Hawthorne’s The Minister's Black Veil – Solitude of the Protagonist and the Author

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“The Minister’s Black Veil” – Solitude of the Protagonist and the Author

Isn’t it more than coincidental that the protagonist in Nathaniel Hawthorne’s “The Minister’s Black Veil” and the author himself are both given to solitude and isolation?

Literary critics seem to come to a consensus on the subject of Hawthorne’s preference for solitude. Edmund Fuller and B. Jo Kinnick in “Stories Derived from New England Living” state that “Hawthorne was essentially of a solitary nature, and group life was not for him. . .” (30) Sculley Bradley, Richmond Croom Beatty and E. Hudson Long in “The Social Criticism of a Public Man” say that “a young man engrossed in historical study and in learning the writer’s craft is not notably queer if he does not seek society. . . .” (47) Stanley T. Williams in “Hawthorne’s Puritan Mind” states: “Soon after Hawthorne’s birth in 1804, circumstances intensified his innate Puritan characteristics: his analysis of the mind, his somber outlook on living, his tendency to withdraw from his fellows” (40). According to A.N. Kaul in his Introduction to Hawthorne – A Collection of Critical Essays, the themes of isolation and alienation were ones which Hawthorne was “deeply preoccupied with” in his writings (2).

At the outset of the tale, “The Minister’s Black Veil,” the sexton is tolling the church bell and simultaneously watching Mr. Hooper’s door, when suddenly he says, ``But what has good Parson Hooper got upon his face?'' The surprise which the sexton displayed is repeated in the astonishment of the onlookers: “With one accord they started, expressing more wonder. . .” The reason is this: “Swathed about his forehead, and hanging down over his face, so low as to be shaken by his breath” is a black veil. The 30 year old, unmarried parson receives a variety of reactions from his congregation:

``I can't really feel as if good Mr. Hooper's face was behind that piece of crape''

``He has changed himself into something awful, only by hiding his face''

``Our parson has gone mad!''

Few could refrain from twisting their heads towards the door. . . .

. . . more than one woman of delicate nerves was forced to leave the

meeting-house.

Hawthorne, after exposing the surprised people to the sable veil, develops the protagonist through a description of some of his less exotic and curious characteristics:

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