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Examples of monsters in literature
Examples of monsters in literature
Bram Stoker literary career
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Webster Dictionary defines a monster as: “an animal or plant, of abnormal form or structure, a mythical [creature] or [person] who deviates from normal or acceptable behavior, a threatening force, a person of unnatural or extreme ugliness, deformity, wickedness, or cruelty.” In his novel Dracula, Bram Stoker doesn’t only idealize the term monster through Count Dracula’s repulsive behavior and appalling looks, but also helps revolutionize the modern perspective of monstrous creatures and humans. To achieve this goal, Stoker redefines what a monster looks like, how it acts, and what it’s true intentions are.
Stoker first introduces his audience to the monster of the novel toward the beginning, when Count Dracula manipulates his prey by forgoing
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Matter of fact, one of the most inhumane monster like encounters was when Harker first met Dracula and he said, “'Enter freely and of your own will!”’ Harker thought to himself: “[He] Stood like a statue, as though his gesture of welcome had fixed him into stone. The instant I stepped over he moved impulsively forward…grasped [my hand] with a strength which made me wine” (Stoker22). This supernatural confrontation with Dracula dehumanizes him in a way that makes him more monstrous then human. Stokers emphasis on the phrase “'Enter freely and of your own will”’ holds a much deeper and frightening connotation behind it, causing the hairs of his readers to stand up in fear. Another time we see Dracula’s obscure energetic behavior, is when he begs Harker to teach him ‘fluent’ English: “I long to go through the crowded streets of London, to be in the midst of the whirl and rush of humanity, to share its life, its change, its death, and all that makes it what it is” (Stoker 27). Dracula’s use of terminology to describe a humane society are so horrifying that it barbarizes him into something much more dangerous than a monster. Stoker creates this perfect illusion that’s only evident to the eyes of the reader, and it shows how dangerous and monstrous Dracula truly is.
Bram Stoker does an exceptional job displaying the monstrous characteristics that lie behind Dracula’s human form, and continues this great array of detail by describing Dracula in his true form: a
For example, when Harker greets Dracula in Chapter 2, he becomes uncomfortable when shaking the Count’s hand, ‘more like the hand of a dead than a living man.’ This shows that Dracula has a deathly aura about him, represented as an inhuman character. Stoker enhances that Harker’s experience of meeting Dracula for the first time is all very strange to him, introducing an unfamiliarity within the element of ‘foreigner’ in the novel. In addition to this, as the characterisation of Professor Van Helsing develops, the reader soon learns that he carries out strange and unexplainable behaviour, ‘his actions were certainly odd.’ This is effective because it provokes an inquisitive response in the reader.
The novel Dracula by Bram Stoker has plentiful examples of key concepts we have examined in class including: Purity and impurity, magical thinking, strong emotions such as disgust and shame, , formalization, and myth. In this essay I will summarize events that take place within the novel when the protagonists deal with Dracula and then relate these events to the key concepts to demonstrate why the characters view him as dangerous, and therefore something to be avoided completely.
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
Bram Stoker’s Dracula includes themes of death, love, and sex. Stoker’s use of empiricism utilizes the idea that everything is happening “now”. The book offers clear insight into who is evil without explicitly saying it. Stoker’s interest in empiricism uses British womanhood as a way to distinguish between good and evil.
The presence of racial stereotypes and commentary on the interaction of different races is a cornerstone of the Dracula narrative. In Stoker’s novel, Count Dracula is representative of the growing European culture of xenophobia and anti-Semitism which would rise to near hysteria in the coming decades. The concept of race was not limited to skin color or nationality in the nineteenth century, and was a means of categorizing people by “cultural as well as physical attributes” (Warren 127). Dracula is described as being covetous of ancient gold and jewels, childlike and simple in his malice, and more animalistic than human, traits frequently attributed to the Jewish people by Christian society (Newman). His material appearance is distinguished by extremely pale skin, dark features, a nose with a “high bridge…and peculiarly arched nostrils,” and “bushy hair that seemed to curl of its own profusion.” Stoker’s audience would have recognized...
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
In Bram Stoker's "Dracula", Dracula is portrayed as a monster made evident by his gruesome actions. An analysis of Dracula shows that: shows his evil nature in his planning, brutally killing Lucy Westrenstra causing a violent response from Dr. Seward and others, and how his evil ways lead to his downfall. To characterize Dracula in one way, he is a ruthless, cunning monster who uses tricks, torture, and wits to manipulate people to his will. However when he trifled with some courageous people, he had no knowledge that it would be his undoing.
While studying the diabolical figures in the devil, the idea of presenting Dracula came to mind. Dracula represents the devil in many similar ways. Dracula remains as a character in many diabolical movies and films. For instance, Van Helsing provides a good interpret of how Dracula remains noticed in the past and in present day. Although Dracula’s character obtains different views in every movie and film, he plays an important role in Stephen Sommers Van Helsing movie. In the movie, he acts as many different things. Demonstrating both the kind and evil inside, Dracula portrays his character as a mystery. Different views of Dracula throughout the movie include harsh, strong, powerful, evil, the devil, and unstoppable. The studies of Dracula
Stoker uses phenomenal imagery to produce a late nineteenth century setting, located somewhere within eastern Europe. Transylvania, the infamous home to Dracula himself, is described in great detail in Harker’s journal. There, Stoker purposely and meticulously outlines Dracula’s castle and the surrounding town. Stoker manages to do this with a very gothic tone, immediately lowering the societal status of women. In conjunction with Dracula’s gothic tone comes the understanding of male and female traditional roles of the era. The reader sees that there is no hesitation differentiating between the two, as Stoker “ cast[s] men as rational, strong, protective and decisive…[and] women as emotional (irrational), weak, nurturing and submissive.” (Tyson, 82).
...gue of Vampirism. Stoker plays upon the irony of England, at this time one of, if not the largest, colonizing countries, being colonized, not by another country but by an intangible immigrant. Dracula’s intent is not of material wealth or power, but of controlling the people and using them as livestock. We can see this when Dracula tells Jonathan Harker that he “[has] come to know your great England, and to know her is to love her. I long to go through the crowded streets of your mighty London, to be in the midst of the whirl and rush of humanity, to share its life, its change, its death, and all that makes it what it is” (Stoker 19). Kane reaffirms this by contending that Dracula is an example of “invasion literature” acting upon the readers on England by playing with “a considerable variety of fears regarding the state of England and the English themselves” (9).
Since the 19th Century, Bram Stoker’s Dracula has entertained its readers taking them to heights of excitement in the climax
Dracula’s peculiar actions begin when Johnathan Harker takes a Journey to help Dracula with some business. When Harker was getting
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
A monster is defined as an imaginary creature that is typically large, ugly, and frightening. By this definition, Victor’s creature who is depicted to be eight feet tall and hideous