Michael Flachmann once said, “Geography plays a major role is Shakespeare's Othello and the major characters Othello, Desdemona, and Iago are forever transformed.” Their personalities changed from the time they were in Venice and then at Cyprus due to the different laws and customs at each setting. All together these changes made the storyline in the play take a different direction.
While in Venice, Othello is a man that plays the part of a typical black man very well even though that's not his true identity. He acts like his speech isn't as superb as the other people in Venice, even though the way he talks is what won Desdemona over. He just doesn't want other people to realize how smart he is he expresses his dislike for his speech when
At the beginning of the play, Desdemona seems to be a carefree adventurous spirit. “From hence trust not your daughters’ minds by what you see them act. Are there not charms by which the property of youth and maidhood may be abused?” (Act 1, sc 2, lines 184-187). These are the word of her father when he expresses how since Desdemona is rebellious he can't trust what she says. Brabantio also says that his daughter isn't very bold which could mean that like Othello she tries to meet the social norms of women. Then when Othello is called away for military duty in Cyprus, she begs to go with him. While in Cyprus, Desdemona is even more outspoken than before. She's not afraid to speak her mind and argue back with men. “O most lame and impotent conclusion! Is he not most profane and liberal counselor?” (Act 2, sc 1, lines 174-176) says Desdemona while arguing with Iago. She's a independent woman that can do well on her own. Being in Cyprus has made her feel as if she doesn't have to meet the expectations of women
He's a horrible man that only thinks of himself. At first Iago is angry that Othello didn't give him the position of lieutenant, then he thinks Othello slept with his wife. “Call up her father, rouse him: -make after him, poison his delight.” (Act 1, sc 1, lines 71-72) he says to Roderigo. He wants Desdemona's father to know about her running away with Othello, in order to get Othello in trouble. It's in Cyprus that Iago brings his evil plan into play.Then, while in Cyprus he becomes even more paranoid: thinking, even more, people have been with his wife. He says to Cassio “Sir, would she give you so much of her lips as of her tongue she oft bestows on me.” (Act 2, sc 1, lines 110-111). This is when he accuses Cassio of being with his wife just like Othello. He also finally expresses how he feels about other characters when he’s in Cyprus. Iago admits that Othello is noble and loving, he loves Desdemona and hates Cassio. He wants to take down and get even with both Cassio and Othello and doesn't care that in doing so he will be harming Desdemona. He seems to get joy out of the pain he causes. Iago is able to make Othello question his trust in Cassio and Desdemona. In conclusion, the settings in Othello are what cause the characters to have personality changes. Venice and Cyprus both have different ways of life that challenge the main characters. Venice has laws and a structured
1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her
Throughout the play Othello is convinced by Iago that Desdemona has had an affair with Cassio, when really Iago is trying to bring as much misery into Othello’s life as he possibly can. At one point Othello, Desdemona, and a few others are talking with Desdemona’s cousin and everything that Desdemona says helps to convince Othello that she is in love with Cassio. Eventually Othello gets mad enough and slaps her in which she reacts in a much different manner than most women of that time period would have. “Othello: I am glad to see you mad. Desdemona: Why, sweet Othello - Othello:Devil! [Strikes her.] Desdemona: I have not deserved this (4,1,217-220).” This is not the only time we see Desdemona tell Othello that he is wrong in his actions. Later, in act four, he calls her a “whore” and accuses her of sleeping around and rather than taking the heat and dealing with the verbal abuse Desdemona speaks out. “Othello:...Impudent strumpet! Desdemona: By heaven, you do me wrong! (4,2,81-82).” Desdemona tries throughout the rest of the play to convince Othello that she is faithful to him and loves him, but as hard much as she tries Othello does not believes any of it and ends up killing her. Shakespeare has made this very vocal female character to show women that even if they were to speak their mind and try to defend themselves no man would ever believe
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Altogether, in the story Othello, as the setting changed from orderly, to unpleasant, and to chaotic, Iago's character reflected the setting each time. As his character also changed through the story, from being orderly in Venice to finally becoming violent in Cyprus. Thus Iago’s character is parallel with the setting.
Iago's next motive becomes clear when he convinces Othello "that he (Cassio) is too familiar with his (Othello's) wife." (1,iii.4399) Iago's motive here is to break the bond between Othello and Desdemona.
