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Comparing cubism and
Matisse art gcse essay
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Henri Matisse was a French Artist during the Cubist and Fauvist period, which influenced his art greatly. Although he was primarily known as a painter, he was also a printmaker, sculptor, and draughtsman. His piece Mademoiselle Yvonne Landsberg resembles that of a print; however, it is in oil painting. Mademoiselle Yvonne Landsberg is believed to have been a piece in which Matisse was experimenting with new ideas and methods, as this painting appears to be very labor intensive. There are multiple parts of the painting where Matisse scraped away layers of paint and leave behind lines that parallel cross-hatching. The aspect of the painting that is different from other cubist pieces of the time are the lines that emanate from the Mlle Landsberg, thought to be a depiction of her movement while the piece was being made. …show more content…
He is now working as an individual focusing on portraits and figures. Sequence Study utilizes modern day technology and traditional painting, as Van Patten painted several different paintings and then he transferred images of the paintings onto a computer and then created a GIF. Van Patten’s work is more closely related to expressionist work than either cubism and fauvism; however, it is comparable to Mademoiselle Yvonne Landsberg as both works communicate the idea of duration or passing
Vincent Van Gogh is one of the world’s greatest and most well-known artists, but when he was alive he considered himself to be a complete failure. It was not until after he died that Van Gogh’s paintings received the recognition they deserved. Today he is thought to be the second best Dutch artist, after Rembrandt. Born in 1853, he was one of the biggest artistic influences of the 19th century. Vincent Van Gogh created a new era of art, he learned to use art to escape his mental illness, and he still continues to inspire artists over 100 years later.
Just last summer after grade 9, I went to New York City and Philadelphia. They both have amazing art museums: New York has the Museum of Metropolitan Art and Philadelphia has the Philadelphia Museum of Art. Both art museums have beautiful and alluring paintings that I love and it’s evident that these paintings are genuine works of art and that they exemplify what we define as art: something that is beautiful, intricate, bold or simple. I remember seeing the “Irises” painted by Van Gough and the full series of “Poplars” by Monet. Van Gogh emphasizes tones and shadows while Monet depicts his subjects realistically with small, fine, but visible brushstrokes. Their styles are unique and distinguishable and there is a wide range art styles to
Spending time looking at art is a way of trying to get into an artists’ mind and understand what he is trying to tell you through his work. The feeling is rewarding in two distinctive ways; one notices the differences in the style of painting and the common features that dominate the art world. When comparing the two paintings, The Kneeling Woman by Fernand Leger and Two Women on a Wharf by Willem de Kooning, one can see the similarities and differences in the subjects of the paintings, the use of colors, and the layout
Georges Seurat used the pointillism approach and the use of color to make his painting, A Sunday Afternoon on the Island of La Grande Jatte, be as lifelike as possible. Seurat worked two years on this painting, preparing it woth at least twenty drawings and forty color sketched. In these preliminary drawings he analyzed, in detail every color relationship and every aspect of pictorial space. La Grande Jatte was like an experiment that involved perspective depth, the broad landscape planes of color and light, and the way shadows were used. Everything tends to come back to the surface of the picture, to emphasize and reiterate the two dimensional plane of which it was painted on. Also important worth mentioning is the way Seurat used and created the figures in the painting.
We can see a clear representation of the impressionist that tended to completely avoid historical or allegorical subjects. In this painting, Monet’s painted very rapidly and used bold brushwork in order to capture the light and the color; include relatively small, thin, yet visible brush strokes. An insistence on what Monet called “a spontaneous work rather than a calculated one” – this in particular accounts for the sketchy and seemingly unfinished quality of the Impressionist paintings. In the texture, he played with the shadow and light and created variation in tone, he employs patches of depth and surface. The light in the painting come from back to the windmill, it is a light shines softly behind the houses and the windmill. He was shown each brushstroke in the painting. Balance is achieved through an asymmetrical placement of the houses and the most important the
Henri Matisse was famous for his unique movements and styles of art. He was best known as a Fauve painter, and was a large part of the modern art movement. He contributed to modern art, by keeping up with the artistic movements and trends, but also held on to the classical artistic styles of the past. While his work continued some of the stylitsic qualities of Impressionism and Post-Impressionism, he was interested and involved, mostly, in Fauvism. He, like many other artists of this movement, emphasized strong colors over realistic and basic colors, found in Impressionism. One of his most famous pieces, The Dance (1909-1910) had two versions. The first piece, Dance I, resembled that of more classical styles of art, with its
Matisse’s Bonheur de Vivre Planes of pure colors, powerful collisions of fundamental hues, solid and distorted bodies blending together formed this work created by the French artist Henri Matisse. Similar to the paintings of Cezanne, Matisse constructed the scenery so it performs as a frame, for instance, trees are set on the sides consolidating sparkling bright colors and unrestrained forms. Furthermore, Henri Matisse’s painting including fused and shifting prospects, so that the person viewing this work associate separately with the different parts of the painting.
