, he is completely ruthless and does not regard anything when killing others, further leading to a lack of trust in his people. This contrasts with being a virtuous leader as Warren G. Bennis and Robert J. Thomas explain in the “Crucibles of Leadership,” “The ability to grasp context implies an ability to weigh a welter of factors, ranging from how very different groups of people will interpret a gesture to being able to put a situation in perspective” (Bennis and Thomas …show more content…
This poor quality is also described in Machiavelli's “The Prince,” as he mentions, “The diverse interests of states and individuals, rather than the ideas they cited, drove their actions” (Machiavelli xxiv). In other words, the prince should take in the interests of his people, rather than just thinking about himself when they make any decision. Furthermore, Macbeth is overly confident when the Second Apparition tells him, “Be bloody, bold, and resolute. Laugh to scorn / The power of man, for none of woman born / Shall harm Macbeth” (Shakespeare 4.1.90-93). The Apparitions inform Macbeth that he will not be harmed by anyone born from a woman, which is essentially everybody, further ensuring his safety. This causes Macbeth to gain too much confidence, not worrying about anything even when the majority of Scotland, including Macduff, are against Macbeth. Finally, Macbeth’s lack of empathy and compassion to those close to him is seen when Macbeth receives news about his wife’s death. Seyton tells Macbeth, “The Queen, my lord, is dead” (5.5.19), and Macbeth simply responds back with, “She would have died
Macbeth is the remaining contributor to turning himself into the power-hungry animal he is before he is finally taken down. Macbeth let himself get talked into killing Duncan; he rationalizes with himself to kill Banquo. He is too ambitious. As soon as the witches cast the prophecy that he would be King, Macbeth lets himself be jealous. Once it is an option, he realizes how divine it would be to be King. Now, Macbeth will do what is necessary to get there, even if he suffers terrible consequences. After killing Duncan, Macbeth suffers by not being able to speak. “As they seen me with these hangman’s hands,/List’ning their fear. I could not say ‘Amen’/When they did say ‘God bless us’” (2.2.38-40). Macbeth cannot utter the sacred words of God; moreover, this illustrates to the reader how terrible the consequences are psychologically for this murder. Macbeth is also jealous of the prophecy Banquo gets, which also drives him to kill Banquo. Soon after he kills Banquo, Macbeth hosts a banquet, where Banquo’s seat is left empty. Only Macbeth truly knows what has happened to Banquo. However, he hallucinates that Banquo is at the table with all the guests when Macbeth says, “Avaunt, and quit my sight! Let the earth hide thee./Thy bones are marrowless; thy blood is cold;/Thou hast no speculation in those eyes/Which thou dost glare with” (3.4.113-116). Macbeth is seeing Banquo at his banquet even after he ordered murders to kill Banquo and Fleance, Banquo’s son. Macbeth cannot believe his eyes, he is shocked at the sight of Banquo and he is losing his mind. Macbeth endures horrific hallucinations, falling into the depths of insanity. These two quotations in the play are very important because they emphasize how Macbeth has turned into a mon...
After Macbeth committed a dreadful crime at the start of the play, he realizes that by killing even more people he can get what he wants whenever he wants. Macbeth reaches a point where he is too busy fulfilling his own ambitions that he was not fulfilling his obligations as king. “Those he command move only in command, / Nothing in love…” (5.2.22-23). His obsession with power caused him to murder his good friend Banquo, and Banquo’s son. Macbeth’s out of control ambition has caused him to lose his emotion. He progressively sta...
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
Macbeth displays the characteristics of an insane character because of his foolish acts and poor mental state when he visualizes the floating dagger, speaks to a ghost, becomes obsessed with killing others and with the idea of being invincible. When Macbeth begins talking to a ghost, his insanity becomes very apparent to the reader. From another one of the witches prophesies, Macbeth is threatened by Banquo because his sons are to be king one day as well. Macbeth begins to see Banquo’s and makes foolish comments. He says, “[Macbeth] The table’s full.
