Harrison Bergeron 2081 Film Techniques

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2081 Film analysis The film 2081 directed by Chandler Tuttle is an adaptation of the short story 'Harrison Bergeron' by Kurt Vonnegut Jr. which looks into a dystopian society where everyone is finally equal. Vonnegut wanted to show us how absurd the world will become when everyone is equal and Tuttle has conveyed that perfectly in his adaptation. The story is told from George Bergeron's perspective as he watches his son Harrison perform his act of rebellion and his own requiem. Tuttle uses Harrison to criticise how absurd perfect equality is and uses George to show how the media can control our lives and dictate how we view of our society. Tuttle uses various film techniques to emphasise character emotion and their view about the society …show more content…

As the camera zooms in the scene cuts to parts of George's flashback and continue to do so. At the third jump cut the flashback is then shown clearly. The use of jump cuts combine with zoom in creating the effect of fragmented memories which tells the audience that George has forgotten some of his important memories. Tuttle also wanted to convey that in this perfectly equal society, the government controls the intelligence’s memories. This fits into the dystopian criteria of totalitarian government. In the flashback, lead lines are used to emphasise the door in which the H-G men entered. This is also emphasised before the flashback as it creates suspense. Tuttle wanted us to feel that the H-G men are on the other side of the door and could storm in at any moment. The composition of the frame also makes the right half of the shot dark and cover. This is to show confinement of George to his space. Both effects work together to show constant surveillance of the government and how George is confined to his space as he did not attempt to stop the H-G men. Tuttle uses this to symbolise George’s view of the current society. He knows that the government is controlling him, but as he …show more content…

The overall effect created is the sense of awe. First, the scene starts with Harrison walking in and dragging a guard along the way. The use of Steadicam and swish pan combines to show how fast and intimidating Harrison is. Also the Steadicam makes the audience feel like they are in the hall themselves as Harrison walks in and feeling the ripples that his heavy handicaps caused. The Steadicam is used throughout Harrison’s speech and alternating with medium close-up shot which shows Harrison’s handicaps. With the use of medium close-up shot and costuming, we are shown how awful and absurd Harrison’s handicap is. Tuttle also convey a symbolism with the focus on Harrison’s handicap which alludes to Jesus on the cross same as Harrison’s plank on his neck. This is also to foreshadow how Harrison will play a role like Jesus in the film. Jesus was the sacrifice for all human sin and Harrison also sacrifice himself for the greater cause of raising awareness about absurdity of the current society. As Harrison took of his restrains, the use of cuts and medium close-up shots show many faces in awe from Harrison. We see the people in the theatre amaze and George at home suddenly sprung up from his chair. In addition to the effect of awe created, Tuttle also shown a subtle hint towards his important message to the audience. We are told how much pain Harrison has been through and we are to sympathise with him. However that is

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