Louis Armstrong Louis Armstrong is one of the most well known influential jazz musicians that there is today. Louis played the trumpet like no one would believe. He also was a composer, singer, and even occasionally an actor. Louis’s full name is Louis Daniel Armstrong but was nicknamed Satchmo, Satch, or Pops. Louis didn’t have the best childhood growing up. He was born on August 4, 1901 in New Orleans, Louisiana. Louis’s father was a factory worker but wasn’t a big part of his life because he abandoned Louis and his family shortly after he was born. His mother wasn’t the best influence because she often turned to prostitution and left Louis with his grandmother. Louis also didn’t have the best education because he was forced to leave his school in fifth grade to start working and making money. When Armstrong was eleven years old he was sent to an all boys camp called “Colored Waif’s Home for Boys.” While he was there, he found a passion for music and fell in love with it, especially the cornet. Joe “King” Oliver, one of the best cornet players, began to mentor Louis in music. In 1918, Louis married a girl named Daisy Parker who …show more content…
He made “new and improved” versions of jazz and never really stuck to one style. Armstrong excelled at playing the trumpet and incorporated his unique jazz style from his hometown into his music combined with popular jazz including Broadway. He also incorporated singing into his recordings. His most famous songs include, “What a wonderful world,” “Star Dust,” and "La Vie En Rose.” One of Louis Armstrong’s last songs was, “What a wonderful world,” that was written in 1968 performed in the jazz genre. This song came out during the Vietnam War and was written to try to bring joy and hope to millions of victims who have lost a family member, including their child, husband or father in the war. However, this song showcases Louis’s voice without him playing trumpet in the
The “king of Western swing,” Bob Wills, was a prominent figure from the 1930s through 1950s. At at a young age he learned to play the fiddle and he and his father performed at dances and other social gatherings. He was exposed to other genres of music as a young boy such a blues, conjunto and mariachi, but it was the new sounds of jazz that inspired him to experiment with traditional country music. In 1929 Wills moved to Fort Worth, Texas, were he formed a band, the Wills Fiddle Band, which would soon change to Light Crust Doughboys. Their music was played was played on the Fort Worth radio station, KFJZ radio, and their unique sound quickly spread which is what the radio advertisers needed during the economic downfall. However, in 1933 Wills left the band and formed a new one called Bob Wills and his Texas Playboys and they toured together over the next forty years. In 1945 Wills appeared at the Grand Ole Opry and insisted that there be a horn and drum section on stage. The audience was surprisingly pleased with this unwanted change by the directors. Despite his somewhat strained relationship with Nashville, the local country music establishment formally recognized Wills and his important overall impact on country music when the Country Music Association Hall of Fame inducted him in 1968 (Hartman, 146). Bob Wills died in 1975, but was still a major influence in up and coming young country artists like Merle Haggard, Waylon Jennings, Willie Nelson, George Strait and Lee Ann Womack.
Louis has being the most prominent trumpet player in history. His trumpet playing techniques significantly impacted all other instrument players who came after him and emulated his techniques in all other instruments. His style and innovative perspective of jazz changed all the forthcoming jazz singers who had a lot to learn from him, including Bix who learnt a lot from Louis Armstrong. Two of his most famous hit sounds were “What a Wonderful World” as well as “Hello Dolly” among others. The emotions attached to his music is what attracted most people and led to the spread of his music. The charm present in the music was also adored and enjoyed by
Ferdinand Joseph LaMothe, more commonly known as Jelly Roll Morton, was born to a creole family in a poor neighborhood of New Orleans, Louisiana. Morton lived with several family members in different areas of New Orleans, exposing him to different musical worlds including European and classical music, dance music, and the blues (Gushee, 394). Morton tried to play several different instruments including the guitar; however, unsatisfied with the teachers’ lack of training, he decided to teach himself how to play instruments without formal training (Lomax, 8). ...
Jazz music did not become successful on its own. Its huge success during the 1940’s and 1950’s is due to the talented jazz singers and musicians who contributed to music. One of the successful musicians who contributed to Jazz was Louis Jordan. Jordan was an African American singer, bandleader and best known for his amazing technique and style while playing the saxophone. What set Jordan apart from all the other Jazz singers of his time was his appearance; being a comedian before going into music helped him appeal a wider and a more diverse audience. Appealing a more diverse audience was especially important during a time where segregation was an ongoing problem. His success was also due to his amazing band, the Tympany Five. The band included
and the people around him. His mother did not even care enough to keep his birth
“His relaxed phrasing was a major change from the staccato style of the early 20’s and helped to set the stage for the Swing Era” (“Life & Legacy”). And as such a prominent artist, and in particular, jazz artist, Armstrong did not only change the perception of jazz and swing, but the views on African Americans and their culture. Armstrong and the Harlem Renaissance reflected black history and culture, and it became popular, even in white communities and clubs. Jazz as a whole genre helped further society’s views through the universal language of music, where any ethnicity could partake in it. And the revolution of jazz was lead by the stylings of Louis Armstrong. The duration of the jazz and swing era, lasting decades past the 1920s, symbolized the civil rights movement directly through the lyrics, sounds, and artists
After high school, from 1927-1934, Louis played throughout New Orleans and recorded more than 70 titles for various labels, and at the age of 24, he took his considerable talents as a trumpet player and bandleader to New York City. It was at around this time that Louis coined the expression "Swing," as well as many others, and once The Louis Prima Band played their version of Big Band inspired, Dixieland Jazz infused "Swing" music at the Famous Door Club, the entire 52nd Street between Fifth Avenue and Broadway was dubbed "Swing Street." Thus, a whole new era of music began. Even the "King Of Swing," Benny Goodman wouldn't have near the notoriety without the Prima penned "Sing Sing Sing," which is still considered a Swing Era classic.