Monet was very sensitive to the movement towards light, who was good at discovering the connection between the light and shadow to create a series of painting which depicted the same object in different lights and angles. His painting skill about sketches and oil painting was taught by Eugène Louis Boudin, and he started to paint on site after he found that many painters imitated the artwork of the famous artists in the Louvre. Monet believed that all the landscape paintings should be painted on site, which decided he had to change his working habit and discover a new technical method to chase the rapid change of the landscape.[2] For example, a famous painting called Le Soleil Levant, it depicted a foggy harbor view of the sunrise. The boatmen were poling their boats out to sea when the sun was slowly raising and the smoke was rolling up from the chimney, the sea as a mirror in which the whole scene was reflected on it.
It was, in fact, regarded as the most radical painting of its day, and Matisse became briefly known “as the most daring painter in Paris” (Harris,
Claude Monet is often considered one of greatest most dedicated of the Impressionist painters. His aim was to catch the light and atmosphere, something that was scarcely done before. He enjoyed painting outdoors and developed a free and spontaneous painting technique. His brushwork is remarkably flexible and varied. He often changed his technique, sometimes broad and sweeping other times dappled and sparkling.
“Henri Matisse is widely regarded as the greatest colorist of the twentieth century and as a rival of Pablo Picasso in the importance of his innovations. He emerged as a post-Impressionist, and first achieved prominence as the leader of French movement Fauvism.” (Art Story, March 17, 2018.). While “Picasso was considered radical in his work, Picasso continues to garner reverence for his technical mastery, visionary, creativity and profound empathy. Together, these qualities have distinguished the “disquieting” spaniard with the “somebrepiercing” eyes as a revolutionary artist.
During a visit to Brittany, Matisse discovered Impressionism (Essers 8). The works of Cezanne and Van Gogh influenced him. When he returned, he exhibited his first painting, Dinner Table, in 1897. This was his first painting of impressionistic style. Matisse’s art began to concentrate on landscapes, still life, and domestic interiors. Still life is a theme Henri would follow for the rest of his career.
Jackson Pollock created a work of art solely influenced by his unique use of imagination and periods that he went through in his life. His piece of art, Untitled (Collage 1), mainly utilizes a variety of lines. In each part of the abstract piece the viewer sees that there is a continuous use of contour line. The lines go from light and delicate to dark and hard to show the confidence that Pollock had in his paintings. Contour lines are what start any piece of art, and from the line the painting progresses and turns into a work of art.
...ternal reality and given the new engagement of revealing the artist's experience of reality by the colors pure chromatic intensity. (Arnason) Matisse in this painting uses color to show differences among nature and people unlike the paintings prior to him where differences were shown throw chiaroscuro and minute details. Although fauvism was one of the shortest periods in all of art history you can still see an echo of its high key colors for many periods after its ending.
Vanitas, found in many recent pieces, is a style of painting begun in the 17th Century by Dutch artists. Artists involved in this movement include Pieter Claesz, Domenico Fetti and Bernardo Strozzi . Using still-life as their milieu, those artists and others like them provide the viewer with ideas regarding the brevity of life. The artists are giving us a taste of the swiftness with which life can fade and death overtakes us all. Some late 20th Century examples were shown recently at the Virginia Museum of Art in Richmond, Virginia. Among the artists represented in this show were Miroslaw Balka (Polish, b. 1958), Christian Boltanski (French, b. 1944), Leonardo Drew (American, b. 1961), Felix Gonzalez-Torres (American, b. Cuba, 1957- 1996), Jim Hodges (American, b. 1957), Anish Kapoor (British, b. India, 1954), and Jac Leirner (Brazilian, b. 1961).