Capital Punishment Sherman Alexie

One can either be innocent or guilty. Likewise, one can choose to either condemn or empathize with the accused. These binaries prove amply important throughout Sherman Alexie's 1996 poem entitled "Capital Punishment," in which a prison cook recounts the day of an inmate's execution. Throughout the poem, the speaker parenthetically inserts on five separate occasions the phrase "I am not a witness," but near the conclusion of the poem, he contradicts his previous denials, proclaiming, "I am a witness." Readers of the poem may at first be puzzled by the speaker's repeated denial that he is a witness followed by his eventual declaration that he is, in fact, a witness; however, further examination reveals that the speaker, by progressing from condemnation

At this point, the speaker's newfound empathy toward the killer prompts his diatribe about American support of capital punishment. He begins with a hypothetical portrayal of an audience chaotically discussing the meaning of the word "kill," each person exclaiming "how they spell it" and "what it means to them." Subsequently, he recounts a story about insensitive reporters at a hanging, followed by a claim that "we throw killers in one grave / and victims in another. We form sides / and have two separate feasts." While the speaker may seem to be utilizing the description of the audience and the story of the reporters in order to denounce the mindset of his peers, he is in fact condemning his own former mentality. By denying five times that he is a witness, the speaker avoids the guilt that results from involvement in the death of another man. Through his repeated use of the phrase "I am not a witness," he essentially enables and catalyzes the execution of the killer, dismissing his humanity and conforming to the opinion that he deserves to be killed; however, once the speaker recognizes his fault and his conformity to this mindset, the tone of the poem suddenly shifts. The speaker's empathy for the killer reaches its maximum when he fully understands the pain of the condemned and finally sees the killer as his equal, which prompts his own admission of guilt and prior indifference: "I am a