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The psychological and physiological effects of guilt
The psychological and physiological effects of guilt
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Nathaniel Hawthorne's The Minister’s Black Veil is a story of guilt, humility, sin, hypocrisy, love, compounded emotional stability and trials of life. It is a work of gothic literary art that describes the complexity of emotions and the psychological give and take that takes place when processing and dealing with any human emotion. The gothic writing style Hawthorne uses in The Minister's Black Veil makes it easy for him to focus on one main emotion: guilt. Hawthorne is no stranger to guilt, a huge reason why he discusses its nature so much. The Hawthorne families, formally known as Hathorne, were involved in the Salem Witch Trials and have carried the shame and guilt of their families decisions through generations. Throughout this story, guilt is a prominent concern for all the characters involved: the minister, the minster's fiancé, and the towns people. Hawthorne uses gothic tones and descriptions to define and describe the natural human emotion of guilt.
Hawthorne's main character is the Minister, Mr. Parson Hooper who is described as “… a gentlemanly person of about thirty...was dressed with due clerical neatness...and brushed the weekly dust from his Sunday's garb” (2431). In Hawthorne’s portrayal, Mr. Hooper is intimated as a calculated man. Hooper’s stringent schedule and precision shows that he was a man of a routine that the community was familiar with. Hawthorne’s reference to Hooper’s strict routine conveys to the reader that the townsfolk are not accustomed to change. It is also suggested that his routine gave the townspeople a sense of security. Hawthorne then drastically alters the tone of the piece with one small symbol: a piece of cloth. When Hawthorne introduces this extremely significant representation: “…Mr....
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... their engagement because Hooper would not show his face. The idea that she would never be able to look upon her husban and make a connection with him was too much for her to handle and she let him go. Mr. Hooper went to the grave with his veil. At his death bed when asked to remove his veil he refused and was angered by the thought of others curiosity. He wanted the community to know and made it apparent that his veil was physical but their veil was still worn. He claimed to be able to see their black veil even though no one but himself wore one. His sin on his face was a message to the world that he was accepting responsibility and the consequences of his decisions. He suffered for this. He was ridiculed and mocked. Even though this happened he held true to his commitment. His veil did not leave his face even after death. Parson Hooper wore his guilt to his grave.
“The Minister’s Black Veil” is a Romanticism short story written by Nathanial Hawthorne, and it is a story about well-respected and loving parson starts to wear a black veil, and he spends his long life isolated by his parishioners and fiancé. This is a short story classifies to Romanticism category which includes the characteristics of valuing feelings, believing supernatural and appreciating individual rights.
At the outset of the tale, “The Minister’s Black Veil,” the sexton is tolling the church bell and simultaneously watching Mr. Hooper’s door, when suddenly he says, ``But what has good Parson Hooper got upon his face?'' The surprise which the sexton displayed is repeated in the astonishment of the onlookers: “With one accord they started, expressing more wonder. . .” The reason is this: “Swathed about his forehead, and hanging down over his face, so low as to be shaken by his breath” is a black veil. The 30 year old, unmarried parson receives a variety of reactions from his congregation:
At the outset of the tale, “The Minister’s Black Veil,” the sexton is tolling the church bell and simultaneously watching Mr. Hooper’s door, when suddenly he says, ``But what has good Parson Hooper got upon his face?'' The surprise which the sexton displayed is repeated in the astonishment of the onlookers: “With one accord they started, expressing more wonder. . .” The reason is this: “Swathed about his forehead, and hanging down over his face, so low as to be shaken by his breath” is a black veil. The 30 year old, unmarried parson receives a variety of reactions from his congregation:
The gothic characteristics that are found in Edgar Allan Poe’s “The Fall of the House of Usher” and Nathaniel Hawthorne’s “The Minister’s Black Veil” delve into the dark side of the human mind where secret sin shrouds the main characters in self anguish and insanity. Both Poe and Hawthorne focus on how much of a burden hiding sins from people can be, and how the human mind grows weak and tired from carrying such a burden. Poe illustrates that with his perturbed character Roderick Usher who was rotting from the inside like his “mansion of gloom” (Poe 323). Hawthorne dives deep into the mind of one Mr. Hooper, a minister, a man admired by all, until he starts wearing a black veil to conceal his face because “ The subject had reference to secret sin” (Hawthorne 311) . An analysis of both Mr. Hooper and Roderick Usher show through their speech, actions, behaviors, and interaction with other humans, the daily strain of hiding sin from one another.