When Macbeth finds out about the witches prophecies, he quickly sends a letter to Lady Macbeth explaining the situation. She rapidly sees that she must help Macbeth become king, so she says “Glamis thou art, and Cawdor, and shalt be What thou art promised. Yet do I fear thy nature; It is too full o' th' milk of human kindness /To catch the nearest way. /Thou wouldst be great,/ Art not without ambition, but without/ The illness should attend it. (1.5.15-20). Right away, Lady Macbeth is going to do everything she possibly can to ensure he becomes king which proves her ambition. Later on in the play, Lady Macbeth makes another decision which shows that her ambition is quickly getting the worst out of her. When King Duncan arrives, Lady Macbeth sees a perfect opportunity to kill Duncan. She is worried that Macbeth will not go through with the plan so she says ¨When Duncan is asleep—/Whereto the rather shall his day’s hard journey/ Soundly invite him—his two chamberlains/Will I with wine and wassail so convince¨ (1.7.61-65). Lady Macbeth reveals that her need for power is taking a turn. She plots to get the “two chamberlains” drunk so she can blame the murder of Duncan on them. The fact that she plots out an entire plan to kill Duncan and that she is willing to blame it on someone else reveals that her ambition has brought out the worst in her.. All in all, Lady Macbeth is a character who does not second
His ambition made him a man with progressive external misfortunes that produce and are produced by his progression from goodness to wickedness (Booth 95). Macbeth automatically trust the words of the witches. Macbeth had so much confidence in the witches that he never concentrates on the reality of the prophecies. Each prophecies led him deeper into the diabolic course, the more he was told by the witches the greater his ambition and confidence grew. It was very clear that Macbeth was a man flawed by his own ambition. Macbeth 's ambition and overconfidence put him in a position where it was impossible for him to see through the witches insidious plotting. Though the witches prophecies got him to the throne, it was not as great as Macbeth
Macbeth feeling this way convinces a pair of men to kill Banquo and his son Fleance. By having Banquo and Fleance murdered, Macbeth believes that it will prevent Banquo's sons from becoming king. Macbeth also hires the murderers to kill Macduff's family. This demonstrates Macbeth's obsession because it indicates that Macbeth values his power over his friends. His obsession with power causes Macbeth to feel guilty and lose his sanity. Macbeth's guilt and loss of sanity is indicated in the hallucinations he experiences. His first hallucination occurs just before killing King Duncan. Macbeth sees "A dagger of the mind, a false creation" (act II, scene I, line 38).
Macbeth’s blind ambition leads him to surrender to his dark desires that taunt him throughout the play. Macbeth is frequently tempted to result to the wrongful methods that seem to roam inside of him. In the beginning however Macbeth tends to ignore these desires and depends on chance. He declares “if chance will have me king, why, chance may crown me, without my stir” (Shakespeare, act 1, scene 3, 143-144). This declaration by Macbeth shows his initial stand, which is reliant on fate and sin free. Yet as Macbeth’s character develops throughout the play, he moves farther from his dependence on chance and closer to his darker desires. Eventually his blind ambition to become king overp...
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
Macbeth’s provocative or violent actions on the challenges placed before him cause him to build an effect of downfall and dismay throughout the play. Originally, Macbeth handles his challenges in different ways and manners and is constantly changing his procedure. From handling situations carefully to not caring, Macbeth and his violence resulted in guilt and selfishness which he had to overcome. By the end of the play, Macbeth had become a selfish, greedy king and the challenges as well as experiences he encountered shaped him into who he is. He was shaped by the guilt of killing Banquo and Duncan, just to become powerful and a king. For example, in Act 3 Scene 4, Macbeth faces adversity when his mind creates a ghost of Banquo, who he just found out was killed. In Macbeth, the uprising of adversity was often handled in various manners. By dealing with his own challenges, Macbeth transforms his handling of adversity from being cautious to thoughtless, which reflected his character and the transformation he portrayed throughout the
