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Gender representation in music videos
Misogyny in music videos
Misogyny in music videos
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In “The Pop Singer as Ultimate Predator”, Emily Esfahani Smith mentions Lady Gaga as a “feminist”. She describes Gaga’s success in the media is progressive for women equally movements. However, Smith challenges Gaga by declaring signs of male dominance in her music videos, such as, sadomasochism. Sadomasochism means obtaining sexual pleasure from pain. Additionally, Smith articulates that Gaga’s feminist message does more for men then women because men are often shown masculine and in control. Smith refers to “Bad Romance” as an example of inhuman acts like human trafficking. Smith proclaims that Gaga defies traditional women, but in her music videos, she is shown as a sex object. Smith disagrees with Lady Gaga’s views on feminist; nevertheless, …show more content…
Most of the time women define themselves through men’s eyes. Gaga is simply using this method to seek revenge from men who are degrading women. For instance, in “Bad Romance” Gaga uses her body to attract Russian men. She uses MP40s attached to her bra to murder a mobster. Here she questions feminine roles with artillery. Society normally associates machine guns and other weaponry as “male toys”. Not only does she use her female assets to seduce a man, she uses his “toys” to destroy him. This shows that she may love a man for his penis, but women are overcoming social barriers. Additionally, she uses her sexually to hold authority over repulsive men. Gaga is not afraid to show her dominate side. Male dancers are seen as sex slaves and puppets and praise her body. Traditional women are normally shown as puppets and sex slaves for the male population. This proves Gaga as an unconventional woman because men are so entice by her body, she uses it to her advantage and dictates male …show more content…
She plays a fascinating role on men and female. However, Emily Esfahani Smith believes that Gaga is not a feminist because she is a advocate of male dominance. She explains that Gaga does not hate men, conversely, feminist does not want women to hate men, feminist just wants equally for both genders. Smith’s ideas on feminist differ from mine. I believe females and males should be equally, therefore, women need to earn respect from their men, as well as, learning to utilize their sexuality. I believe by watching Gaga’s videos, this is what is she is advocating for because she gained the respect from men by showing them she is one of the “boys”. Gaga is shown as masculine because she seeks revenge and murders a mobster with masculine “toys”. Nevertheless, she uses her fame to help people realize abusive relationships; she help these people by also saying there is going to be a new beginning because she was in the same situation. She attacks sexist by using her song “Pokerface”, to tell women that they are allowed to do whatever men do without shame. Additional, females are better at male jobs then men are. I consider Gaga to be a feminist because in her videos, she allows male attributes played by females. Smith might not believe Gaga is a feminist, but I do because Gaga is a self-made women fighting for equally in both genders. Everyone has his or her own definitions for certain words, one way of defining feminist to me is a man or
Many people may have an image in their head of a feminist, as a reflection of the Miss America Protest of 1968; this was the second wave of feminism, where hundreds of liberal women protested against pageant and what it stood for (Napikoski, n.d.). “The second wave was increasingly theoretical, based on a fusion of neo-Marxism and psycho-analytical theory, and began to associate the subjugation of women with broader critiques of patriarchy, capitalism, normative heterosexuality, and the woman's role as wife and mother.... ... middle of paper ... ... Beyonce ‘harms children’ and is ‘part of the problem’ with black teenage pregnancy, claims US TV host Bill O’Reilly. Retrieved from The Independent: http://www.independent.co.uk/news/people/beyonce-harms-children-and-is-part-of-the-problem-with-black-teenage-pregnancy-claims-us-tv-host-bill-oreilly-9302728.html Smith, L. (2014, January 14).
... against the societal patriarchal norms, thus coding her as “other” and the facilitator of horror.
Beyonce is known for glamour, makeup, and for dancing around in nearly nothing. She is an extremely prominent pop star, but she’s also known for being a coveted victim of the male ogle. Feminist is not a word normally used to describe Beyonce. Her recent declaration of her feminism has left many wondering if Beyonce really is a feminist. From booty shorts to hair weaves, most argue that Beyonce doesn’t look the part; therefore, she is not a feminist. She may not look the part of a feminist, but Beyonce is a feminist.
...tivating for the advancement of women, without realizing they were doing so. She also claims that the term "feminist" changes over time, to become appropriate for how one would like to apply it.
For years, LGBT issues weren’t as accepted as it is now. Many things in the media, books, and music excluded Lesbian, Gay, Bisexual, and Transgender people, and the few that did, didn’t help the movement as much. You have books that kill off lesbian characters, gay men were stereotypicality feminine, nobody believed in bisexuality, and transgendered people lived their lives as drag queens. The lives of LGBT were kept a secret, nobody knew what would happen if this secret was revealed. Now, we have gained knowledge and started treating LGBT in the media better, not as great as it should. The song, “Born This Way”, by Lady Gaga brings the issue of pro-LGBT and self-love front and center for the world to listen when analyzed using a cultural lens.
