“The last word he pronounced was - your name.”(Pg. 145) Marlow has always hated when people lie, and always believed that lying was wrong. However when speaking to the intended he lied about Kurtz’s last words. His last words were “The horror! The horror!”, but when the intended asked what was his last words, Marlow lied to keep her illusion going. At this part of the novel Kurtz has passed away and Marlow was there to hear his last words. Kurtz was seen as a remarkable man and had respect, the intended also believed this, but when Marlow met Kurtz, he was not exactly the man that people perceived him to be. Moments before Kurtz’s death he has realized the horror that has happened and the things he had done, and even Marlow knew of this, but
“Force is all-conquering, but its victories are short-lived.” Stated Abraham Lincoln. That quotes applies to Slaughterhouse-Five because even when you think you have conquered something and achieve the victory doesn’t mean that it will last long. Billy Pilgrim is the protagonist of Kurt Vonnegut Jr. anti-war novel, Slaughterhouse-Five. Billy Pilgrim is non-heroic in the anti-war novel which makes the theme of the book Slaughterhouse-Five a man who is “unstuck” in time.
At this point, the speaker's newfound empathy toward the killer prompts his diatribe about American support of capital punishment. He begins with a hypothetical portrayal of an audience chaotically discussing the meaning of the word "kill," each person exclaiming "how they spell it" and "what it means to them." Subsequently, he recounts a story about insensitive reporters at a hanging, followed by a claim that "we throw killers in one grave / and victims in another. We form sides / and have two separate feasts." While the speaker may seem to be utilizing the description of the audience and the story of the reporters in order to denounce the mindset of his peers, he is in fact condemning his own former mentality. By denying five times that he is a witness, the speaker avoids the guilt that results from involvement in the death of another man. Through his repeated use of the phrase "I am not a witness," he essentially enables and catalyzes the execution of the killer, dismissing his humanity and conforming to the opinion that he deserves to be killed; however, once the speaker recognizes his fault and his conformity to this mindset, the tone of the poem suddenly shifts. The speaker's empathy for the killer reaches its maximum when he fully understands the pain of the condemned and finally sees the killer as his equal, which prompts his own admission of guilt and prior indifference: "I am a
“His bruised face looked much older than I remembered, his hair grayer” (Schmitt 131). This changed the thoughts of the reader. Many times throughout the story Schmitt discusses her encounters she had made with the old man; thus, for her to think he looked different then she remembers puts a twist to the story. Schmitt talks about the chocolate brownies she made for him, their often exchanges of hello, as well as living a floor away from him. The reader would feel confident that she knew what the old main would look like. A short time after the funeral Schmitt noticed someone she had once seen before. “ It was the old grandfather, the same buzz cut hair, the thin white undershirt, even that bemused look he always gave me.” (Schmitt 132) The confusion from the beginning of the story is finally resolved although now, schmitt realizes that she is not sure whose funeral she attended. This puts a large twist into the story, and explains all of the confusion shown in the beginning of the story when Schmitt tried to figure out who the old man really is after the cleaning lady barely describes
Mark Twain best described courage when he said that, “Courage is resistance to fear, mastery of fear - not absence of fear” (Twain). Both in The One Who Flew Over the Cuckoo’s Nest by Ken Kesey and Watership Down by Richard Adams, the authors deal with the topic of courage and each share a similar view on it as this quote. Indeed, both authors suggest that courage is not accumulated simply by acts of heroism, but rather by overcoming fears and speaking one’s mind as well. These books are very similar in the way that bravery is displayed through the characters in an uncommon way. Firstly, an example of bravery
I admit the deed! --tear up the planks! here, here! --It is the beating of his hideous heart!’”. From the guilt pounding inside of the murder, they could not hold it in anymore when police arrived and that presents how actions never leave the heart or mind. Similar to The Possibility of Evil only Miss Strangeworth did get her action back at her, only she didn’t admit. “She began to cry silently for the wickedness of the world..” Using the descriptive language trait, the author describes how everyone eventually gets a taste of their own medicine. Overall, both stories signify how descriptive language and revealing actions will come together to form a confession.
The Intended asks Marlow to repeat Kurtz’s last words because she wants “something to live with” (71). Marlow hesitates, realizing that Mr. Kurtz’s actual last words would crush his fiancée. Then, Marlow finally understands that, while he can despise evil and ungodliness, he can also understand why men are evil and ungodly; he understands Mr. Kurtz’s intentions and chooses to respond to the Intended by lying, “The last word he pronounced was—your name” (71). Conrad reveals the goodness in men that society would not expect to be good. Even today, people are racist and prejudice, seeing evil in people that are not necessarily evil. However, it is important to see the goodness in the people that society deems evil, like the Africans in Heart of Darkness, in order to achieve a greater understanding of the world and oneself.
Kurtz was an English man who traveled to the Congo in search of excitement, money and experience. To many people back home, he was known to be a loving intelligent young man. In Congo he was also known as being very intelligent, but also as being insane. The question is what happened to Kurtz how and why he let his self go insane. In a way you can say that he found the “heart” of his “darkness,” embraced it and could not escape it.
