Grandmother Of Soul Analysis

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Godmother of Soul by Kelefa Sanneh, is about the life and career of soul artist, Erykah Badu. Sanneh creates an article to capture how Badu is evolving with soul music, at the same time she is still her own unique style. The scene that I focus on is Badu meeting up with Zack Witness, a producer from East Dallas, to record a version of the song “Hotline Bling” by Drake. The scene is found in the beginning of the article. The scene begins with Badu and Witness communicating with one another through Twitter, after Witness made a remix of one of Badu’s songs., “Bag Lady.” Leading to a few days later where they meet at Witness’s home in Dallas. The scene continues with both of artists holding a session and later producing eleven more tracks with some of the songs having other collaborators. The scene ends with Badu having a new album and becoming “ubiquitous again.” This scene contributes to the character development later in the article by illustrating musical reformation of soul music, particularly how Badu is adapting to the music change. Moreover, throughout the article, …show more content…

As well as to show how soul music is changing. To begin, the scene focused on Badu and Witness producing music, moreover her own version of hits. It is later stated that she considers herself as “a touring artist, not a recording artist.” The helps allude to a new style that Badu is working towards, and the throughout the article Sanneh illustrates her past styles by mentioning her albums as well as who she has collaborated with. In the article Sanneh talks about her “unlikey alliances” which are the different collaborators or supports she has formed, that help her to be “super mutable.” Badu considers herself as a neo-soul artist, and has worked with many known artists like the

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