Gender Analysis of Loser by Lady Saw

2234 Words5 Pages
bulb-icon

Recommended: Caribbean society and culture

Statement: Below is a gender analysis of “Loser”, a popular Caribbean dancehall song by Lady Saw. The writer believes this song effectively portrays subjective perspectives on roles of men and women, gender relationships, issues of power, sexuality and patriarchal attitudes towards social constructs of homophobia and prostitution. The likely impacts of the results of the analysis will be concluded.

“In Caribbean popular music, there is no shortage of songs whose representations of gender, from a North American liberal or left perspective, would seem controversial.” (Manuel, 1995) This statement gives insight into the fact that the Caribbean, as a cultural space, is adept at introducing gender issues to the content of musical expressions. It is not only from the perspective of North America that such content would be viewed as controversial, as many analyses have been done based on such an assumption within the Caribbean itself. However, Caribbean popular music is arguably prominent outside the region and has contributed to the formation of several social realities as to how gender roles are appropriated and construed.
Fundamentally, there is a certain depth to popular music within the region, where the constructions of gendered ideals, communication, politics and relationships embedded in lyrical content are concerned. An analysis of such concepts can reveal the nature of gender socialization and the role of patriarchy, as well as the binary approach undertaken by agents within the Caribbean society. According to the Department of Foreign Affairs, Trade and Development (DFATD) in Canada, a gender analysis is a set of methods employed to understand the relationships between men and women, making visible their roles in the space...

... middle of paper ...

...theory. It says that media messages are directly injected into the mind of the audience, in this case the listeners. Both theories suggest that it leads to retention of the patriarchal principles and practices of marginalizing men intentionally and women by default, who fall outside the ‘norm’. Conversely, it can be argued that the song itself, within the dancehall space, only mirrors the societal values, rather than reinforce them.
In conclusion, Caribbean popular music is a means by which patriarchal values and traditions are retained, transferred and reinforced. Women, as much men, perpetuate the stereotypical constructions of masculinity and femininity, as well the cultural representation. The music industry, specifically relating to dancehall, mirrors the rest of society in the sense that the application of masculine values and techniques is way forward.

Show More
Related

  • Buena Vista Social Club

    905 Words  | 2 Pages

    Released in 1997, Buena Vista Social Club immediately became an international success and won a Grammy Award in 1998. Around the world, especially in U.S. where the album was welcomed most heartily, Ry Cooder was considered the hero of Cuban music (Hernandez 65). Being the producer of the album, Cooder was assumed to discover a “lost treasure” in Cuban culture. However, Tanya Kateri Hernandez, in an article about Buena Vista Social Club, revealed that Juan de Marcos Gonzalez, not Cooder, was the person “who masterminded and facilitated the collaboration.” (Hernandez 62). Also in this article, it is noted that Juan de Marcos Gonzalez “implicitly acquiesced to Cooder’s propagation of the colonial myth for the purpose of ensuring the commercial success of the collaboration.” (Hernandez 64). Other musicians in the Buena Vista Social Club ensemble followed Gonzalez’s step, as there was hardly another choice for them.

    Read More

  • Masculinity In Hip Hop

    1594 Words  | 4 Pages

    When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists

    Read More

  • Analysis Of Joan Morgan From Fly Girls To Bits And Hos

    945 Words  | 2 Pages

    In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.

    Read More

  • Hypermasculinity In Hip Hop Music

    719 Words  | 2 Pages

    Perhaps this trend of commercially successful music promoting hypermasculinity and misogyny found success in funk music and the labels continue to push for these themes in an attempt to continue benefitting from the themes’ popularity and profitability. Both funk and hip hop share the characteristic of being genres that have recurring themes that have been commercially successful, and although it may be out of the control of the artist, these themes play a huge role in both

    Read More

  • Gender Roles In Popular Music

    1227 Words  | 3 Pages

    Popular music in the United States throughout the decades have always consisted of different genres of music and during the late 70’s and early 80’s, many of the popular bands consisted of only male artists and members. In an era dominated by male artists, Fleetwood Mac featured their lead female singer Stevie Nicks, who went on to transcend the gender expectations of the time and pursue a solo career in the midst of heavy adversity. Fleetwood Mac’s lead singer, Stevie Nicks, is a prime example of the evolution female artists have endured as they struggled to gain equal footing in this male dominated industry. This essay will examine the different factors contributing to Stevie Nicks’s popularity, along with her breaking these normative masculine roles and the way she combined different genres and personal

    Read More

  • Essay On Women In Popular Music

    479 Words  | 1 Pages

    Women in popular music have created a tremendous history in the wake of feminism. They have made their presence visible by identifying themselves as feminists. Being a woman was hard during that stage. Women were not allowed to do many things due to gender inequality such as the right to vote and to own a property. Therefore, from that moment onwards, women decided to stand up and make some changes. During the early stage of feminism, women developed their skills in popular music to create awareness. They associate popular music with feminism. Although there were racial issues between the black and white during that time, both sides continued to establish in different ways, through different genres of music. Black women focused on ‘black genres’ such as blues, jazz, and gospel, whereas white women performed in musical theatres. Female artists such as Lilian Hardin, Sister Rosetta Tharpe, and Nina Simone were among the notable exceptions of female instrumentalists during feminism. In this essay, I will assess feminism focusing on the second-wave.

