1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her …show more content…
The truth comes out after Othello has murdered his wife and before he kills himself he says, “must you speak of one that loved not wisely, but too well.” (Shakespeare 360), meaning that he wants to be described as someone who loved too much, but who was not wise. His jealousy and fear of ruining his reputation after murdering Desdemona lies within his final speech. Although, he mentions in his speech, “Of one not easily jealous, but being wrought, perplexed in the extreme” (Shakespeare 360), trying to convince the audience not to see him the way the events seem to make him look. He is trying to imply that he was not easily made jealous, but was tricked and manipulated by Iago. Othello wants to avoid having a bad reputation and would like the audience to remember him as an honorable …show more content…
Poe uses irony in his story to engage the reader throughout his text, build suspense and create tension. Poe’s story uses information that readers already know and consequently uses irony in order to sustain the readers interest. He uses dramatic irony, since Fortunato is unaware that Montresor attempts to kill him, but the readers know that he will. Montresor reveals early that he is seeking revenge on Fortunato, therefore, when Montresor expresses concern about Fortunato’s health in line 36, "Come," I said, with decision, "we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. (36), the reader already knows his plan. He is just trying to trick him into believing him that he cares about him to gain his trust. He also uses verbal irony, "Enough," he said; "the cough's a mere nothing; it will not kill me. I shall not die of a cough.” (Poe37), but Fortunato already knows how he will die later on. This example illustrates how vague Fortunato is and has no clue of Montresor’s evil intentions. The situational irony Poe uses in the story is when Montresor kills Fortunato and walks out of the catacombs. Montresor says, “my heart grew sick; it was the
In this chapter, Foster discusses irony. When Montresor is attempting to bring Fortunato into his catacombs, he makes several ironic statements. For example, he says that Fortunato’s “health is precious” (Poe 868). As well as this, Fortunato himself states that he “shall not die of a cough” (Poe 868). These two statements are ironic because Montresor is pretending to care about Fortunato’s health and life, when in reality, he is about to kill him. To add to this, Fortunato admits that he won’t die from a cough, unbeknown to the fact that he will instead die from his friend. Also, another ironic part of the story is the fact that Fortunato came to the catacombs for wine, but his own intoxication led to how easily he was killed. If it hadn’t been Carnival, and if he hadn’t been so heavily drunk, he might have been able to at least attempt to escape his inevitable death. Also, if he had been sober, he may have realized how foolish it was to follow Montresor to the catacombs when his story wasn’t exactly adding up. These are a few examples of irony in “The Cask of Amontillado.”
One of the most horrifying lines in the story is given by Montresor after Fortunato says, “I will not die of a cough” (Baym ). Montresor says, “True— true....” (Baym ). It seems that Montresor 's murder plot became subconsciously manifest in those two words. Dramatic irony is irony that is inherent in speeches or a situation of a drama and is understood by the audience but not grasped by the characters in the story (“dramatic-irony”) and Poe uses this effectively in this story. For example, Montresor expresses concern about Fortunato and says, "Come, I said, with decision, we will go back; your health is
Irony is used very often by Poe. Irony is when something occurs that is the exact opposite of how it should be or seem. Irony varies in that it may be displayed through someone’s actions or an ironic happening. An example of irony in someone’s action are in the Cask of Amontillado is when Montressor repeatedly seems concerned for Fortunato’s health, even though his real intentions are to kill him. It also may be considered ironic that Poe named the enemy of Monstressor, Fortunato. Being that Fortunato means fortunate or lucky in Italian, it is ironic that he is very unlucky in that he his buried alive in a wall.
In this short story, examples of irony and foreshadowing are presented very often in between lines. One of the very first things that I find as the biggest irony in this short story fiction is the victim’s name “Fortunato”. As I looked up the definition of the name, Fortunato means fortunate which is very ironic due to the fact that he is going to die, and be walled up in the catacombs. Aside from that, I also found a verbal irony at the very beginning of the story when Montresor first sees Fortunato at the carnival and says “My dear Fortunato, you are luckily met,” (Poe) .I found this to be very much ironic because, Fortunato is not actually lucky to have met Montresor who is actually going to murder him.
In the story “The Cask of Amontillado”, the author uses lots of verbal irony to emphasize the evil intentions of Montresor.One of the examples of verbal irony in the story that he uses is “The cough’s a mere nothing; it will not kill me. I shall not die of a cough.” and “true--true, I replied.” The effect of this irony is it that Montresor already knows how Fortunato will die.Another example of verbal irony used in the story was when they did a toast to each other. “I drink”, he said, to the buried that repose around us.”