His boisterous personality influenced many aspects of American culture, and his contributions and influence on Jazz are immeasurable. Nobody has done more for Jazz than Louis Armstrong, without question he is a Jazz legend (Friedwald). Armstrong excelled at everything he performed. A renaissance man of our time, his appreciation for music and life showed in his performances, and his talent showed his techniques and improvisation. Louis’s technique and improvisation on the trumpet set the standard for Jazz musicians (Friedwald). Fellow trumpeter Dizzie Gillespie credited Armstrong with this honor stating, “If it weren’t for him there wouldn’t be any of us.” This reputation would lend him to be referred to as Jazz royalty. With his trumpet and his scat singing he revolutionized Jazz. Though vocally limited, his understanding of how to use his voice beyond his natural abilities led to his perfection of scat (Edwards). Scatting allowed him to perfect his improvisational skill. Scatting, or scat singing would come to be known as the “House that Satch Built” and Armstrong the “Original Man of Scat.”
It was said that he thought he was born on July 4, 1900 (Armstrong 7). While Louis was still an infant his father, William Armstrong, abandoned his family. He spent the first years of his life living with his Grandmother since at the time his parents were going through a separation. At age 5, he moved into a home with his mother and sister, Beatrice, whom he called Mama Lucy. He grew up in a rough section of New Orleans. They were incredibly poor and did not have enough money. He would work different jobs just to take care of his family. Louis would work anywhere that he would be able to find work. He would sing on the street, which would result in his nickname, Satchelmouth that would be shorten to Satchmo. His nickname was a result of him having a wide
John Philip Sousa’s life started on November sixth, 1854 in Washington. “Philip was a rugged individualist at the age of four.”(9). His early stubborn nature prevented him from attending school due to catching pneumonia from sleeping outdoors when his mother denied him sweets. Sousa’s home-schooling left him craving for an activity and John Esputa started to teach young Philip music. A variety of music lessons took place, leaving Sousa frustrated with critical teachers and challenging new instruments. Eventually he enrolled in school, mainly for safety from the upcoming war, but the young musician excelled in his studies. Meanwhile, trouble with his music lessons occurred, leading him to quit music and attempt baking instead. His heart already belonged to music though, and he returned to music as the child prodigy who fearlessly performed at age ten for large audiences. He already conducted a band of grown men, accepted offers to play in a circus band, and ended up joining the Marine Band before his late teens. The Marine Band a...
In addition, the enthusiasm and sense of humor in stage performance of Armstrong is the main reason for the popularity of jazz music. Many young people started to like jazz after hearing his songs or seeing his shows. He was a jazz musician appeared in various media, and even today, Armstrong 's music often emerged in radio and concert programs list.This makes the name of Armstrong remain forever in the development of jazz music and the hearts of
A single artist can have a very strong impact on a whole genre of Music. We have seen this time and time again through artists such as Charlie Parker, David Brubeck, John Coltrane, Art Blakey, Miles Davis, and various others. All of these artists had tremendous influences on the different eras that evolved throughout the history of Jazz. Bill Evans, and American jazz pianist, was no different. Just as Charlie Parker had started the evolution of Bebop and influenced the subsequent generations of Jazz Artists, Bill Evans has influenced Modern Jazz and the generations of artists that followed him. Throughout his career and his works with various other artists, Bill Evans has cemented himself as one of the great influences on modern day Jazz.
When it comes to jazz music, there is one name that everyone knows, whether they’ve never listened to jazz before or if they’ve listened to it their whole lives. That name is Louis Armstrong. Armstrong was one of the pioneers of jazz music, from his humble beginnings in one of New Orleans roughest districts, “the Battlefield”, to playing concerts for sold out crowds in Chicago and New York City, Louis left a massive impact on the way America listened to music for a long time. One of his premier tracks, “West End Blues”, left an impact on jazz music, which other musicians would try to emulate for years.
Imagine you are walking the streets of New Orleans. You are standing right where jazz was established in the United States of America. Jazz wasn’t just about music, it also affected the culture involving social, economic, artistic and jazz leaders.
Louis Armstrong was known as the King of jazz, a trumpeter and singer who was one of the most influential figures in jazz music. Famous for his innovative methods of playing the trumpet and cornet, he was also a highly talented singer blessed with a powerful voice. Known for his skills on being able improvise, he would bend and twist the many lyrics and melody of a song with dramatic effect. As his popularity grew in the mid-20th century America when racism was more prevalent, he was one of the first African-American entertainers to be highly popular among both the white and the colored segments of the society. Fondly nicknamed Satchmo or Pops by his fans, he is often regarded to be the founding father of jazz as a uniquely American art form. Born into poverty in New Orleans, he had a very difficult childhood after his father abandoned the family. As a young boy, he