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John coltrane spirituality
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52 years ago, this album marked the pinnacle of John Coltrane’s music career. A Love Supreme is the genesis of Spiritual Jazz —not only did it celebrate Coltrane’s liberation from his past troubles with heroine and alcohol addiction, for Coltrane’s followers, A Love Supreme was also a revelation of God’s redemption. Since its release, an African Orthodox Church has been named after him where Coltrane’s music is worshipped, musicians such as U2, Santana and ____. too referenced his music to advocate for equality. Amidst the African-American civil rights movement and the Vietnam War, the birth of A Love Supreme became highly associated with peace and freedom. Nevertheless, Coltrane specifically writes about his personal spiritual quest on …show more content…
Records, this four-part suite symbolizes his four phases of faith.:1. Acknowledgement – 7:42/ 2. Resolution – 7:20/ 3. Pursuance – 10:41/ 4. Psalm – 7:05. With Coltrane’s quartet, which features drummer Elvin Jones, pianist McCoy Tyner and bassist Jimmy Garrison, these four movements were recorded in only two days. Coltrane, as a bandleader and saxophonist, has stretched the limits of Jazz and brought new expressions to music. Compared to his other works, A Love Supreme stands out on its own as a fusion of post-bop and modal jazz. In Coltrane’s earlier career, he mainly focused on hard bop compositions such as “Giant Steps” which he developed the “sheets of sound” style (XXXX) and . Interrupted by drug abuse and ___ from Davis’s Xtet , he later rediscovered his direction with Thelonious Monk and evolved to
Perhaps after the turning point of his life in 1957, slowly paving way to avant-garde jazz that’s later to be seen in Ascension (11 musicians , freer ) free jazz, avant-garde unique —he studied bebop - walking away from the norm more complicated harmonic sequences.
FIRST IMPRESSION, FIRST IMPRESSION, STYLE
What everyone seems to say about the album, is that “ A love supreme is god’s love.” The first time I listened to it, I didn't get it— erratic , dissonant , cacophonous — 4 ppl playing on their own… ineffable harmony. 4 of them are driven by something else, something deeper higher. connected spiritually. structure is improvised , there are no clear directions where they’re going
———— breathing
Consistent intensity , abstract changing rhythms , free improv,
The word “jazz” is significant to America, and it has many meanings. Jazz could simply be defined as a genre or style of music that originated in America, but it can also be described as a movement which “bounced into the world somewhere about the year 1911…” . This is important because jazz is constantly changing, evolving, adapting, and improvising. By analyzing the creators, critics, and consumers of jazz in the context of cultural, political, and economic issue, I will illustrate the movement from the 1930’s swing era to the birth of bebop and modern jazz.
was not so radical as to say that one would have been happy if they
Critics of Jazz have always perpetuated this schism by utilizing the reasoning behind Jazz, that of it being a free form interpretation, to question the legitimacy of calling a Jazz leader a composer. For how can one be styled as a proper composer and still remain true to the Traditional Jazz concepts? The classic composer has at their disposal highly skilled musicians who are trained to work within professional bodies, such as a symphony orchestra or string quartet, and who then relies on the efficiency of these professionally trained bodies to interpret his scores as he sees fit. On the surface this appears to run contradictory to the Jazz composer whom, “Has to write for specific combinations which do not exist until he brings them into being, and to rely on highly individual executants whose personal style must be blended together to give expression to his own ideas without…losing their individuality”.2 Yet to interpret this blending of highly individualistic sounds as proof of a schism between this and the rigidly structured Classical composer is a false impression. This fallacy can be attributed to overemphasizing the sporadic and improvisational aspects of Jazz and refusi...
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
Sabatella, Marc. "Jazz Styles: Mainstream Jazz: Bebop." The Outside Shore. 2000. Web. 8 Apr. 2011. .
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
“All of Me” is one of the few songs I liked when I first heard it. I was totally touched by the lyrics, rhythm and melody of the song and the voice of the singer as well. It is a piano ballad sung by John Legend, which dedicated to his newlywed wife Chrissy Teigen, and I think it is definitely one of the most beautiful and romantic love songs and a Valentine’s favorite song. It can be considered as a love letter that the John writes to his wife. The song describes the displays of affection and shows how much he loves his wife. Even sometimes she drives him nuts, he still loves every inch of her. Taking the good things with the bad is love of the most unconditional way.
