Hemingway’s A Farewell to Arms
Hemingway’s Writing Style
1. “We had a lovely time that summer. When I could go out we rode in a carriage in the park. I remember the carriage, the horse going slowly, and up ahead the back of the driver with his varnished high hat, and Catherine Barkley sitting beside me. If we let our hands touch, just the side of my hand touching hers, we were excited.” (Hemingway 112)
Here, Henry is discussing a nice time that he had with Catherine. His words are simple and his sentences are short and to the point, which are two points of Hemingway’s writing style. Hemingway is trying to convey the care free aspect the Henry has when he is with her. The declarative sentences simply give the atmosphere of their carriage ride with no fluff to be weeded out. His use of the limited vocabulary makes sure that the reader is not distracted with extraneous words that would take away from the complete experience of Hemmingway’s description. At the end, Hemingway uses the word “exciting” to describe their feeling for each other which is not what you would expect to be used to describe a man and a woman feeling for each other. Hemingway obviously knew more exuberant words that could have been
In Farewell to Arms, Rain is a symbol for death that reappears through the novel. An example of this was a statement by Aymo is which he said “‘We drink it now. To-morrow maybe we drink rainwater”’ (Hemingway 191). Little does he know that he is foretelling his own death in which he was shot crossing the bridge. Henry describes Aymo when he is laying on the ground as “look[ing] very dead [while i]t was raining.” (Hemingway 214). Also the night when the barman came to tell Henry that he would be arrested “there was a storm” with “rain lashing the window-pains” (Hemingway 264) that implied that danger was lurking around the corner, just like when Henry “walked through the rain up to the hospital” (Hemingway 329), he was headed straight into the death of
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
We notice, right from the beginning of his life, that Ernest Hemingway was confronted to two opposite ways of thinking, the Manly way, and the Woman way. This will be an important point in his writing and in his personal life, he will show a great interest in this opposition of thinking. In this short story, Hemingway uses simple words, which turn out to become a complex analysis of the male and female minds. With this style of writing, he will show us how different the two sexes’ minds work, by confronting them to each other in a way that we can easily capture their different ways of working. The scene in which the characters are set in is simple, and by the use of the simplicity of the words and of the setting, he is able to put us in-front of this dilemma, he will put us in front of a situation, and we will see it in both sexes point of view, which will lead us to the fundamental question, why are our minds so different?
Analysis of Hemingway’s Narrative Technique as a Short- Story Writer. For many years, the narrative technique of Hemingway has been under debate. Writers before him had already achieved works that bear the characteristics of the modern short story, and many of their works could stand today, with those of Hemingway and of writers like Faulkner, as representative short stories of modern times. What distinguishes Hemingway both from his predecessors and from his contemporaries, however, is the theory he produces to deal with the challenge of spatial limitation which every short story writer has to face: how can he say more than his space actually allows him to say?
There is a never ending list of what makes some people amazing story tellers. Some writers have vast imaginations, other writers use the lives of others in their stories and other writers use their lived experiences in order to write moving works of art. Most books, works of poetry and short stories that revolve around lived experiences share a common theme of love, hate or both. As these are emotions that all humans share, However, there are some stories that have far more unique. Stories like “The Things They Carried” by Tim O’Brien and “Hills Like White Elephants” by Ernest Hemingway. Both O’Brien and Hemingway come from two completely separate walks of life but were both able to write stories using the same theme of emotional and physical
Death is often represented by traditional symbols ranging from the color black to the common tombstone. Besides these icons, other signs can stand for mortality including rain. In A Farewell to Arms, Ernest Hemingway associates rain with death many times. Although rain is not usually considered a symbol of death, the main character Fredric Henry discovers this natural occurrence is a personal theme he relates with death.