...witty comical banter helps spread the understanding of the underlying themes behind the humor. It makes it easier for the artists to connect with the audience about feminism without an aggressive and hostile approach to the work. I believe viewers are more likely to communicate upon the works of the Guerrilla Girls with one another in society when they take on a more comedic approach. This investigation has examined the Guerrilla Girls through direct connection to the inequalities of compliance of power over women in the art world. Several themes were highlighted within society that reinstated these cultural norms of gender and sex within the institutions of art. With a variety of forms used by the Guerrilla Girls to redefine women's identity in history they were able to break down such barriers that stood in the way which denied the prosperity of female artists.
Misogyny is not the result of the physical state of womanhood; it is the product of the conventions that a society has established for how a woman should compose herself (Rey). These societal rules were created with the intent of perpetuating a patriarchal system in which women cannot express themselves freely. Misogyny is an attempt at enforcing these rules, and misogynistic behaviors can be performed by anyone. While The Gender Knot discusses how the limitation of female sexual expression and the enforcement of gender roles are forms of misogyny, “Girl” and “Mona Lisa Smile” indicate how these practices affect women.
... are flipped upside down, skies being taken down like wallpaper, these contradictions depicted. In performance art, Lady Gaga, a contemporary pop singer, also embodies the strange of Surrealism. With her outlandish costumes and ideas, she transforms her stage in a wonderland. Her stage stands for everything society rejects. Her videos and performances are engaging; viewers critically see the underlying comment behind cultural phenomena. For instance, her piece Paparazzi, she comments on society. She is the celebrity she is in real life and at the same time is questioning the conditioning of masses to worship celebrity culture. While only using a few examples, Surrealism has not strayed too far from the fine arts but has spread into all forms of art. In the digital age, the canvas on which we paint or write has widened and evolved from the time Surrealism emerged.
In the documentary Dreamworlds 3, popular music videos are examined. The documentary includes multiple videos portraying women in little clothing, stripping, and dancing on other men or the main singer. There is nothing wrong with a woman controlling her sexuality and expressing herself however she chooses, but these videos create a different narrative. The documentary shows an attack on women in Central Park, NYC in 2000 who were sexually assaulted, dosed in water and stripped of their clothes. This imagery is shocking, but it has been seen time and time again in music videos. It isn’t hard to make a connection between the men’s actions in Central Park and the actions of the people in music videos. Women aren’t respected in the videos so it gives the impression that men don’t need to respect women in real
In this case women are stuck where in no matter how they act or how they dress, they end up put into a label they do not necessarily belong in. The main goal of feminism is to create equality for women and fight against the labels put on them. Though throughout time feminism itself has been given a negative label. In today 's society women do not want to be referred to as feminists from fear of being labeled as a bitter man hating woman. This is definitely amplified in media today. Roxane Gay, author of Bad Feminist, brings up the idea of the essential feminist and where it suggests,” anger, humorlessness, militancy, unwavering principles, and a prescribed set of rules for how to be a proper feminist woman” (169). This fear of being labeled a feminist not only comes from fear of being thought of as angry or humorless, but from being attacked for not being the “proper feminist woman”.
In society today, media such as movies and music share huge roles in the dynamics of culture especially concerning communication. In Dream Worlds 3: Desire, Sex, and Power in Music Video we see how famous singers and producers in the making of their music videos have the power of illustrating our language and beliefs. From the music we listen to and things we watch, we are constantly gaining new knowledge by the message that is being presented to us. The main focus of this specific documentary was how women in the music or media industry all together are treated. From this documentary and lectures in class we see that media objectifies, stereotypes, and degrades women and their bodies as advertisements and money makers. Themes in the film discussed
Feminism is the public support for or recommendation of women's rights on the grounds of political, social, and economic equality to men. In a more simple way of stating it, women rights equivalent to those of men. Before suffrage begun, women were strictly to act as women should, or what they were expected to act like. They were expected to take care of the children, cook, and clean. Not only were they supposed to do house work, but they also couldn’t vote or own any property. On August 26th, 1920, after 72 long-lasting years of fighting, and prolonged anticipation, women finally won their rights to be treated equally. There have been, and still are, many feminists in this world. One very prominent feminist is Crystal Eastman.
While there is validity in reading her strong heroines as reactions towards her sexual assault, it is important to recognize Gentileschi was part of a far more nuanced dialogue about the position of the artist as well as women in the Baroque era. Her life is often fictionalized and sensationalized, further feminizing her and created a greater void between her and her male counterparts. While...
...her girl’s reputations. When diminishing other girl’s reputations, girls also diminish the other girls self worth. The slut label is the most powerful tool used to shame another girl. It is said, “two out of five girls nationwide-42 percent- have had sexual rumors spread about them.” (Pg. xiv) This shows the dominant groups use of power through their knowledge of girls having to have a specific attitude and behavior. Men use slut-bashing to keep sexuality under control while women to undermine other women. Either or, the power of doing so governs many actions done by people.
We have more or less gender stereotype and create our own set of standards how men and women are supposed to behave. The music video delivers a weird impression that something is wrong with the story because the characters in the video are acting opposite from society’s expectations of gender stereotype. The video portrays a couple’s normal daily life, which may have been seen everywhere, and it’s nothing special except that the perspectives of males and females are opposite from what we would expect. The main cast includes Beyoncé as a wife who is a police officer and Eddie Goines as her supportive husband who works at an office. In the video, the storyline is slightly twisted because Beyoncé