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Heart of darkness symbolism essay
Note on the character of kurtz in heart of darkness
Note on the character of kurtz in heart of darkness
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Anchored at the mouth of the Thames river, five old friends pause their journey to wait out a tide at sundown. As they repose, they reminisce about the many great men and ships that travelled on river to complete multiple voyages for trade. Marlow’s excursion parallels that journey of the hero. He enters the Congo as an innocent sailor and leaves as a changed man. In Heart of Darkness, Joseph Conrad creates an allegory and archetypal journey that consists of: the task, the journey, the initiation, the fall, and the unhealable wound created during the expedition.
In their recalling of the sailors, Charlie Marlow then remembers his experiences as a young man when he captained for a steamboat ship in the Congo River. He recounts how he came to
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Marlow then joins a caravan to take him to the mouth of the Congo. However, when greeted by the General Manager of the Central Station, Marlow is told the news that he expected, “...not [seeing] the real significance of [the] wreck at once…[but then realizing] at the moment it presented itself simply as a confounded nuisance. The steamer [he was to be piloting] was sunk” (Conrad 41). As patterned in plot archetypes, the hero must perform some sort of deed in order to pass by a point in a journey. Marlow was to repair his steamboat before he could even begin his trip into the Congo. In the months awaiting the restoration of his ship, Marlow hears stories of an individual named Mr Kurtz. He was one of the greatest importance to the Limited Company for trade in the Congo that Marlow was fixing the steamboat for. Marlow …show more content…
As a child, the unknown spaces of Africa enchanted Marlow. He would often lose himself “...in all the glories of exploration” (Conrad 21). As an adult Marlow, after shining light on those dark unknown spaces of Africa and it was no longer a blank space on a map, but a place of darkness, there was still one river that charmed him, “...a mighty big river, that you could see in a map, resembling an immense snake uncoiled, with its head in the sea, and its body at rest curving afar over a vast country, and its tail lost in the depths of the land” (Conrad 22). The river that charmed Marlow in his boyhood, allowed access into the heart of the African continent. As the main method of the Europeans transportation, travelling along the river enables Marlow to see both sides of the continent, the natives and the evil doings of Mr Kurtz. Marlow is able to see the truths of the evil in the world and where they reign. Marlow went into the Congo as an innocent sailor and after meeting Kurtz and listening to his ideas, “turned to the wilderness, not to Mr Kurtz, who...was as good as buried. And for a moment it seemed to [Marlow] that [he] was also buried in a vast grave of unspeakable secrets. [He] felt an intolerable weight oppressing on [his] breast, the smell of the damp earth, the unseen presence of victorious corruption, the darkness of an impenetrable night” (Conrad
Marlow’s journey into the Congo River is treacherous and unpredictable. Therefore, in a desperate need for civilization and escape from savagery, the boat serves as a sanctum from the natives, and becomes the link to moral civility. Throughout Marlow's voyage, he and his crew encounter mass amounts of fog. The fog symbolizes ambiguity in its most primal form, not only obscuring but it also distorts. The fog impares not just physical visibility, but which often ends up being wrong, which suggests that the fog has both literally and figuratively clouded Kurtz’s judgement. Marlow’s need to be on the boat, reflects the boat as a safe haven, a place where he can examine his own moral conscious more clearly. When his is not on the boat, he is less decisive and his judgement and moral compass are
Conrad begins his novel by confirming the stereotypical view of Africans, but then turning the public’s perception of them upside down. As Marlow travels down to the Congo in the French steamer, he sees a band of Africans rowing a boat along the shore of Africa. The men sang, shouted, and moved with a “wild vitality, an intense energy of movement, that was as natural and true as the surf along their coast” (11). Marlow watches these men with comfort, confirming his own beliefs and the European’s beliefs that Africans were savage and strong. Afterwards, Marlow arrives at the Congo and sees six black men trudging like starved prisoners; “they were dying slowly… nothing but black shadows of disease and starvation” (14). The chain gang also supports the preconceptions of an African. Before Marlow leaves for the Congo, he visits his aunt who praises him as a worker who will help the poor, starving savages of Africa. The image of the blacks, who were all connected together with a ch...
Marlow has always been mystified and curious about the parts of the world that have been relatively unexplored by the white race. Ever since he was a little kid he used to look at many maps and wonder just what laid in the big holes that were unmapped. Eventually one of these holes was filled up with the continent of Africa, but he was still fascinated especially by this filled in hole. When he found out that he could maybe get a job with a company that explored the Congo area in Africa he sought after it and got it. After all, it was as a steamship captain on the mighty Congo river. This was "a mighty big river...resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail in the depths of the land" (p. 2196). This snake like river was full of mystery to the adult Marlow and seemed to call him to it.
and is sent to ivory stations along the river. Marlow is told that when he arrives at the inner station to bring back information about Kurtz. the basis of this comparison and contrast in this paper, who is the great? ivory agent, and who is said to be sick. As Marlow proceeds away to the inner station "to the heart of the mighty big river.. resembling an immense snake uncoiled, with its head in the sea, its body at rest curving.
Conrad’s diction throughout this novel allows the reader to understand Marlow’s feelings towards his time being spent on the Congo River. As Marlow first arrives in the jungle he refers to the natives as being “acute angles” and “black shadows”
Marlow is the raconteur of Heart of Darkness, and therefore is one of the more crucial characters within the plot. He embodies the willingness to be valiant, resilient, and gallant, while similarly seeming to be cautiously revolutionary. He is, seemingly the epitome of bravery, going into the jungle. Marlow’s voyage is, in essence, a “night journey into the unconscious, the confrontation with an entity within the self” (Guerard 38). The ominous coast is an allegory for the idea of the unconscious mind. “Watching a coast as it slips by the ship […] there it is before you—smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering” (1...
