Opinions that dictate the heaven and covers the Earth are those meant to be unbiased; however, even the gods are unable to deny their personal vendettas. The rule of rewards and the display of punishments are in a way, the representation of emotions and the model of morals for mortals. In this way, rewards are given to those who have done pleasing deeds, favored by the gods, but retribution is deemed fit .Throughout Edith Hamilton’s book, Mythology, displays timeless tales such as the story Baucis and Philemon along with the story of Prometheus which demonstrates the god's means of justification, and their perspective on good and evil.
The well-bred and poor are the same in the eyes of the gods with neither being greater nor less. What creates
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Charged with the creation of man, he was inevitably set in chains for his fair view and dignity toward his job. He was faithful in favor for assisting Zeus in the fight with the Titans and loyal to Zeus yet the punishment did not fit the crime. Zeus “forgot his debt” (Hamilton 74). This exemplifies upon the topic of emotion, as Zeus “knew that fate which brings all things to pass, had decreed that a son should someday be born to him who would dethrone him” (Hamilton 75). The survival of Zeus, himself, dictates the impact which emotions have over their notion of good and evil and the way it influences their punishment. Prometheus was chained and forced to climb a mountain and have his liver eaten by an eagle every day which explains the bias that lies in each god, and reveal that not all punishments are made equal. However, regardless of stories, they were made to show and create an ethical outline for mankind to follow. The story of Baucis and Philemon teaches us that not only can the gods reward and punish fairly, on a deeper level, shows us a way to live. A life where human treat each other with kindness, despite being poor and different. The story of Prometheus portrays the conflicted hearts of the gods as they as too, will misjudge and throw logic out the window for their personal gains. These two myths show the way the gods reward and punish, along with their notion of good and evil as well as their
Prometheus Bound is quite different from other tragedies in that it is peopled entirely by gods. The play focuses on the story of Prometheus, and we have versions of this myth in Hesiod's famous works. There is reason to think that the author of Prometheus Bound was not only acquainted with Hesiod's version but actually drew on Hesiod directly in this play. This essay therefore aims to establish in what ways the author of Prometheus Bound seems to have drawn from Hesiod's version of myth, in what ways he has diverged from it, and what reasons he might have had for making these changes and innovations. This might therefore highlight any particular emphasis or purpose of Prometheus Bound and what its author might have been trying to get across. Though there is not space in this essay to discuss the problems of attributing this play, it must be recognised that this ambiguity of authorship and dating makes it even more difficult than usual to look at views and purposes behind the play.
Allusions to the Greek Myth of Prometheus allow insightful readers to withhold a better understanding of the story of Prometheus. First, from the poem “Prometheus” by Marin Sorescu we were given a piece that has far more meaning to the text then is depicted. “Whoever said I was chained” (Sorescu 1). Said the mighty Prometheus, which I believe portrays how free Prometheus feels due to the eagle’s presence and how itself has the freedom to soar in the sky and be free with itself. Next, from D'aulaires’ Book Of Greek Myths we read through a number of passages that gave us more understanding as to how Prometheus cares for his creations, the humans. “Prometheus could not bear to see his people suffer and he decided to steal fire, though he knew
The choices we make define the destiny of our lives. Since the beginning of time, man has always been an imperfect being full of flaws. Man is faced with different situations that can end up bringing disgrace to himself and his family if the situations are not well handled. In the texts Book II of the Aeneid by Virgil, Antigone by Sophocles, Oedipus the king by Sophocles, and Book XXII from the Iliad by Homer; Creon, the Trojan people, Hector, Achilles, and Oedipus embody what can lead to a man’s downfall through their own choices. Through these texts we are able to learn from the mistakes people made in the past and lead good moral lives. The texts illustrate how pride, lack of empathy, and ignorance lead to the destruction of man.
Imagine yourself in a pre-industrial world full of mystery and magic. Imagine a world full of monsters, demons, and danger, as well as a world full of friends, fairies, good wizards, and adventure. In doing so you have just taken your first step onto a vast world created by author and scholar John Ronald Reuel Tolkien. Tolkien became fascinated by language at an early age during his schooling, in particularly, the languages of Northern Europe, both ancient and modern. This affinity for language did not only lead to his profession, but also his private hobby, the invention of languages. His broad knowledge eventually led to the development of his opinions about Myth and the importance of stories. All these various perspectives: language, the heroic tradition, and Myth, as well as deeply-held beliefs in Catholic Christianity work together in all of his works. The main elements of Tolkien’s works are Good versus Evil, characters of Christian and anti-Christian origin, and the power of imagination.
What ancient religion contains infidelity, incest, and life-time long punishments of which were almost, if not, are unbearable? Welcome to Greek Mythology! The Ancient Greeks envisioned higher powers, such as titans, gods and many other mystical wonders to account for every unexplainable thing they saw. As a result, a series of tales of betrayal, humiliation and entrancements sprouted from the imagination of the Ancient Greeks. The international bestseller, Heroes, Gods and Monsters of the Greek Myths, by Bernard Evslin, engages it’s readers, while telling the narratives of the Greek Gods.