A combination of Macbeth’s ambition and paranoia lead to many senseless murders. He killed his best friend Banquo out of fear and he senselessly murdered Macduff’s family. The hallucination of Banquo’s ghost is a representation of Macbeth 's guilt, all of Macbeth’s guilt is manifested in the ghost. Macbeth states that he feels guilty because of the murders. “Ay, and since too, murders have been performed Too terrible for the ear.” (III, iv, 80-81) Seeing the ghost of Banquo is the breaking point for Macbeth. The ghost also causes him to think more irrationally which leads to the murder of Macduff. Also, after the murder of Duncan, Macbeth is full of regret and guilt. The voices he hears reflect his mental state. “Methought I heard a voice cry, “Sleep no more!” (II, ii, 35) His innocence was killed and he knows that he has to live with this guilt for the rest of his life, hence Macbeth will never sleep peacefully ever again. After each successive murder, Macbeth becomes more and more inhumane. “I am in blood Stepped in so far that, should I wade no more, Returning were as tedious as go o 'er.” (III, iv, 143-145) Macbeth claims that after committing a murder, there is no turning back. He killed his best friend due to his ambition and fear. The third murder was outright moralless and unnecessary, he compulsively killed Macduff’s wife and children. Macbeth shows no remorse in his murders, he becomes an absolute monster towards the end of the play. As Macbeth loses his human morales, hallucinations appear to remind him of the sins he
Shakespeare was known well for the plays he wrote about tragic heroes. In these plays, the tragic hero “must possess a character trait or quality which under normal circumstances would be a virtue, but under the special circumstances of the play proves to be a fatal flaw” (St. Rosemary Educational Institution). This is well seen throughout the play Macbeth as he is very aspiring. After killing King Duncan, his pushes himself to kill Banquo to remain king. Feeling threatened by Banquo’s character, he feels that “there is none but he whose being I do fear; and under him my genius is rebuked….no son of mine succeeding. If’t be so, for Banquo’s issue have I filed my mind; for them the gracious Duncan have I murdered” (III: I: 52-70). He decides to eliminate Banquo as he is the only one at the time who knows about Macbeth’s prophecies along with Lady Macbeth. Macbeth receives prophecies from the three evil sisters who purposely misguide him, however the decisions he make upon receiving them are fully his own. “That will never be: who can impress the forest, bid the tree unfix his earth-bound root?....Rebellion’s head rise never, till the wood of Birnam rise, and our high-placed Macbeth shall live the lease of nature, pay his breath to time, and moral custom.” (IV: I: 104-110). After the revealing of the three apparitions, Macbeth feels as if he has everything he aspires. As Macbeth continues to do misdeeds, he
Macbeth’s Descent Into Madness. In Shakespeare’s play Macbeth, the character Macbeth descends into madness. Macbeth’s descent into madness first started with the witch’s prediction. If he had never met the witches, none of this trouble would have occurred.
Macbeth further reinforces his evil nature as he acts surprised and outraged after Duncan’s death (II, iii, 107 – 109). Macbeth, instead of listening to his conscience, suppresses his guilt and continues with his ambition. This proves his vaulting ambition and how it has taken over Macbeth. Macbeth continues to murder Banquo and does so out of fear of losing the throne.
In Macbeth’s soliloquy, the conscious empowers the unconscious. “At the nonrational level of Macbeth’s psyche, conscience registers as “a dagger of the mind”: pricks of conscience that have assumed murderous, self-mutilating proportions” (Chauchi 337). In order for Macbeth to commit the murder, he has to do the act knowing with conscious. He must lose the principle of morality and enters in sublimation, which is satisfying the impulse with a substitute object, in this case, Macbeth’s desire for power. Shakespeare uses Macbeth character to exhibit the horrendous effects of ambition and guilt in men’s nature. From this point, Macbeth’s dramatic fall develops from his superego that makes a person feel guilty if the principle of behavior is not followed. The ego acts as a mediator between the id and superego to prevent an overwhelming anxiety (McLeod). Macbeth’s response is the result of anxiety, guilt, paranoia, fear, and distress. He plans a series of murders to protect his permanence as King. He orders Banquo’s death, Lady Macduff, and Macduff’s son. Macbeth’s paranoiac stage and inner conflict cause him to see Banquo’s ghost, and he has a confrontation between reality and metaphysical. He mislays the rational goal of being a fruitful king, and the tragic tension of his ambition drives him to become a tyrant. As Macbeth turns as an unscrupulous murderer, Lady Macbeth is not capable of losing her whole morality principle, so