He observes the factors that drive or set back progress. Mr. Kurtz dies because he let his lust consume him and the natives in Africa are viewed as wild animals and treated as slaves because the white man’s lust for power drove him to overpower the natives instead of helping progress by teaching the natives and helping them. Marlow learns all these important factors to progression and the human mind’s mental ability to fall back on its savage, original wild, natural man, he also teaches these facts to four other men on the Nellie as he tells of his journey through the Congo. He is spreading his knowledge with others which, according to President Kennedy, is how the nation, and the world, progresses
Marlow embarks on a journey to be the captain of a small steamboat to navigate the Congo river for a trading company. On ...
Conrad’s shifting setting introduces new environments and attitudes for Marlow to cope with. Marlow begins the novel in “a narrow and deserted street in deep shadow, [with] high houses, innumerable windows with venetian blinds, a dead silence, grass sprouting right and left, [and] immense double doors standing ponderously ajar” (Conrad 45). Nearly all of the surroundings have intimidating connotations, which surprisingly fight Marlow into a comfortably safe and secure standing. Marlow notices the map in the office, and examines it to see just where his travels will take him. After observing the map, he points out that he was not going to the points of Africa that seem welcoming but he “was going into the yellow. Dead in the centre. And the river was there – fascinating – deadly – like a snake” (45). He already realizes he will have trouble transitioning into the new environment, being surrounded by what seems like death. Because Marlow grows accustomed to the urbanized streets of Brussels, the difficulty of the transition to the Congo develops exponentially. Before Marlow knows it, he travels to a land with “trees, tress, millions of trees, massive, immense, running up high” and they “made [him] feel very small, very lost” (75). Marlow, already apprehensive of the change to the Congo, shows his loss of confidence in his new environment.
At the onset of Marlow’s journey into the Congo River, we witness a man characterized by a fervent desire to explore the unknown; moreover, as a child, Marlow was fascinated by the map of the world. Furthermore, his propensity to explore the Congo stems from his fascination of the unknown – the fact that the interior of the Congo had yet to be fully explored perplexed him and impelled him to visit the region as an adult. Marlow’s propensity to explore the unknown amalgamated with his passion for sailing ultimately brings him to the African Subcontinent. However, as Marlow’s narrative progresses, he begins to realize that his revulsion and contempt for the African people had silently disconnected from his persona as he witnesses the atrocities
In Joseph Conrad's novel Heart of Darkness the story of Marlow, an Englishman travelling physically up an unnamed river in Africa and psychologically into the human possibility, is related to the reader through several narrational voices. The primary first-person narrator is an Englishman aboard the yawl, the 'Nellie', who relates the story as it is told to him by Marlow. Within Marlow's narrative are several instances when Marlow relies upon others, such as the Russian, the brickmaker and the Manager at the central station, for information. Therefore, through complicated narrational structure resulting from the polyphonous account, Conrad can already represent to the reader the theme of the shifting nature of reality. As each narrator relates what is important to them, the audience must realise that each voice edits, absents information and is affected by their own experiences and the culture and ideology within which they judge and respond. Therefore the text reveals itself as non-essentialist. It is also seen through the narratorial voices, who are all significantly European males, although challenging the received view of imperial praxis as glorious and daring, a racist and patriarchal text, which eventually, through Marlow's own assimilation of the ideology of his time, reinscribes and replicates that which it attempts to criticise: European action in Africa.
... to a man's soul. Marlow's journey was not only into the heart of Africa, but also into the heart of Kurtz where he realizes the truth of colonialism and the potential evil it entails.
Marlow has gone through three mental phases throughout his trip to Africa which have forever changed him. He has become wise. He has not just experienced new cultures but he has completed an extremely tough mental journey. After this journey had ended he experienced extreme changes to his psyche which had occured on his way to and from the Congo. He begins as a naive sailor who longs for adventure, which represents the superego. Then as he became isolated on the Congo, away from society’s restraints his id instincts came out. He has the courage to continue and when he returns to society, his ego balances his id and superego.
Marlow is an honest man. He sets out on a genuine search for answers to his questions of exploration of the unknown "when (he) was a little chap" (Conrad 64). Marlow was drawn to a certain place on the world map, called the Congo "the biggest, the most blank, so to speak---that (he) had a hankering after" (Conrad 64). Upon first entering the mouth of the Congo River, Marlow declares his stance on lies and those who lie. [He believes that lying in the worst thing for a person.] He vows never to lie in his life. After reading Kurtz's report about his progress down the Congo, Marlow finds that Kurtz lied, and in part loses all the respect he ever had for Kurtz. However, Marlow still continues to pursue him. Marlow continues his journey up the Congo River, penetrating further and further into the heart of darkness. In the process, Marlow reverts back to his innate state to survive, whether or not that means going against his principles. Finally, 200 miles later, Marlow meets Kurtz, who is the object of his psychological desire, only to find him very ill. After Kurtz's death, Marlow finds himself transformed into a person he thought he would never become, a liar. Marlow lies to Kurtz's intended about Kurtz's last words when he returns to Europe. After being consumed by the heart of darkness, Marlow throws away his previous values as he reverts into a savaged, almost evil state of mind.
Conrad uses the character of Marlow to make use of his own thoughts and views about the people in the Congo. He feels pity for them as he sees them falling down carrying heavy packages and Kurtz commanding them like a batallion of troups. This sight angers Marlow and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.