Isolation And Rebirth In William Faulkner's A Rose For Emily

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A Rose for Emily is a southern gothic story written by William Faulkner about a woman’s life of isolation and her inability to comprehend life after death. From a first person narration, we are able to see Emily Grierson’s life from an outsider’s perspective rather than from her point of view consequently leading us to take the side of the narrator. This paper will argue how through themes of isolation and rebirth, this story implies how Emily’s character deals with seclusion and how she fails to part with death and distinguish time with the men that she has placed great significance in. Out of many of Faulkner’s works, A Rose for Emily demonstrates his detailed style of prose and conveys the emotions of people that have gruesome, complex lives …show more content…

She no longer has a sense of independence and her self-reliance is compromised when he dies. Emily doesn’t recognize death, and we notice this when city authorities arrive to her house to collect her taxes. “See colonial Sartoris. I have no taxes in Jefferson (31).” Her refusal to accept death may originate from her childhood upbringing of being controlled by her father. In her mind, she lives in a time where her father is dominating her existence even from his final resting place. Emily is grasping onto the life of her father and the house that is now under her name after his death, which indicates her inability to renounce with the things in her life of all that she has ever experienced. Towards the end of the book, we discover that she has necrophilia, where she develops a deep connection with the bodies that depart from her especially with the corpse of her father and Homer Barron, “She told them that her father was not dead. She did that for three days, with the ministers calling on her, and the doctors, trying to persuade her to let them dispose of the body” (32). Emily finds value with her father’s body, and despite the fact that he controlled Emily …show more content…

Time is something no one not even Emily can control, which is what drives her to insanity as she is unable to grasp the concept of her loved ones leaving her and doesn’t comprehend it with age. Emily’s disposition is confined by her past, which she doesn’t try to depart from. “…on the porch and the lawn, talking of Miss Emily as if she had been a contemporary of theirs, believing that they had danced with her and courted her perhaps, confusing time with its mathematical progression…a huge meadow which on winter ever quite touches divided from them now by the narrow bottleneck of the most recent decade of years” (35). The old men have imagined to have danced or courted her at one point signifies what could have been had she not been secluded from society. The people have different outlooks of how times have passed and the memories they have made of Emily. They have lost their sense of time and value with Emily which she now only serves as a memory along with her house. The metaphor for parting of life is the meadows in where seasons change to winter and develops a cycle of life after her death. An allusion to Emily’s funeral is similar to the ending of The Great Gatsby, where his supposed friends and partygoers of his notorious celebrations didn’t attend his funeral out of respect and appreciation despite all that he has done for them. Nevertheless this is the opposite

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