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Analysis of the twelfth night
Explore the ways Shakespeare presents gender roles in twelfth night
Explore the ways Shakespeare presents gender roles in twelfth night
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Literature Response “The Twelfth Night” In the play, The Twelfth Night or, What You Will, written by William Shakespeare, Viola disguises herself as a boy in order to stay safe because girls were expected to have a man by their side, but she thinks her brother is dead. Shakespeare would have a boy play Viola who is also disguised of a boy. A boy should play the role of Viola because she needs to be disguised as a man, needs to look like a man, and Orsino needs someone for the job of wooing Olivia. Viola needs to be disguised as a man in order to fit in with everyone because women were under men. This allowed Viola to stay and work for Orsino, in order to have a normal life, a life where she would live on a higher level than a regular woman.
...ce Viola is believed to be a male for most of the play, it may be more convincing to the audience if she is being played by a male. If I wished for my stage adaptation of the play to be less realistic and more entertaining, I would cast the play with a mixture of cross-gender characters.
Viola's situation is precarious due to the liminality she has experienced throughout the play . She could live freely away from the society's authority behind her transformation, but the liminality she faced caused her troubles in expressing her true feelings. She is in between her femininity and her twin brother adopted masculinity. But soon as her disguised is discarded, she returns to her proper situation voluntarily accepting the role that the society imposes on her: the role of a wife.
For any young female, this would be a devastating situation to be thrown into, and viola was no exception. Apart from having to deal with the loss of her brother, she also had to find a way to survive in illyria. Perhaps this is where the resilience in viola's nature is first shown instead of breaking down and mourning bitterly the death of her loved one, she immediately devises a plan to disguise herself as a male and serve duke orsino.
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
The protagonist of Twelfth Night is Viola, the central character in the play, a likeable, resourceful and attractive young woman. At the beginning of the story, Viola is shipwrecked with her brother Sabatian. Fearing that Sebastian is dead, she decides to dress like a man in order to get a job with Duke Orsino. Viola, in love with Orsino, is asked by Orsino to court a woman for him. She finds herself in an unusual love triangle.
In modern literary criticism, the term protagonist refers to the central character of the play, not the actor. Since women were not allowed to take part in dramatic productions, male actors has to play female roles. The playing of multiple roles, both male and female, was made possible by the use of masks, which prevented the audience from identifying the face of any actor with one specific character in the play and helped eliminate the physical incongruity of men impersonating women. The masks with subtle variations also helped the audience identify the sex age and social rank of the characters. The fact that the chorus remained in the orchestra throughout the play, and sang and danced choral songs between the episodes. Allowed the actors to exit after an episode in order to change mask and costume and assume a new role in the next episode without any illusion-destroying interruption in the play.
The majority of the plot lines depend on the disguise. Without it, the world would be a disaster. main theme of the play would be the gulling of Malvolio. In a play where most of The characters fall in love with each other, blind to the gender and true identity of the objects of their desires, a disguise like Viola's becomes the center of the action, and causes almost all the of the important aspects of the play. I will be there.
In both she’s the Man and Twelfth Night Viola disguises as a man but goes under different names. In She’s the Man she Disguises as her twin brother Sebastian to cover for him whilst he was in London playing music with his band but also so that Viola could play soccer. In Twelfth Night Viola disguises as a man named Cesario so that she could work in the house of Duke Orsino.
As previously explained in the first paragraph, a key theme that arises in both texts is ‘Deception’. Although deception is a noun, the verb of deception is ‘to deceive’ and the definition of deceive is “cause (someone) to believe something that is not true, typically in order to gain some personal advantage.”. This is a very accurate way to describe both Viola and Blanche as they attempt to cause confusion amongst other characters about their personal characteristics. In ‘Twelfth Night’, Viola deceives the other characters into thinking that she is a man named Orsino, and she is convincing enough to do so. Viola was given the idea by the captain and she ends the ...
Viola is a very pragmatic, shrewd woman. She does not deceive her self in the way Orsino does. After the Captain tells her that her brother may be alive, she rewards him with gold, and then goes on to question the Captain about the land she is in. She realises that she must do something to survive, and instead of morning about the death of her brother, she takes practical steps.
Heart vs. Head The human race as a whole uses love to guide them through their life. Most people think with their heart and not their mind and that doesn't always tend to work out for them. In the 1602 play Twelfth Night or, What You Will by William Shakespeare this is a problem you see repeated throughout the performance. The characters in this play prove that thinking with your heart isn't always the best option even though it's the one people use more commonly through tough situations.
After Olivia has her very first conversation with Cesario (Viola), where he tries to woo her for Duke Orsino, she immediately falls in love with him. After Cesario leaves her palace, Olivia says to herself ‘Thy tongue, thy face, thy limbs, actions and spirit do give thee fivefold blazon. Not too fast; soft, soft. Unless the master were the man. How now? Even so quickly may one catch the plague?’ Here Olivia states that Cesario’s external features are what attract her to him. Her metaphor contains a s...
Viola, alone in a strange land, disguises herself as a man in order to gain access to Duke Orsino's palace. She plays the role of Orsino's servant, Cesario, to be near him for she knows that he is the man who can help her in Illyria. On first hearing Orsino's name, Viola says: "Orsino! I have heard my father name him: He was a bachelor then." This reaction suggests that Viola already respects Orsino as a ruler before she begins to love him.
Viola/Ceasario's disguise hides most of her past: the shipwreck, her lost brother, and the fact that she is a woman. Her identity now as a man, is to move on in life and get a job. Her love for Orsino is hidden with her original identity, as though she works for him as his servant. She is a very strong character in the play. "I prithee (and I’ll pay thee bounteously)/ Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The form of my intent. I’ll serve this duke." (1.2.52-55). After the shipwreck and the loss of her brother, Viola decides to move on using a disguise as her shield. Viola’s secret love for Orsino is different than the way Olivia loves Ceasario. Olivia is in lo...
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...