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Analysis of characters in king lear
Analysis of characters in king lear
King lear literary analysis
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Imperfect traits can make for a unique leader whose actions can lead to their demise. An example of this would be the king in Shakespeare’s tragedy, “King Lear”. His traits make him an interesting king and father, who tends to want things to go his way. Throughout the first act, King Lear has many events of overreaction and selfishness. In the beginning of the act, Lear forces each of his daughters to pronounce their love for him, but when Cordelia refuses, the king banishes her and Kent who tries to defend her. At the end of the act, Lear is unsatisfied again with how his other daughters are treating him. King Lear in Act 1 is egotistical and stubborn in order to show his control over a situation. King Lear in Act 1 is egotistical when he repeatedly demonstrates multiple times his need to manipulate people to his favor. In the first part of the act, he forces his daughters to pronounce their love for him in order for them to acquire their inheritance and maintain their dowry. “Which of …show more content…
It is proven multiple times throughout the act, King Lear has a hard time compromising. This is particularly due to his inability to see things from another point of view. While Kent is trying to calm Lear down after banishing Cordelia, Lear responds with, “The bow is bent and drawn. Make from the shaft” (I.i.160). Lear won’t even let Kent talk to him or try and change his mind. The King’s pride is too hurt after being embarrassed in front of Cordelia to think rationally and listen to his advisor, Kent. In the end, when Lear makes up his mind, it is almost impossible to compromise it. It also is not helpful when Lear makes quick decisions like the banishment of Cordelia and Kent. Also, if he does not get his way, he would most likely throw a fit of violence and name calling until the situation changes in his favor. However, this does not make every action or word from King Lear
Michael Vu Mrs. Soukup – Block 1 AP English Literature & Composition April 11th, 2014 2005, Form B AP Literature Essay for King Lear William Shakespeare devised Edmund as an ambitious character that seeks power over others within his tragedy King Lear. Tainted by his illegitimacy, Edmund must rise to power through his own capabilities and intellect rather than inheritance. However, his drive for power leads him toward corruption as he commits treachery to both his father and brother. Shakespeare demonstrates the problem society has with those who seek power as a means of retribution. Edmund believes in the idea of natural law as a way to attain power; in fact, the Nature to which Edmund is appealing is human nature, where desire is the driving force behind all action.
Imagine yourself as an outcast but accepted by name. This life would be confusing, agitating; well to be exact, a problem. All it takes for any considerably good person to become a monster, is just one bad day. Your thoughts would be rash in a sense only for to you determine what “just” is and good would be only things that benefit you. So what makes you wrong, morals? The ones who see different around you? To be frank, you’re evil now. Get used to it because for the most part without death or a life altering change, this is your life. Exciting right?
Because of his high position as the king, people would think that he should be able to distinguish the good from the bad, but unfortunately, he was “blinded” by others. Lear’s first act of blindness came at the beginning of the play. He was fooled by his two eldest daughters’ sweet words, and then he was unable to see Cordelia’s true love for him. There he gave away his kingdom to the two daughters who lied about loving him and banished Cordelia who really loved him from his kingdom. “.For
... Lears blessing, and declared his daughter. Lear also realized that Kents speaking out was for Lear’s best and that he too was abused and banished. What stings Lear even more is that he is now completely dependent upon his two shameless daughters, Goneril and Regan. Plus that he must now beg them when he took care of them like a father when they were once children, to drive Lears further into madness he realizes that as king he was so ignorant and blind with power that he never took care of the homeless and let them suffer. All these realization and the fact that Lear is in his second childhood a tender stage drive him into the peak of madness.
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...
The first stage of Lear’s transformation is resentment. At the start of the play it is made quite clear that Lear is a proud, impulsive, hot-tempered old man. He is so self-centered that he simply cannot fathom being criticized. The strength of Lear’s ego becomes evident in the brutal images with which he expresses his anger towards Cordelia: “The barbarous Scythian,/Or he that makes his generation messes/To gorge his appetite, shall to my bosom/Be as well neighboured, pitied, and relieved,/As thou may sometime daughter.” (1.1.118-122). The powerful language that Lear uses to describe his intense hatred towards Cordelia is so incommensurable to the cause, that there can be only one explanation: Lear is so passionately wrapped up in his own particular self-image, that he simply cannot comprehend any viewpoint (regarding himself) that differs from his own (no matter how politely framed). It is this anger and resentment that sets Lear’s suffering and ultimate purification in motion.