    Read More

  • Indigenous Resistance

    7622 Words  | 16 Pages

    The spirit of resistance is a powerful force in reggae music. In this essay I will explore the ways that resistance is manifested in reggae music and describe examples of indigenous resistance in Jamaica and Mexico. A strong example of indigenous resistance can be found in the Maroon communities of Jamaica. The Maroons were a thorn in the sides of white plantation owners and an inspiration and expression of freedom and autonomy to the Africans. The history of the Maroons describes a group of diverse people who bonded together beyond the fringes of the colonial system to form their own autonomous nation.

    Read More

  • Hip-Hop: A Voice for the Chican@-Latin@ Community

    2213 Words  | 5 Pages

    In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.

    Read More

  • Nueva Canción Definition Of World Music Definition

    1989 Words  | 4 Pages

    World music may sound as simple as its name suggests, however the world music phenomenon expresses a deeper story that many people seem to miss. There is so much that makes up a world music genre, but what we hear about it is not always the easiest to decipher and generally comes from powerful and large organisations, where not all of it is explained thoroughly. A lot of their understanding comes from what they are only interested in and most important stories and factors are either ignored or incomplete (Stokes 2003, p. 297). Not receiving the full picture, gives us a limited understanding of world music and its sub genres. Different genres of music over the globe have been shaped in many ways by influences such as the; historical and traditional root, people and their culture, migration, globalisation, politics and commodification. Nueva Canción is one example of a world music genre that has been influenced in such ways, and of which has a strong historical and political story worthy to be recognised. This essay will focus on the way the genre, Nueva Canción has become a significant genre of world music, by exploring the influences stated previously.

    Read More

  • Reggae Icons, Jamaican Culture, and Homophobia

    2273 Words  | 5 Pages

    The lyrics of dancehall reggae music in Jamaica seem to encourage the taunting and violence towards homosexuals. Of course it is normal for most reggae songs to deal with the social concerns and religious beliefs of Jamaicans because it is a big representation of the Jamaican culture. Homosexuals are looked down upon as outcasts because of their sexuality. Homop...

    Read More

  • Analysis Of 5 Seconds Of Summer

    1198 Words  | 3 Pages

    Additionally, I will look at fan feedback of the band and see if even the people who are buying the albums and going to the concerts are even acknowledging the successes of the band as something of merit, or are viewing their music in terms of how the patriarchy tells them to (i.e as a guilty pleasure). This is where I will apply the idea of discourses (whole systems of thought, speech, and knowledge production that structure institutional and social practices, (O’Brien & Szeman, 2014), ISAs, and feminist ideas of patriarchy spurring off Gill’s challenges of postfeminist assumptions of power that “women have not overthrown but rather internalized the disciplinary regime that dictates particular and compulsory ways of looking and acting” (O’Brien & Szeman, 2014), the idea that not only is the band not given respect musically, but perhaps these young women themselves become convinced that their music is more of a “guilty pleasure” than it is “quality

    Read More

  • The Exploitation and Objectification of Women in Rap

    1182 Words  | 3 Pages

    The oppressive picture displaying the sexual objectification of women that most hip-hop artists paint while rapping can only be described as appalling. Many artists imply that a woman?s sole purpose is to gratify a man?s every sexual desire. For instance, ?Nelly?s ?Tip Drill? goes as far to portray scantily clad women as sexual appliances? (Weisstuch). Though Nelly is relatively mild when contrasted to other hip-hop artists, his actualization of women cannot be ignored. By calling women ?sexual appliances,? Nelly essentially promotes the idea that it is customary to view all women solely as sexual objects. Moreover, the generic ?sex appe...

    Read More

  • Degradation of Women in Caribbean Music

    1764 Words  | 4 Pages

    As one moves past the initial onslaught of rhythmic beats that calypso has to offer, it is difficult to miss the way in which it reverberates with negative and demoralizing images of women to their male counterparts. Whether it is within the lyrics of Sparrow’s “Drunk and Disorderly” or Square One’s “My Ding-a Ling”, an ample number of verses are often dedicated to making lewd comments about the female body and the suggestive body language described through thinly veiled rhymes and puns, can be offensive depending on the listener. The half naked models being displayed on the various album covers of calypso, soca and rap mix tapes further reinforces these negative connotations. This bandwagon has been jumped upon by many, including the rap genre in the last two decades, wanting to capitalize on a marketing strategy that generally purports to flag consumer attention, playing on their sense of eroticism. The sections titled “Music, Sex, Sexism” and “Woman Rising” within Peter Manuel’s text: Caribbean Currents, dive into the many issues surrounding gender within music as well as female portrayal specifically in calypso. Observations can be made simply by reading through the textual comparisons. Many aspects of this subject area allude to the fact that the issue of gender portrayal in music can be construed differently depending on who the critical listener happens to be. With the increased awareness and heightened sensitivity to the way in which females are portrayed in popular media, it is important to reflect on the impact these lyrics have on male-female relationships within the communities who most often enjoy this music genre.

    Read More

  • Music in the Caribbean

    1258 Words  | 3 Pages

    Ray Allen, Lois Wilcken. "Island Sounds in the Global City: Caribbean Popular Music and Identity in New York." 1-6. Illinois: University of Illinois Press, 1988.

    Read More

  • Sexism in Dancehall Music

    1534 Words  | 4 Pages

    The negative perception of women throughout popular culture in the form of music has greatly impacted the portrayal of women on today’s society. This study involves on examination of sexist ideologies in dancehall lyrics that portray women in stereotypical and negative manner. This particular king of music explored in the study is dancehall music, a popular genre in Jamaican culture today. The primarily focus is on the effect of popular songs have on women in society, as well as how song lyrics can cause objectification of women and how are the roles of men and women reflected.

    Read More

More about Gender Analysis of Loser by Lady Saw

Open Document