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Migration in africa and its effects
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Art Criticism Introduction The above picture was photographed by photographer Jesco Denzel, who works under the photography agency, laif für Photos & Reportagen. The photograph who won first prize singles for world press photo competition under the theme contemporary issues. The picture was titled as ‘Lagos Waterfront under Threat’ and it depicts a group of tourists in a boat steering through a canal of the Makoko community in Lagos, Nigeria. Makoko community is based in Lagos Lagoon making it a humongous informal settlement after it was recognized as an ancient fishing village. The photographer, Jesco Denzel (2017) explained the story of the series in his website as following: “Otode Gbame and Makoko are ancient fishing settlements on the shores of Lagos Lagoon. They’ve been there well before modern-day Lagos and existed peacefully for about 150 years. But now big Business is kicking in. Building ground is scarce in Lagos, and powerful families with strong ties to the government are putting their hands on the prime real estates on the waterfront. The …show more content…
It depicts a man who is part of a theatre production getting applauses by the audiences. There was no huge and obvious contrast such as the main photograph but the projection of the subject matter is similar. The differences lie within the color in the surrounding. This picture blends in well with the surrounding which is a good indication that the surrounding is with the subject matter but in the main photograph (the Lagos community), the surrounding lack saturation which makes the subject matter has the out-of-this-world feels to it. From all the comparisons and contrasting done above, Denzel's still-life pictures use colors and contrasting to tell the story of the surrounding, the event or the incident. His works are charismatic but controversial as well, and that is a good indicator of eye-catching photojournalism.x
The most emphasized part of this image is the man lying on top of the child and leaning against the bed, part of the body being directly in the center and seems to take up the most space, this is where the eye tends to linger. The negative space is made interesting by including a turned over chair, and rumpled sheets on a bed and other homely objects, which indicates that this is set in a home. The contrast that is shown in this artwork is through the use of value since Daumier used implied light, the brighter and darker areas create a contrast against each other. While this piece is not symmetrically balanced, it is balanced asymmetrically. It is asymmetrically balanced through a man and most of a bed being placed in the center, on the right is a small child, the upper torso of an older looking man, a chair next to him, and the rest of the bed; on the left of the man is most of what seems to be a woman, and other less detailed furniture. There is a sense of repetition through the positive shapes of the people lying on the floor, this is also shown through the use of line that creates the entire lithograph. This provides a sense of cohesiveness and unity throughout the
contrasts but the overall intensity is fairly dull. Caillebotte’s is giving a complete image of the
...elationship between the people in the composition and their feelings in each other’s company. The viewer is forced to think critically about the people in the painting and their feelings and body language.
When looking at the painting it gives us a glimpse of the past. It looks almost like a photograph. The fine detail from the building on the right with the statue on top. The citizens walking around.
The Polanski version of the video consists of a huge variation in the chosen lighting. There is the bright, colourful, interior of the banquet and then are external shots of the castle that are very dark. This contrast is expected in this version of the video for it is designed to be a feature film, so there are enhancements to
I think the reason so many people wanted to own this image is due to the fact that it is a mix of nature and the beauty that we would all like to remember each and every day. Living the fast-paced lives of work and family, humans do not get to experience this beauty of nature often enough. Peter Lik uses contextual art in most of his photographs in order to capture the natural Earth that most people are not lucky enough to see in person.