After Kent delightfully brings the two together and Lear realizes who he is talking to, he begs for forgiveness: “Pray, do not mock me. / I am a very foolish fond old man, / Fourscore and upward, not an hour more nor less /....Do not laugh at me, / For as I am a man, I think this lady / To be my child Cordelia.“ (IV.vii.68-79). Lear has finally achieved self-awareness regarding his mistaken banishment of Cordelia, and proclaims to her in a surprising display of humility that he is just a “foolish fond old man.” Shocking the audience, Lear does not hold back his newfound sense of shame. He goes on: “Be your tears wet? Yes, faith. I pray, weep not. If you have poison for me, I will drink it. I know you do not love me, for your sisters Have, as I do remember, done me wrong. You have some cause; they have not.” (IV.vii.81-85). In another case of both humility and misjudgment, Lear believes that Cordelia no longer loves him due to his mistakes. Lear could not be more wrong because Cordelia 's love for her father is unconditional and still lives. Cordelia virtuously accepts his apology and assures him “No, sir, you must not kneel,” (IV.vii.67). Although the two do not live much longer, Lear intends to live out the rest of their lives being the best a father can
Therefore, when Cordelia tells him she has no words to explain her love for him he just dismisses her and becomes outraged. Lear is blinded by his arrogance and power and chooses to accept his two daughters who make him feel loved.
King Lear by Shakespeare portrayed the negative effects of power resulting in destruction caused by the children of a figure with authority. Through lies and continual hatred, characters maintained a greed for power causing destruction within their families. The daughter’s of Lear and the son Gloucester lied to inherit power for themselves. Edmund the son of Gloucester planned to eliminate his brother Edgar from his inheritance.
Only the truth is irreconcilable with the demands of Lear’s ego. When Cordelia doesn’t say what Lear wants to hear he breaks out in anger by a violent oath, disclaiming paternal care of Cordelia: “… by the sacred radiance of the sun, The mysteries of Hecat and the night; By all the operations of the orbs From whom we do exist and cease to be” . Lear casts Cordelia from his heart referring to her as a “barbarous Scythian.” His hatred surpasses the notion of equality in love, it shows self-centred love that asks more of the other then of oneself. With Lear’s actions we can see that he can’t recognise treachery and loyalty and falsehood and truth, and no one can tell him about it. Here his lack of self-knowledge is the biggest in the play.
Once Goneril and Regan took complete control of the kingdom, it was evident that King Lear’s power and authority was tarnished. Goneril and Regan abuse of power lead to the madness and the crisis Lear experienced. For example, while Lear was outside in during the storm, he basically questioned who he was not only as king, but as a man. "Doth any here know me? This is not Lear: Doth Lear walk thus? speak thus? Where are his eyes?" (I..IV.218-222). this quote just shows the depth of Lear’s troubles and blindness. Now that Lear has lost all his power to the evil actions of his two daughters, he’s essentially in an identity crisis, and unable to see who he truly is anymore with the title of “king”, which all play a part in his tragedy and eventual
Most readers conclude that Lear is simply blind to the truth. As a result, he grants his inheritance to Goneril and Regan because they flatter him with the words he wants to hear, at the same time, he banishes Cordelia, the only daughter who really loves him. also when his advisor, Kent, warns him that this is a poor idea, Lear throws him out, too. So Lear has to deal with the power struggle his retirement sparked without two of the people who could have smoothed the...
The reader discovers Kent's willingness to protect his King in the first scene. After Lear has had his daughter's display their love in a pubic competition Kent tries to persuade him that Cordelia "does not love him least" and that Lear should think about banishing her. Kent is trying to protect the King from his emotions and the decision that they have led him to. But Lear does not listen and instead banishes Kent from the Kingdom. His banishment is a result of another emotional outburst on the part of the King. If Lear were to look rationally at his actions and what his daughters have said he would realize his folly. Instead he is enraged by Kent and thinks that he is challenging his authority.
In these acts, King Lear is shown spiraling into madness and then eventually regaining his sanity. Shakespeare develops his madness theme through several phases. In the first phase, Lear's madness is shown through his strange conversations and the tearing off of his garments; in the second phase, Lear is shown emerging from his madness through verbalizing the reason for his insanity and, in the third phase, Lear is shown overcoming his madness, as exemplified through his tragic vision. The first time the audience meets Lear, he is presented as?arrogant and egotistical? Leggatt, 33, a man who shows no mercy, not even to his favorite daughter when she disappoints him.
Lear's relationship with his three daughters, Goneril, Regan and Cordelia, is, from the beginning, very uncharacteristic of the typical father-daughter relationship. It's clear that the king is more interested in words than true feelings, as he begins by asking which of his daughters loves him most. Goneril and Regan's answers are descriptive and sound somewhat phony, but Lear is flattered by them. Cordelia's response of nothing is honest; but her father misunderstands the plea and banishes her. Lear's basic flaw at the beginning of the play is that he values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn't want to fulfill a king's obligations. Similarly, his test of his daughters demonstrates that he values a flattering public display of love over real love. He doesn't ask "which of you doth love us most," but rather, "which of you shall we say doth love us most?" (I.i.49). It would be simple to conclude that Lear is simply blind to the truth, but Cordelia is already his favorite daughter at the beginning of the play, so presumably he knows that she loves him the most. Nevertheless, Lear values Goneril and Regan's fawning over Cordelia's sincere sense of filial duty.