The world is a scandalous place filled with egocentric people to who will often make choices based on personal pleasure and beneficial needs. In William Shakespeare’s play Othello, when not chosen for the higher titled position, the villain seeks revenge and manipulates others in scandalous acts to take over. Through characterization of the three main characters, Othello, Desdemona, and Iago, we realize that, lacking trust leads to a self-disrupting nature filled with betrayal, death, and suicide.
Othello, a play by William Shakespeare, takes place in Venice during the invasion of the island of Cyprus by the Turks. The protagonist of the story, Othello, is a newlywed, Moorish general with a very gullible nature. The antagonist of the story is Iago, an officer under Othello who wishes to be promoted to lieutenant, but the position was given to the young and attractive Cassio. Other major characters in the play are Desdemona, Othello's wife who is accused of having an affair with Cassio. In addition, there are Roderigo, a Venetian who is deeply in love with Desdemona; and Emilia (Iago's wife) who could have prevented the death of Desdemona.
He is greedy for power and jealous of Cassio for being promoted above. him, and will do anything to stop Othello and Cassio. In Act 1 Scene 1, Iago starts to manipulate Othello straight away. Iago speaks to Roderigo about how he despises Othello and wants revenge. I will be a sailor.
In Greek, Desdemona means ‘the unfortunate’, perhaps reflecting an ideology that she is not meant to be liked, merely pitied for her misfortune as a tragic victim (commonly defined as someone who dies due to the faults of others). Throughout Othello, Desdemona is presented as pure and innocent – in regards to this, Auden’s comment is unusual as Desdemona is seldom criticised; indeed many critics are complementary, giving her titles such as ‘gentle Desdemona’.
In Othello men see women as objects to control, first by their father, and then by their husband. When Iago yells to Brabantio, telling him his daughter has gone off to marry Othello, he yells "Thieves, thieves! / Look to your house, your daughter, and your bags! / Thieves, thieves!" (Othello I.i.79-80). Othello has taken away Brabantio's property, his daughter, and is called a thief because of it. Desdemona refuses to be treated like property, however and makes "A gross revolt, / tying her duty, beauty, wit and fortunes" (Othello I.i.134-135) to Othello. Her marriage to Othello is not an act of a free woman, but a revolt by Brabantio's property. Desdemona is also incapable of independent feelings or thoughts. Othello must have "Enchanted her" (Othello I.ii.63), "In chains of magic" (Othello I.ii.65), because she could never make such a choice on her own. In Brabantio's mind, only he can know what is in Desdemona's best interest and then choose it for her. Brabantio tries to guard her, but Desdemona has "Run from her guardage" (Othello I.ii.70). In Othello the culture of the time treats women as objects to be guarded and watched over, too tender and gentle to fend for themselves in a dang...
He says: "I love the gentle Desdemona", and this suffices to explain his feelings. It is obvious that Othello is a much 'deeper', more sensitive man than Iago. Another contrast is that Iago's motivation is himself and his self-interest. Iago desires success and gain for himself and no other. It appears that his major grudge against Othello is that he promoted "a fellow almost damn'd in a fair wife" (that is, Cassio) above himself.
In fact, Desdemona holds herself in such high regard that she almost seems incapable of believing that anyone else may not. Luckily for her, Othello similarly holds her in high regard, at least until Iago begins to manipulate him. Even before Othello, Desdemona’s own father, Brabantio, thought highly of her. When she elopes with Othello, he never believes that she ran away from home willingly. He believes that Othello had enchanted her until she herself says otherwise. Upon this realization, Brabantio, warns Othello against Desdemona, telling him:
Iago is a very strategic and clever person, and he despises Othello because Othello appointed Cassio as a lieutenant over Iago. He plans to ruin Othello’s life by ruining his relationship with Desdemona. He starts off by telling Desdemona’s father, Brabantio, of Othello and Desdemona’s secret marriage. Iago goes to
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with
The play Othello is a fictional story and is therefore another example of appearance vs reality. The characters are written through the imagination of Shakespeare. Likewise the plot is also an example of how appearance doesn't conform to reality. The person who sees the play also sees the characters differently. Since this is a fictional story the author has the power to end it how he wants to but in real life it might not end this way.