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
The first irony is verbal irony. Verbal irony is a figure of speech in which what is said is the opposite of what is meant. There are many examples of this kind of irony through this story. The first irony is the name “Fortunato.” Fortunato’s name suggests good fortune, or of being fortunate, but he is exactly the opposite, he is killed. Another irony is when Fortunato follows Montresor go to the vault, Montresor acts like he cares about Fortunato’s health, “we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible.” (1202) But readers know from the beginning of the story, Montresor only wants to kill Fortunato. “And I to your long life,” (1202) Fortunato has lived out his life already, it is about to be over. Going deeper into the vaults, Fortunato gets more and more coughing, and Montresor shows his concern to Fortunato’s health “Come, we will go back ere it is too late. Your cough—“It is nothing.”(1202) But Montresor knows that the more he acts as he cares Fortunato, the more Fortunato wants to reach Amontillado-his dark fate. Fortunato is a man who is being blindly led to his death by someone who he feels as an admiring friend, but this friend is actually a person in searching for his own revenge.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
Othello is a man who is respected as a General in the Army. Brabanzio even considered him a friend. Thanks to Iago planting a seed in Brabanzio ear about his daughter, Desdemona, Brabanzio accused Othello of taking his daughter away from him by means of drugs or poision. Othello has fought on the battle-field and now finds himself on a very different kind of battle-field. He finds himself in a position of being forced to defend his honor, friendship and his love. There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way. He tells the Duke to send for Desdemona, “Send for the lady to the Sagittary, And let her speak of me before her father” (1.3-115-116).
In William Shakespeare’s Othello, unspoken fears of being an outsider and concerns about his public image contribute to the downfall of a tragic hero named Othello. Othello, a general in the Venetian army’s, final monologue reflects the importance of reputation and the conformity needed to fit his surroundings. He is seen as an outsider of the Venetian culture; he is frequently referred to as “the Moor” and is called an abundance of racial slurs by the Venice born natives. Although Othello never voices his internal struggle to feel accepted by the people around him, his image and physical appearance are some of major issues he faces. Even in the moments before he stabs himself, Othello is more concerned with the legacy he is leaving behind than with the death of his wife, Desdemona. Shakespeare uses Othello’s transformation from a heroic military soldier to a tragic figure to warn of the dangers of obsessing over one’s reputation and the need to feel accepted by society.
Of Shakespeare’s five greatest tragedies, Othello is by far the most passionate and gripping. It is a tale of love, deception, evil, honesty, and virtue. Othello himself is set apart from other Shakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full hopeful support until the inevitable and unavoidable fall. The evil side of Othello’s tragic flaw came from without, in the form of Iago. The internal flaw exists only in his heartrendingly unshakable goodness and honor.
This character is so noble, Othello's feelings and actions follow so inevitably from it and from the forces brought to bear on it, and his sufferings are so heart-rending, that he stirs a passion of mingled love and pity which readers feel for no other hero in Shakespeare, and to which not even Mr Swinburne can do more than justice. Yet there are some critics and not a few readers who cherish a grudge against him. They do not merely think that in the later stages of his temptation he showed a certain obtuseness, and that, to speak pedantically, he acted with unjustifiable precipitance and violence; no one, I suppose, denies that. But, even when they admit that he was not of a jealous temper, they consider that he was "easily jealous"; they seem to think that it was inexcusable in him to feel any suspicion of his wife at all; and they blame him for never suspecting Iago or asking him for evidence. I refer to this attitude of mind chiefly in order to draw attention to certain points in the story. It comes partly from inattention (for Othello did suspect Iago and did ask him for evidence); partly from a misconstruction of the text which makes Othello appear jealous long before he really is so; [Endnote 2] and partly from failure to realise certain essential facts. I will begin with these.
Othello is a man who comes from a hard life. In the time period the play is set in, racism is common and Othello is a target for it due to his dark skin. He fought in many battles and was put into slavery for a time. Now he is a high ranking General in the army. Othello, for all that he has been through, is also kind, caring, and trusting of those close to him. He cares and trusts his comrades and is loving and kind to his wife, Desdemona. Othello is also r...
...or Desdemona and attest to her innocence” (Gruber 100). It is, “Desdemona’s disobedient insistence on her innocence [that] maddened the priestly Othello and hastened her death” (Calderwood 363). Ironically, Othello finds out the truth only after he has smothered the life out of Desdemona and silenced her permanently and many others have suffered unjust deaths as well. Once Othello learns the truth, he can no longer live with the guilt of having killed his innocent wife. He is definitely not the man that he wanted to be. He feels as if the only way to escape the coming judgment is to take his own life.
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...