Marlow in the novella is on a mission to find Mr. Kurtz, who is a well-respected ivory agent in Europe, but is believed to be using “unsound methods” to find and trade ivory in Africa, and also his cruel treatment of the African laborers. Marlow becomes interested in knowing Mr. Kurtz, upon hearing such rumors. he becomes even more interested after seeing, “black, dried, sunken, with closed eyelids- a head that seemed to sleep at the top of that pole, and with the shrunken dry lips showing a narrow white line of the teeth, was smiling too, smiling continuously at some endless and jocose dream of that eternal slumber.” The heads are perhaps an important part of this novella, and they show how much Mr. Kurtz had changed. Another similar scene is in the movie, where Captain Willard sees all the heads of those who opposed colonel Kurtz. Both of these scenes show how both Kurtzes had changed and how their surroundings had transformed them into different people. Although he is not paralyzed similar to the “hollow men” in T.S. Elliot’s poem, he was one of the “lost and violent souls.” His lack of moral or spiritual strength to sustain him caused him to turn into a barbarian. Kurtz becomes aware of this when he is close to dying, and that is why he mentions, “The horror! The horror!”
In German “kurtz” means short. What Kurtz actually says is plain and terse, but appalling. It is not hidden behind words, but revealed within Kurtz’s own voice and scribbled in margins. However, it is the voiceless words, the written words, the lies, and not the note scribbled by his own voice that Kurtz asks Marlow to preserve. By wanting to preserve his report, Kurtz acknowledges the power of written words. He knows that besides Marlow’s memory, writing is the only thing that can begin to immortalize him. But, perhaps, Kurtz’s knowledge is meant to die along with his voice.
This situation of waiting for Kurtz allows Marlow to fantasize about Kurtz and create a larger than life figure out of a man who he’s never met before. Soon Finding Kurtz becomes an all-out obsession for Marlow; even the night before they meet Kurtz, he wishes to press on despite the danger. Here the reader can see that Marlow is willing to get to Kurtz at all costs. When Marlow does finally make contact with Kurtz, his fantasy carries over into the person who he sees Kurtz as. Marlow is willing to overlook some of Kurtz’s shortcomings and is very willing to see his greatness. Marlow is obviously fond of Kurtz, as it can be seen in the passage when he speaks of Kurtz’s “unextinguishable gift of noble and lofty expression.” Here the reader can observe that Marlow is truly fond of Kurtz’s. The narrator even chooses to side with Kurtz against the manager; even though he hardly knows the man. Kurtz has also managed to get the native people to worship him as a god, and has mastered their language. This makes Marlow respect him even more. Marlow’s point of view allows him to foster both the reality and the fantasy of Kurtz, and though he is very fond of Kurtz, he is still able to see the truth in him as
Towards the end of the story, right before Kurtz dies, Marlow looks at Kurtz, and says “I saw on that ivory face the expression of somber pride, of ruthless power, of craven terror-of an intense and hopeless despair.” (P.118), and then Kurtz screams, “The horror, the horror.” (P.118) and he dies. He is referring to what he sees inside himself. This is just what Marlow was afraid he was becoming, he looked deep inside himself, and saw Kurtz.
Firstly, at the end of this story, the narrator’s illusions are the most powerful pieces of evidence for his madness. It is his two illusions that betrays him and imposed him to confess the crime. His first illusion is the beating of the old man’s heart which actually did not exist. Initialy, exactly as he portrayed "My head ached, and I fancied a ringing in my ears, it continued and became more distinct", the ringing he heard haunted him ceaselessly. Then he "found that the noise was not within his ear", and thought the fancy in his ear was the beating of old man’s heart. Because of the increasing noise, he thought the officers must hear it, too. However, in fact, everything he heard is absurd and illusive. And it proves that the narrator is really insane. Next, his second illusion is the officers’ "hypocritical smiles" which pushed him to completely be out of control. Losting of his mind, he called the officer "Villains". Apparently, he was confused and falsely thought "they were making a mockery of his horror" which irritated him intensively. Consequently, he told all the truth and "admitted the deed" in order to get rid of the growing noise. Therefore, the above two pieces of evidence both reveal the truth that the narrator is absolutely insane in contrary to what the narrator tried to tell us.
In “Lamb to the Slaughter”, Roald Dahl uses diction, details, and syntax to emphasize the matter-of-fact tone that is consistent throughout the entire story. Diction is a key element of tone that conveys this matter-of-fact tone. For example, Mary Maloney says to herself after killing her husband, “All right… So I’ve killed him” (Dahl 320). This sentence is lacking emotion. It states a pure fact, without going into further detail and captures a turning point in Mary Maloney’s way of thinking. By telling herself “all right,” Mary distances herself from the murder. She is detached from her own story and does not reveal any qualms about murdering her own husband. Similarly, Dahl uses the next sentence to describe Mary’s thoughts by explaining,
When Marlow finally reaches Kurtz he is in declining health. This same jungle which he loved, embraced and consumed with every ounce of his flesh had also taken its toll on him. Marlow finally meets the man whose name has haunted him on his river journey. Could this frail human be the ever so powerful Kurtz? The man who has journeyed into uncharted territories and has come back with scores of ivory and the respect of the native tribe. Yes, this was the very man and though he is weak and on his way to death his power still exudes from him.
As the story begins the narrator tries to convince the reader that he is not insane. This goes on throughout the story. He says he suffers from over-acuteness. “And have I not told you that what you mist...