Zora Neale was an early 20th century American novelist, short story writer, folklorist, and anthropologist. In her best known novel Their eyes were watching God, Hurston integrated her own first-hand knowledge of African American oral culture into her characters dialogue and the novels descriptive passages. By combing folklore, folk language and traditional literary techniques; Hurston created a truly unique literary voice and viewpoint. Zora Neale Hurston's underlying theme of self-expression and search for one’s independence was truly revolutionary for its time. She explored marginal issues ahead of her time using the oral tradition to explore contentious debates. In this essay I will explore Hurston narrative in her depiction of biblical imagery, oppression of African women and her use of colloquial dialect. Like Irish oral tradition, storytelling is an incredibly important event in both African and African American communities. Through this storytelling the principles and values of African American culture was depicted. The reader sees the dichotomy between Hurston’s use of the third person narrative …show more content…
The pear tree for example is similar to that of the Garden of Eden. The pear tree and the horizon signify Janie’s model of a perfect life. In the bees’ interaction with the pear tree flowers, Janie witnesses a perfect moment in nature, full of energy, interaction, and harmony. She chases after this ideal life throughout the rest of the book. Janie’s romantic and idealistic view of love, seen in her reaction to the pear tree, partially explains why her earlier relationships are not successful. It is not until later in her life, when she slowly opens up to her relationship with Tea Cake on a more mature level, that Janie sees what love really is. Janie resists Tea Cake at first, remembering her early pear tree encounters, and her early sexual awakening. She becomes infatuated with Tea
In chapters seven and nine of Their Eyes Were Watching God, Zora Heale Hurston writes about a fews years later and Janie feels hatred and spirit lost. She does her duties for Jody and stays silent, wanting to leave him but feels unattractive. Janie notices that Jody looks and acts a bit old, his body is changing and he has trouble moving around. Jody also notices this and makes rude remarks about Janie’s age and appearance and to ignore his. As Jody grew older, his verbal attacks become more frequent because of this he lashes out his rage by hitting Janie and kicking her out of the store. Soon Jody dies, leaving Janie- wealthy, owner of the store, and mourning. She wears her hair in a braid again and examines her feelings. Now, men approaches Janie because she is
Zora Neale Hurston grew up in Eatonville, Florida also known as “Negro Town” (Hurston, 1960, p.1). Not because of the town was full of blacks, but because the town charter, mayor, and council. Her home town was not the first Negro community, but the first to be incorporated. Around Zora becoming she experienced many hangings and riots. Not only did Zora experience t...
Marriage is an important theme in the stories Their Eyes Were Watching God by Zora Neale Hurston and The Story of an Hour by Kate Chopin. When someone hears the word “marriage”, he thinks of love and protection but Hurston and Chopin see that differently. According to them, women are trapped in their marriage and they don’t know how to get out of it so they use language devices to prove their points.
"It's thrilling to think- to know that for any act of mine, I shall get twice as much praise or twice as much blame"(Hurston 2). Zora Neale Hurston has a remarkably positive but realistic outlook on the duality of the African American female. She understands and therefore is aware that the African American female is greatly magnified in the blurred eyes of the white male world that distorts all of her achievements and shortcomings. Hurston was caught between the emphasis on the exotic aspects of the Harlem Renaissance and the angry voice of black literature during the 1940's and 1950's. During the Harlem Renaissance, Hurston decreased those injustices of race and sex. She challenged the traditional position of women and exceeded the traditional space they had been provided: She dared to see herself as a writer with talent equal to if not greater than her peers at representing the "folk" orally and in writing. Hurston rose above the challenge by becoming the most extraordinary writer of the group. Hurston's works deserve literary and scholarly attention because they acknowledge universal themes, view individuals at all levels of society, and represent the diversity and complexity of the African American female at the turn of the century. Hurston reveals themes in literature that are universal despite the fact that they often experienced divided fidelity to the culture that she lived. The novel Their Eyes Were Watching God (1937) has become a perennial classroom favorite because it does not focus on one class, but the entire community as a whole-representing its language, morals, and prejudices-as context. She went against the "nor...
