Intersectional Analysis in Django Unchained

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Oppression, sadly, has a big place all throughout the history of America. From the beginning, we started out being oppressed, but as the years went by, we started to oppress others, like females, blacks, and the poor. The United States of America believes in equality for all, but intersectional analysis can bring up the contradiction between that statement, and reality. Intersectional analysis is known as “an analytic mode that does not privilege one side of identification over another, but insists on the importance of race, class, gender, and sexuality as interlocking and mutually constitutive.”(Hong ix-x). This analytic mode was an important contribution to the science of sociology from the black feminists that Grace Hong talks about in her book The Ruptures of American Capital. Using intersectional analysis, one finds that based on different variations of race, class, and gender an individual has, that individual will experience varying levels of oppression from the oppressors, who are usually the ones who hold the seats of power. Oppression usually happens in what Hong would call a “racialized state” (Hong viii) where the nation state takes on a repressive role in “the form of police surveillance and the displacement of impoverished racialized communities” (xi). Using intersectional analysis and bringing to conscious the contradictions one has in the country can help bring the people to change, in the direction that is promised to all men, the direction of equality. To demonstrate how intersectional analysis can be used in the real world, one can look at the world of Quentin Tarantino’s Django Unchained.
The world of Django Unchained is full of racism, oppression, and segregation and represents the epitome of Hong’s racializ...

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...n the usual sense, like how slaves are treated, but she is discriminated by the amount of value she actually has or appears to have. In the scene where she is first introduced, Candie yells “Where is my beautiful sister!?” and she comes scampering out of the house. Candie talks about how beautiful and easy on the eyes she is, while she does not even say a word. Candie’s sister just stands there and smiles the whole time while she is being shown off to the whole crowd like an object of beauty. Lara, after being introduced, then adds nothing to the story and is eventually killed off in the end. Because of her lack of any real addition to the plot, Terantino did not need to have her be a part of the story at all. One might see Terantino’s addition of her to the story as a viewpoint the people had of women in a racialized state. They were seen as just objects of beauty.

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