I will compare the emotions that both artworks send to the viewers when they first look at them. When I look at the portray 1, I fell sadness. That’s what the artwork is conveying to me. No one in the picture is happy or smiling. Everyone is sad, upset or indifferent. When we look at their gaze, the father is looking traight away, with tired eyes. His gesture shows that he doesn’t want to hear what his wife has to say and is asking her to stop. The mother’s gaze is on something in front of them. Her eyes are big and she seems to be giving more attention to things than the man. She seems sad sad to be spoken that way. On portray 2, the atmosphere is visibly different. The man and woman have a little smile on their faces and the kids are playing next to them. The people in the portray don’t look indifferent to each other or sad like in the other portray, they look pleased and caring. The man and women gaze are relaxed and they seem to be enjoying themselves. They are looking straight away in a pose as if someone is taking a picture of them. The kids gaze are in their
A old sandy color bridge is cast upon the middle of the painting, which is crumbling apart and crashing into the water. The water in this painting is dark blue and white showing the choppiness of the water. In the middle of the painting is a white statue with its head broken off, but still standing, holding a black shield leaning forward towards the center of the painting. In the background fire and gray and black smoke cover the landscape. The gray skies linger over the town with a dark depressing tone. While the river banks are roaring with fire. In the lower center of the painting is a woman dressed in white jumping to off the river bank with a warrior behind her. In the lower portion of the painting ships are on fire. Throughout the whole painting you will see thousands of people, some enemy warriors some townspeople. The enemy warriors are wearing red. While the townspeople are dressed in typical daily life clothing
Throughout centuries, art has been one of the best ways that people use their imaginations. Paintings like many other ways have been used to represent those imaginations. Due to the evolutions in materials and painting skills of the artists, artworks have become almost lifelike scenarios that force the mind to create the illusion of the actions. These paintings were painted with the same technique and they both have a lot of movement all around them. it is very catchy how they move the attention from one side to the other especially when looking carefully, it gives the idea that that the artists almost had the same feeling when they were painting these compositions. Though artists may have used similar styles and techniques, these works can
Who are the folks traveling by boat/train? Where are they coming from? Where are they headed? The black and white as well as the surrealism of the image as indicated by the hybrid nature of the vehicle a add to a feeling of mystery even prior to opening the book. The clouds and fog obscure the reader from knowing what exactly lies ahead. Will this vehicle continue on a track or become more boat than train and plunge into water? The framing of the image in a thin white line and then black border places the viewer on the outside of the image to grapple with these questions.
What do you think about when watching a film? Do you focus on the characters' good looks or the dialogue? Or do you go behind the scenes and think about what made the film? Maybe, it's even a combination of all three. No matter what comes to mind first, an important part of any good movie will be what you see. A camera and good director or cinematographer is needed to make that possible. Different directors and cinematographers will use different camera techniques to make you focus on what you see. Camera techniques show emphasis in films, because they make you focus more on situations and people. They are especially important in Darren Aronofsky’s Requiem for a Dream.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
As seen in the illustration, there is a man standing on what appears to be a cliff above fog; there is contrast in this through the pigments of the man and the rest of the scene. While the man is wearing what seems to be a black suit or coat, the rest of the background is a light grey that makes the man stand out from the rest of the icon. Not easily detected by a spectator, is the lighting of the painting that exposes contrast with the focus and the other parts of the picture; the heart of the image is darker than other areas that appear to have more light. The contrast of the view makes the man look like he is dwelling on something.
generate moods, and have great psychological affect. This is just as true for the very first series of shots for the film, and perhaps more important since these first shots will give the audience the initial feeling of the film, and set a tone for the picture. The first shot is highly dramatic in its lighting method, and the audience is drawn in immediately to one single detail. A man begins revealing the details of a tragic incident that befell his daughter. We don’t see who he is talking to. There is a spotlight directly above the man, and this is pretty much 95% of the light used. This really lights up the top of his head, which is bald, but there is no hot spot or reflective element which is good because reflection here would be aesthetically displeasing. The lighting causes dark areas under the man’s eyes, which emphasize the passion and eventually the hatred of what he is talking about. The scene is lit so that the background is completely black, so that the only thing we can see is the man. Even though this is logically unrealistic, the stylistic decision to light in this manner is warranted, since this or any other good film draws heavily upon our expectations and imagination to convey a message or meaning. We as audience accept the unrealistic elements, if they assist in making the story ...
This film captures this class distinction without subduing the atmosphere through the use of a variety of cinematic devices. “A good film is not a bag of cinematic devices but the embodiment, through devices, of a vision, an underlying theme” (Barnett, 274). The audience can see this theme of the realities of the oppression, poverty and despair of this time period through the use of the things mentioned, but also through the character development that is driven by the character’s hopelessness. Each of the characters associated with the lower class is motivated by the conditions, which are viewed through the cinematic devices mentioned above: color, spherical lenses, long shots, and high angle shots. Sources Cited:.