The next two themes are interelated, Betrayal and Revenge, with Greed and Glutony.THe gods punish those who show greed and glutony, but that does not mean that they cannot be punished as well. A prime example of this is when Posiedon is out feasting among the 'sun-burnt' races that were deemed to be his own. While he was feasting, Odysseus escaped the island of Kalypso, something that Poseidon did not like and was to late to stop from happening. While he was being gluttanos and eating all that food, Odysseus had escaped. Another example would be the murder of Agamemnon. Agisthos was greedy and wanted money and status, as well as Agamemnon's wife and Agamemnon's wife betrayed Agamemnon when she went off with him and even more so when they both killed him. However, the theme of Betrayal is often closely followed by the theme of Revenge. Agamemnon's son, Orestes, would go back and avenge his father's death, killing Agisthos and his mother even though later on in greek mythology he knew he would be punished for killing her.
Euripides’ plays Hippolytus, The Bacchae and Iphigenia at Aulis all revolve around the journey of key characters that fail to show respect to various deities within the Greek Pantheon. This disrespect, in all three plays, is met out with retaliation from the gods themselves, thus effecting those that disrespected them as well as their families. To convey these tales Euripides implements many themes, one such theme being divine retaliation. Euripides’ use of the theme of divine retaliation provides a stark illustration of the Greek Pantheon striving to prove their superiority relentlessly and gives insight into their merciless use of mortals as pawns to achieve this.
Caldwell, Richard S. The origin of the gods : a psychoanalytic study of Greek theogonic myth
The relationship between gods and mortals in mythology has long been a complicated topic. The gods can be generous and supportive, and also devastating and destructive to any group of humans. Mortals must respect the powers above them that cannot be controlled. The gods rule over destiny, nature, and justice, and need to be recognized and worshipped for the powerful beings as they are. Regardless of one's actions, intentions, and thoughts, the gods in Greek myth have ultimate power and the final decision of justice over nature, mortals, and even each other.
On the other hand, Zeus is a strong, albeit authoritarian leader for both the other gods and mortals. Zeus is required to rule, sometimes absolutely, and when someone under his rule commits an act of treason, he is required to address the issue. When Zeus the leader acts forcefully, the rest of those under his reign will get the message. Prometheus’s act of handing o...
An interesting and important aspect of this Greek notion of fate is the utter helplessness of the human players. No matter the choice made by the people involved in this tragedy, the gods have determined it and it is going to come to pass. T...
The Greeks in the Odyssey viewed justice as only coming from the gods. They believed the gods punished them because they have fallen out of their favor, and not because they had really done anything wrong by human standards. As Socrates later stated in the Euthyphro, what is holy, and perhaps then just, is what is “approved by the gods.” Although Socrates proved this to be wrong, it still shows the view of most Greeks. Zeus in the opening book of the Odyssey stated, “Upon my word, just see how mortal men always put the blame on us gods! We are the source of evil, so they say- when they have only their own madness to thank if their miseries are worse than they ought to be.” This shows that the Greeks feared justice; they felt it was negative and often undeserved. However, each Greek deserved his punishment because he has a hand in its reason. For example, when Odysseus’s troops killed the cattle of Helios, they deserved Zeus destroying their ships because he had warned Odysseus beforehand not to let the men eat the cattle. When the Greeks disobeyed the gods, they disrupted the right order of things, and when the gods punished them, they made the other Greeks respect them once again, and thus fixed the balance of the world.
The question of why bad things happen to good people has perplexed and angered humans throughout history. The most common remedy to ease the confusion is to discover the inflicter of the undeserved suffering and direct the anger at them: the horror felt about the Holocaust can be re-directed in the short term by transforming Adolf Hitler into Lucifer and vilifying him, and, in the long term, can be used as a healing device when it is turned into education to assure that such an atrocity is never repeated. What, however, can be done with the distasteful emotions felt about the victims of Hiroshima and Nagasaki? Surely the citizens of those two cities did not themselves directly provoke the government of the United States to deserve the horror of a nuclear attack. Can it be doubted that their sufferings were undeserved and should cause deep sorrow, regret, and anger? Yet for the citizens of the United States to confront these emotions they must also confront the failings of their own government. A similar problem is found in two works of literature, Aeschylus' Prometheus Bound and the book of Job found in the Tanakh. In each of these works a good man is seen to be suffering at the hand of his god; Prometheus is chained to a rock by Zeus who then sends an eagle to daily eat Prometheus' liver while Job is made destitute and brought to endure physical pain through an agreement between God~ and Satan. To examine the travails of these two men is to discover two vastly different concepts of the relationship between god and man.
“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of Thebes with a dreadful plague. Fundamentally, by utilizing fate, prophecies, the oracle of Apollo, and the plague, the gods played a significant role in the destruction of Oedipus and his family.
The story of Prometheus is I think one of the best stories in Greek mythology, I think Prometheus showed a lot of loyalty to man when he defied Zeus to bring fire to mankind. Without fire mankind, who had been enduring great hardships, such as freezing and starving, would not have survived much longer as the story goes. I think that when Prometheus decided to go against Zeus’ wish to not help mankind he must have known it would make Zeus mad and that he would be punished, this is why I think it is one of the most incredible things I have seen in Greek myth. I think that it really takes a man that is true to himself to know you are going to face trouble, hardship, or even punishment and not let that sway your decision to do the right thing,