Every novel has a protagonist and an antagonist of the story. There has to be a "good guy" and "bad guy" in order for there to be some sort of an interesting plot. In Their Eyes Were Watching God by Zora Neale Hurston, my most and least favorite characters happen to be the protagonist, Janie, and the antagonist, Jody Starks. There are many things that symbolize these characters that are both comparable and contradictory of my personality. Symbols, objects or characters that are used to represent abstract ideas or concepts, play a major role in this novel. Janie is represented by her hair and Jody by his power, wealth and status of the town. Janie Jody and the symbolic representations are the three most appealing fundamentals of the story.
The tiny blossoms on the tree and the dusty bees that buzz around it tremendously moved Janie. “Oh to be a pear tree – any tree in bloom! With kissing bees singing of the beginning of the world! She was sixteen years old. She had glossy leaves and bursting buds and she wanted to struggle with life, but it seemed to elude her.
Shortly after in 1935 the second book of the collection “Mules and Men.” “In writing Mules and Men, Hurston not only found a way to make a crucial bridge between her anthropological and literary ambitions but also created a lasting treasure of stories that captured the authentic voices of southern black storytellers in the late 1920’s.” (Magill). The book is broken into two parts. The first part is...
Zora Neale Hurston uses many rhetorical devices to depict the relationship Janie has with Joe Starks in the novel Their Eyes Were Watching God. In chapter 7 Hurston uses devices such as metaphors in three paragraphs to convey how Joe Starks role of a mayor has a tremendous weight on him and Janie. Also how he’s aging physically and mentally is affecting their relationship in a negative way.
“She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight,” (11). The novel, Their Eyes Were Watching, God by Zora Neale Hurston, tells a story of a woman, Janie Crawford’s quest to find her true identity that takes her on a journey and back in which she finally comes to learn who she is. These lessons of love and life that Janie comes to attain about herself are endowed from the relationships she has with Logan Killicks, Joe Starks, and Tea Cake.
Nature based symbolism in Their Eyes has two central recurring symbols: a pear blossom tree and the horizon. These two symbols represent Janie’s hopes and desires. Consistently throughout the novel, Janie repeatedly connects back to and with the tree or horizon. A romantic, Janie flirts with these two idealistic
In the movie “Their Eyes Were Watching God”, Janie Mae Crawford Killicks Starks Wood starts off as a poor women living with her ex-slave
Hurston, Zora Neale. Their Eyes Were Watching God. New York: J. B. Lippincott Company, 1937.
Crabtree, Claire. "The Confluence of Folklore, Feminism and Black Self-Determination in Zora Neale Hurston's 'Their Eyes Were Watching God'." The Southern Literary Journal 17.2 (Spring 1985): 54-66. Rpt. in Contemporary Literary Criticism. Ed. Roger Matuz and Cathy Falk. Vol. 61. Detroit: Gale Research, 1990. Literature Resources from Gale. Web. 14 Jan. 2014.
In conclusion, Hurston was a modernist writer who dealt with societal themes of racism, and social and racial identity. She steps away from the folk-oriented style of writing other African American authors, such as Langston Hughes, and she addresses modern topics and issues that relate to her people. She embraces pride in her color and who she is. She does not hate the label of “colored” that has been placed upon her. She embraces who she is and by example, she teaches others to love themselves and the color of their skin. She is very modern. She is everybody’s Zora.
In the 1930s, Alabama author, anthropologist and folklorist Zora Neale Hurston returned to her “native village“ of Eatonville, Florida to record the oral histories, sermons and songs dating back to the time of slavery which she remembered hearing as a child. Hurston’s love of African American folklore and her work as an anthropologist are reflected in her novels and short stories – where she employs the rich indigenous dialects of her native rural Florida as well as the African tradition of oral story telling. As Hurston’s deep interest in the folkloric practices of the Southern black folk became the basic of her novels, a close reading of Their Eyes Were Watching God reveals that folklore pervades all the main levels of the novel – the story passed down through words of mouth, characters are stereotypes and plot is repetitive in nature.