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Compare and contrast hamlet and fortinbras
Hamlet's emotions throughout the play
Compare and contrast hamlet and fortinbras
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Contrast Between Hamlet, Laertes And Fortinbras Hamlet (prince of Denmark) can be greatly compared to Laertes (son of a noble), and Fortinbras (prince of Norway) in the play. They all are very similar but yet different at the same time. They all had love and respect for their fathers and felt the need to avenge their deaths, which all were brutally killed. All three believed that the murderers had dishonoured their fathers as well as themselves. They all reacted and took different approaches in attempt to restore honour in their families. Hamlet seems to be the one who lets things dwell in his mind before taking any action or making an attempt at trying to get on with his life. After the death of his father he becomes depressed and gradually becomes enraged with his mother’s immediate marriage to his uncle Claudius. He was lead to believe his father died of natural cause but he became aware of the murderer when his father’s ghost appeared to him. When Hamlet learns the truth of his father’s murder, he cries, but promises action, though he delivers none. He says “Haste me to know’t, that I, with wings as swift as meditation or the thoughts of love, may sweep to my revenge.” (Act 1, Sc. 5, 29-31). At the end of the scene he says “The time is out of joint: O cursed spite, that ever I was born to set it right!” (Act 1, Sc. 5, 188-189). This shows that he is no longer in such a rush to avenge his father’s death by killing his uncle Claudius. The appearance of...
in Act 1 scene 5 at his ‘old accustomed feast’. In this scene he acts
Wright, Louis B. and Virginia A. LaMar. “Hamlet: A Man Who Thinks Before He Acts.” Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Tragedy of Hamlet, Prince of Denmark. Ed. Louis B. Wright and Virginia A. LaMar. N. p.: Pocket Books, 1958.
Wright, Louis B. and Virginia A. LaMar. “Hamlet: A Man Who Thinks Before He Acts.” Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Tragedy of Hamlet, Prince of Denmark. Ed. Louis B. Wright and Virginia A. LaMar. N. p.: Pocket Books, 1958.
(Act 1 Scene 4), Thane of Cawdor for his service. It was during this scene,
a grave man."(Act three, scene 1, line 104.) Also as Marcutio is dying he says
...have judgment here, that we but teach/Bloody instructions, which, being taught, return/To plague th' inventor: this even-handed justice/Commends the ingredients of our poisoned chalice.” (Act 1, scene 7, Lines 8-12). It displays that he is scared that if he kills the King, he will teach the future generations to do the same thing to him and kill him. Thus, he is very disturbed and unsettled if he should continue with the murder.
Toward the end of Act 1 Scene 4, an example of fate and destiny is
Fortinbras, a Norway prince, was calm and spirited, while using his thought processes to avenge his father’s death, relating to the importance of not falling down to anger and use of thought processes. The Norway prince, shared the same tragic event of losing his father as Laertes and Hamlet, though Fortinbras has proven the most successful character because he is the last one living. Hamlet’s bold words spoke of Fortinbras after meeting with the captain of Fortinbras’s army, “Look at this massive army led by a delicate and tender prince whose so puffed up with divine ambition” (Shakespeare 108). The wording is extremely substantial because Hamlet brings up that he is brought by divine ambition, a desire to reach a goal. Fortinbras is composed, in control of his body, and of course not controlled by anger, but a goal. The prince of Norway devised several plans by reclaiming land once lost, and waiting until it was the right time to strike. He was more strategic than Hamlet and Laertes, and did not allow anger to consume him. When he arrives in Denmark, he comes at the right time because chaos occurs leaving everyone dead. His action of attack was not so sudden, but put within a process under the control of his brain and not anger. Fortinbras is the character that Shakespeare wants human’s to be, strong enough to control anger and use thought
Wright, Louis B. and Virginia A. LaMar. “Hamlet: A Man Who Thinks Before He Acts.” Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Tragedy of Hamlet, Prince of Denmark. Ed. Louis B. Wright and Virginia A. LaMar. N. p.: Pocket Books, 1958.
Act II, Scene 2, which appeared in the original production, was dropped by the author from the published reading version. It has not been included in most productions. Read the scene and
...nts itself. Hamlet is so determined to do something he does not wish to think about the consequences anymore.
As a young man, Hamlet's mind is full of many questions about the events that occur during his complicated life. This leads to the next two categories of his mind. His need to seek the truth and his lack of confidence in his own impulses. Hamlets’ confusion in what he wants to ...
In the play Hamlet by William Shakespeare, the main character, Hamlet, is often perceived by the other characters in the play as being mentally unbalanced because he acts in ways that drive them to think he is mad. Hamlet may very well be psychotic; however, there are times when he “feigns insanity” in order to unearth the truth surrounding his father's death. This plan seems to be going well until Hamlet's mental state slowly begins to deteriorate. What began as an act of insanity or antic disposition transitions from an act to a tragic reality. After studying Hamlet's actions, one will notice that as the play progresses, his feigned insanity becomes less and less intentional and devolves into true mental illness.
and the death of the one who truly loved him, clear his vision and allow him to
Wright, Louis B. and Virginia A. LaMar. “Hamlet: A Man Who Thinks Before He Acts.” Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Tragedy of Hamlet, Prince of Denmark. Ed. Louis B. Wright and Virginia A. LaMar. N. p.: Pocket Books, 1958.