Guilt In The Kite Runner

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Khaled Hosseini shows that guilt can come in many forms, but the guilt in which Amir feels for the majority of his early adulthood is caused by an event that occurred when he was a young boy. He signifies the importance of Amir finding absolution to free himself from his guilt and sins. Hosseini illustrates the consequences of a guilty conscience over the course of Amir’s life by the choices he makes and how he attempts to redeem himself. Hosseini emphasizes the results of lasting guilt and how it can lead to devastating outcomes until atoned for. Additionally, he emphasizes the yearning to find peace, the consequences of sin, and the relief granted by finding redemption. In The Kite Runner, Khaled Hosseini uses the life of Amir to illustrate …show more content…

During the meeting at the Ghazi Stadium, Assef says, “‘We have some unfinished business, you and I’” making it so the only way for Amir to rescue Sohrab is to fight Assef (286). Amir does not hesitate when Assef wanted to fight him, he sees the fight as a way to prove himself after years of shame. Hosseini emphasizes Amir’s release of guilt when he writes, “What was so funny was that, for the first time since the winter of 1975, I felt at peace… I hadn’t been happy and I hadn’t felt better, not at all. But I did now” (289). Amir now feels he has stood up for Hassan and Sohrab and finally proven himself worthy. However, after the fight with Assef, Amir is left with a scar, “clean down the middle. Like a harelip’” symbolizing Amir’s now likeness to Hassan in appearance and bravery (297). After atoning for his sins, Amir feels closer to Hassan both mentally and physically. Although Amir does not prove himself to Hassan the night in the alley, he finds a way to do so after Hassan’s death in the name of his son …show more content…

Amir is faced with a life-changing choice when Farid informs him, “There never was a John and Betty Caldwell in Peshawar. According to the people at the consulate, they never existed. Not here in Peshawar, anyhow” (308). He has to choose between letting Sohrab stay in the orphanage in Afghanistan or bringing him back to America with him. When Amir talks with Soraya on the phone about adopting Sohrab, he finally admits to what he had done the winter of 1975, resulting in feeling free of any lasting guilt he had. Hosseini continues to show Amir’s struggles in seeking redemption, by describing the difficulties of adopting Sohrab, Sohrab’s suicide attempt, and the year of silence from him. Shahira Banu signifies that “somethings in life are uncontrollable and people have to do the best with what they have” (185). Amir encounters many dilemmas through his life where he has to handle and deal with the consequences in the best manner he can. Although Hosseini does not end the novel with Amir full redeeming himself, he does end with Amir ridding himself of all guilt and setting the path to full redemption, writing “I ran. A grown man running with a swarm of screaming children. But I didn't care. I ran with the wind blowing in my face, and a smile as wide as the Valley of Panjsher on my lips. I ran” (371). The running symbolizes Amir’s freedom from his sins; he

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