Nathaniel Hawthorne made out his life a source of inspiration. Every event that happened in his life made him think of a way to write about it. The Scarlett Letter was written after his mother died, and it focused on his society and it was used as a strong accusation against the Puritan Americans (Gollin 2605). His works were the results of long-term contemplations of humans and the society of his time, The Minister’s Black Veil is an example of this. A story about a man who decides to walk around his town cover in a black veil that symbolizes sin, and more importantly, “how the guilt we hide from one another and about the dangers of self-absorption” (Gollin 2604). Every major event in his life brought a new theme to his writings and that made it stand out. Just like Irving, he decided that he wanted to pursue of life full of
Nathaniel Hawthorne’s ancestral connection to the Salem Witch Trials influenced his writing style. His ancestor was one of the judges that sentenced innocent women to death. This idea, of his ancestors sentencing innocent women to death, struck a deep meaning with Hawthorne and made him change from Hathorne to Hawthorne so he could distance himself from that event in history. The whole controversy over the witch trials deeply affected Hawthorne and is evident in his short stories. For example, in “The Minister’s Black Veil”, "But the strangest part of the affair is the effect of this vagary, even on a sober-minded man like myself. The black veil, though it covers only our pastor's face, throws its influence over his whole person, and makes him ghostlike from head to foot. Do you not feel it so?" (“The Minister’s Black Veil”). The black veil signified Hawthorne’s own skeleton in the closet; his connection to the witch trials that caused him so much trouble. Like the black veil the witch trials was only one small part of his ancestors life, but it threw influence over t...
In Nathaniel Hawthorne’s short story “The Minister’s Black Veil”, the reader is introduced to Parson Hooper, the reverend of a small Puritan village. One Sunday morning, Hooper arrived to mass with a black veil over his impassive face. The townspeople began to feel uneasy due to their minister’s unusual behavior. When Parson appeared, “Few could refrain from twisting their heads towards the door; many stood upright….” (Monteiro 2). Throughout the story Hooper does not take off the black veil and the townspeople, including Reverend Clark from a nearby village, treat him as if he were contagious disease. A veil typically is used to represent sorrow, but in this story it is used to represent hidden sins. No one exactly knows why he
It is no secret that Nathaniel Hawthorne’s “The Minister’s Black Veil” is a parable. Hawthorne intended it as such and even gave the story the subtitle “a parable.” “The Minister’s Black Veil,” however, was not Hawthorne’s only parable. Hawthorne often used symbols and figurative language to give added meaning to the literal interpretations of his work. His Puritan ancestry also influenced much of Hawthorne’s work. Instead of agreeing with Puritanism however, Hawthorne would criticize it through the symbols and themes in his stories and parables. Several of these symbols and themes reoccur in Hawthorne’s “The Minister’s Black Veil,” “Young Goodman Brown”, and The Scarlet Letter.
though out the rest of the book. One of the main character's that is affected
The events in The Minister’s Black Veil, Young Goodman Brown, Ethan Brand, and Earth’s Holocaust, written by Nathaniel Hawthorne, shows an underlying association between man's hidden evil and secret sin. Nathaniel’s popular belief was that despite religion, secret sin and evil resides in the human heart. The concept of secret sin and evil are intertwined into something complex in Nathaniel Hawthorne’s stories mentioned above. A human being is not perfect therefor will commit an imperfection which Nathaniel would argue is generated by evil. Nathaniel Hawthorne relies principally on allegory while presenting symbolism to demonstrate the issues of secret sin and the root of evil.
In the tightly strung world we live in today it is hard to keep secrets. Whether your secret is bad or good there is a reason why it is a secret; they are not meant for everyone to hear. In the novel, The Scarlet Letter by Nathaniel Hawthorne, Hester Prynne commits adultery and has a child, Pearl, with Dimmesdale, who is the town’s minister. They try to keep it a secret that Dimmesdale is the father so he can keep his job as the minister. As we all know, secrets only stay secrets for so long. There is always a reason to why the secret leaks out; the guilt of keeping secrets makes people go mentally and physically insane.
What is guilt? Guilt is a feeling of having done wrong or wronged someone. Guilt is also a vulnerable emotion. The effects can be awful. Guilt can the mind to feel many different ways such as depression, self-loathing, and anorexia.
The Minister’s Black Veil, written by Nathaniel Hawthorne in 1836, is a parable about a minister, Mr. Hooper, who constantly wears a mysterious black veil over his face. The people in the town of Milford, are perplexed by the minister’s veil and cannot figure out why he insists on wearing it all of the time. The veil tends to create a dark atmosphere where ever the minister goes, and the minister cannot even stand to look at his own reflection. In Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the ambiance of the veil, separation from happiness that it creates, and the permanency of the black veil symbolize sin in people’s lives.
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.
Nathaniel Hawthorne’s short story “The Minister’s Black Veil” manifests a duality of conflict – both an external conflict and an internal conflict. It is the purpose of this essay to explore both types of conflict as manifested in the story.