Drown was a sad story. Reading it you could see what goes on not only with drown, but in other family’s to. Target audiences are the mother, Dad, and the son Yunior. The Mother character was successful because she stuck it through being a single parent. Some parts of the story the author could have definitely elaborate more on the dad toward the end and the daughter Madai. The writer to me did not have a distinctive voice so I would not recognize it if I were reading something similar. The use of vocabulary was very informal. The way the writer used Spanglish throughout the story to capture tones of the characters was good. If I was not part of the target audience, I would still be interested because sometime the target audience fades away
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
... from one friend to another. The quality, the control Hemingway had in weaving his theme through his story is the work of a true master. Philosophy is never an easy subject to tackle, with it’s complex theoretical basis, it’s seeming unending list of unanswered questions, and the frustration and sadness it can bring forward. Applauding Hemingway for his attempt at divulging into his own philosophy would be an understatement and, for the most part, would mean little to the author. He comes across as this mythical figure, who’s intellect was far superior to most, but who’s own faults brought him back down to humanity, revealing that he is far more similar to most humans, a thought that, almost certainly, would have terrified him to no end.
Hemingway’s characters exemplify the effects of combat because World War I had a negative impact on them; the veterans lead meaningless lives filled with masculine uncertainty. Jake and his friends (all veterans) wander aimlessly throughout the entire novel. Their only goal seems to be finding an exciting restaurant or club where they will spend their time. Every night consists of drinking and dancing, which serves as a distraction from their very empty lives. The alcohol helps the characters escape from their memories from the war, but in the end, it just causes more commotion and even evokes anger in the characters. Their years at war not only made their lives unfulfilling but also caused the men to have anxiety about their masculinity, especially the narrator Jake, who “gave more than his life” in the war (Hemingway). Jake feels that the war took away his manhood because he is unable to sleep with Brett as a result of an injury. Although he wants to have a relationship with Brett, and spends most of his time trying to pursue her, she rejects him because he cannot have a physical relationship with her. At several points in the novel, Brett and Jake imagine what their lives could have been like together, had he not been injured during the war. Thus, his physical injury gives him emotional distress because he cannot have a relationship with the woman he always wanted. The traditional American perception of...
Waldhorn, Arthur. Ernest Hemingway: A Collection of Criticism (Contemporary Studies in Literature). Chicago: Syracuse University Press, 1978.
The trip down the river gives him time to think about his future life with Catherine, even though he is uncertain if there will ever be a future between them again. The river eventually takes him to a railroad where he makes the decision that he is done with the war and that he made his "farewell to arms". Hemingway uses water as a metaphoric cleansing for Frederic’s past experiences. When Henry emerged from the river, it was as if he was reborn.
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
Ernest Hemingway’s notorious short story The Killers follows two contracted killers who enter an establishment looking for a Swedish aging boxer and in their endeavor patronize the workers of the establishment as well as the only patron. After hearing of their plans to kill the boxer, the patron, Nick Adams, is sent out to warn the boxer once the killers leave the establishment, but alas Ole Andreson would rather accept his fate and stay to face the killers. Adams then runs away from the town because he cannot stand the thought of what is about to occur. The use of heavily external focalization allows readers to sympathize with the characters as well as rationalize Adams’ reasonings for leaving the town without having the characters thoughts
Brought together by their mutual friend, Rinaldi, Henry seems to fall dangerously hard for a girl he only lays eyes on once. This instant is the start to an interesting relationship. Henry’s spontaneous love for Catherine has him returning everyday to see her. The reader soon discovers that Barkley feels the same way towards Henry. They are quick to proclaim their true love to each other leaving Henry in a state of insurmountable happiness. Hemingway does not leave the couple to have a happy ending - for when love is involved, pain closely follows. The war separates the two lovers as Henry has to tend to all those who are going to be wounded on the offensive. The separation causes not only emotional but physical pain. Henry is injured and is dealing with an enormous amount of pain. This pain is sy...
The state of affairs and the grim reality of the war lead Henry towards an ardent desire for a peaceful life, and as a result Henry repudiates his fellow soldiers at the warfront. Henry’s desertion of the war is also related to his passionate love for Catherine. Henry’s love for Catherine is progressive and ironic. This love develops gradually in “stages”: Henry’s attempt at pretending love for Catherine towards the beginning of the novel, his gradually developing love for her, and finally, Henry’s impas... ...