J Cole’s second studio album, Born Sinner, runs for fifty-nine minutes and twenty-eight seconds; however, its effect on an audience is indelible. The album implements a clever duality between reflection at sin and rejoice at morality. Furthermore, the album is bifurcated so that the sin occupies the beginning of the album and the morality occupies the end of it. The sum of these parts results in more than a collection of songs, but a cry of spiritual expression. Cole skillfully employs seriality in order to plant specific themes of sin, God, life, and morality into the listener’s mind. These themes then grow and deepen with each new song. Overall, Cole’s use of seriality exemplifies why his album, Born Sinner, is a permanent form of spiritual
Not only is it nearly impossible to pinpoint jazz’s conception in time, many locations are accredited with its origin, the United States allowed for jazz to start gaining popularity and leading into the change it had to the music scene. When jazz is brought up, many first think of its birth place being New Orleans, Louisiana. New Orleans has always been a big musi...
As it mentioned above, the title itself, draws attention to the world-renowned music created by African Americans in the 1920s’ as well as to the book’s jazz-like narrative structure and themes. Jazz is the best-known artistic creation of Harlem Renaissance. “Jazz is the only pure American creation, which shortly after its birth, became America’s most important cultural export”(Ostendorf, 165). It evolved from the blues
The sheet music for this song was written very steady and simply. This allowed the song to be understood and the audience could focus more on the lyrics. More than anything, this song stood out to me because it is an anthem for peace. This song is over four decades old and civilians are still familiar with the words and messages this song portrays. One of the main parts of the song was the lyrics, “Imagine there's no countries. It isn't hard to do. Nothing to kill or die for and no religion too. Imagine all the people living life in peace. You may say I'm a dreamer, but I'm not the only one. I hope one day you will join us, and the world will live as one.” Their is absolutely no reason the world shouldn't live as one! We are one
Growing up, I have always loved the musical The Sound of Music. In fact, when I was in high school, we played a few selections from The Sound of Music soundtrack in the orchestra my Junior year. I used to believe I knew everything about The Sound of Music: the plot, the characters, the music, etc. until last Tuesday when we listened to John Coltrane’s incredible jazz improvisation of “My Favorite Things” in the film “The World According to John Coltrane.” Sadly, it was the first time I watched Coltrane’s performance of “My Favorite Things.” I was stunned by his amazing version of my second to favorite song from The Sound of Music. Coltrane’s brilliant playing technique amazed me. When he played the saxophone, he gave off this feeling that he was truly passionate about what he was doing. His body movements, his facial expressions, his fingering, and even his breathing was very artistic. He engaged with the audience through music. In my opinion, John Coltrane was one of the brilliant musicians who had the ability to manipulate emotions within his music.
Āna(n)d, commonly translated as ‘happiness’, ‘joy’, ‘pleasure’ and ‘delight’, refers to the Divine as the all-encompassing love, pure bliss and beatitude in an absolute sense, free of external dependencies, desires and objectification. Here, love is not a transient phenomenon, nor is bliss a fleeting experience, but rather they are an infinite reality. Devoid of ignorance and imperfection, reality, as dynamic consciousness, is absolute perfection and tranquility. Absolute perfection translates as pure bliss and love. Love and bliss are therefore the very essence of the
There are a handful of love songs that have been written. One of the most famous love songs written is by the king of rock and roll. Elvis Pressley, “Can’t Help Falling in Love” has been a popular wedding and love song for several decades. Released in 1961, Elvis debuted the song in his movie, Blue Hawaii. Over the years, artists have been recording this hit love song, giving it their own twist. In an article that was printed in the Telegraph, “the devotional words to the song, which featured in Presley's 1961 film Blue Hawaii, describe the mood of love better than any other, according to respondents” (Swaine, 2008). Along with Pressley’s original version of “Can’t Help Falling in Love”, we can consider studying the covers performed by The
Werner, Craig H. Playing the Changes: From Afro-Modernism to the Jazz Impulse. Urbana: University of Illinois Press, 1994.