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Relationship between father and son
Thesis toni morrison sweentness
Relationship between father and son
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The Father and Son Relationship in Song of Solomon
The book called Song of Solomon, by Toni Morrison, deals with many real life issues, most of which are illustrated by the relationships between different family members.
One archetypal relationship that Morrison includes in her book is the father:son relationship. Although it is obvious that Morrison does talk about this topic, it is not so obvious what she is trying to say about it. So, one might ask, how does the author establish the father:son relationships throughout Song of Solomon and do they fit some sort of archetype? To answer a question such as this, it would be beneficial to examine the actual father:son relationships throughout the book.
One established father:son relationships that is significant to this issue is the one between Milkman and Macon. From the start, Macon objected to Milkman even being born; he forced Ruth to do things to her body that could possibly kill the fetus. With a little help from Pilate, however, Milkman was allowed into the world.
Macon, perhaps instigated by never having a mother and seeing his own father killed, has always appeared to be a cold and unforgiving parent even to his other children besides Milkman, but since Macon heard that his son¹s nickname was ³Milkman² he has seen him as a symbol of his disgust for his wife and lost a lot of respect for his son and became even colder towards him. The only time Macon did spend time with Milkman, he spent it boasting about his own great upbringing, warning him to stay away from Pilate and telling him about the embarrassing actions of Ruth. This is the manner in which Morrison establishes the relationship between Macon and Milkman in the first part of the book.
As Milkman grows up, he recognizes the emotional distance between his father and himself. He goes his own way with a few skirmishes here and there and later he even manages to hit his own father. As Macon and Milkman grow apart and go their separate ways, Milkman doesn¹t even think twice about it and just continues on with his life as if nothing was different.
Near the end of the book Milkman seems to change his view of his father, with some help from the positive memories of the old men in the passage.
In the first part of the novel, Milkman is his father's son, a child taught to ignore the wisdom of women. Even when he is 31, he still needs "both his father and his aunt to get him off" the scrapes he gets into. Milkman considers himself Macon, Jr., calling himself by that name, and believing that he cannot act independently (120). The first lesson his father teaches him is that ownership is everything, and that women's knowledge (specifically, Pilate's knowledge) is not useful "in this world" (55). He is blind to the Pilate's wisdom. When Pilate tell Reba's lover that women's love is to be respected, he learns nothing (94).
When Milkman goes to Pennsylvania to look for the gold, he was actually in search of his family’s past. One of the themes in the story is how the history of African Americans histories are not clear and unrecorded. The fact that the history of Milkman’s family history is so unclear and unrecorded he goes through a long journey to find it. Along the way he goes through many places and meets many people that help him find his family history.
In Song of Solomon by Toni Morrison, men discover themselves through flight. While the motif of flight is liberating for men, it has negative consequences for women. Commonly, the women of Song of Solomon are abandoned by men, both physically and emotionally. Many times they suffer as a result as an abandonment, but there are exceptions in which women can pick themselves up or are undisturbed. Morrison explores in Song of Solomon the abandonment of women by men.
The character Pilate in Song of Solomon is portrayed in the role of a teacher or "guide". She tends to be a spiritual leader as well as a spiritual guide for Milkman and the rest of the society. It could be argued that she is the main cause of Milkman's liberation and better being. She represents the motherly love and gives the spiritual education that Milkman needs, in order to go through the monomyth process. She teaches Milkman the necessities of life not with severity but rather by means of being her own self. Her being connected to her heritage and traditions is also involved in changing Milkman into the hero. Pilate is not the typical teacher that a reader could expect to have in his or her classroom. Pilate is to a certain extent, very mother like and caring towards Milkman. She gives Milkman what he feels he can't get at his rich home, care and affection. When Milkman is alone, it is at Pilate's house that he finds comfort, not only from the people but also from the surroundings of the house. He feels comfortable being in a neighborhood of people that are of lower class than him. Pilate takes on the role of mother to Milkman by showing how a family is supposed to be, which is not divided like his house, but rather caring and loving towards one another, like the environment at Pilate's house. As Joseph Skerrett points out, Pilate does begin teaching Milkman, starting from their very first meeting. Her whole lesson with how the word "hi" sounds like the "dumbest" word and that if someone was to be greeted with a hi, they should "get up and knock you down" seems to get Milkman to notice her. Her role as a parental guide changes to that of one of the teacher and she tries to teach him what is right and wrong. She exemplifies to Milkman how life should be led. She shows him how goals in life should be aimed for and how they should be accomplished. For example, her whole lesson on how to make the perfect egg shows Milkman how even something as little as frying an egg has consequences to it.
however, through the lessons he learns on his journey, he matures into a stronger young man.
In Song of Solomon, through many different types of love, Ruth's incestuous love, Milkman and Hagar's romantic love, and Guitar's love for his race, Toni Morrison demonstrates not only the readiness with which love will turn into a devastating and destructive force, but also the immediacy with which it will do so. Morrison tackles the amorphous and resilient human emotion of love not to glorify the joyous feelings it can effect but to warn readers of love's volatile nature. Simultaneously, however, she gives the reader a clear sense of what love is not. Morrison explicitly states that true love is not destructive. In essence, she illustrates that if "love" is destructive, it is most likely, a mutation of love, something impure, because love is all that is pure and true.
In part two, Milkman goes south to his father's hometown. He is looking for a fortune that his father and aunt had found long before. When he does not find the fortune he begins trying to find where it went. This takes him to where his great grandfather and mother originated. Milkman eventually is led to the town where he is a direct descendant of the town's legend, Solomon. It is in this town that Milkman finds himself and becomes his own m...
Toni Morrison's novel “Song of Solomon" is an evident example of literary work that utilizes the plight of the African-American community to develop an in-depth and complex storyline and plot. Not only does Toni Morrison use specific historical figures as references for her own characters, she also makes use of biblical figures, and mythological Greek gods and goddesses. When evaluating Toni Morrison’s “Song of Solomon” you can relate each and every character to a specific historical figure or mythological being in history. But to focus on a specific character you would look towards one of the protagonists. Guitar and Milkman can serve as main individuals that can be symbolic of other political and civil rights activist involved in history.
Macon Dead is the father of the main character, Milkman Dead. He is portrayed to be wealthy, something abnormal during the setting of the novel. Macon is fully aware of racism but isn’t concerned about it or doesn’t see the significance of it. On page 71, Macon is shown to be disgusted when Dr. Foster checks the skin complexion of his granddaughters as for him it doesn’t mean much. Macon is too preoccupied with getting ahead financially in order to put importance on racism. On page 21, Macon charges Guitar’s mother rent money that she is
In The Odyssey the father and son relationships are very important. Ten years after the fall of Troy, the victorious Greek hero Odysseus has still not returned to his native town, Ithaca. The goddess Athena, appears in disguise and urges Odysseus' son Telemachus to seek news of his father at Pylos and Sparta. While Telemachus is on his way to Pylos, Odysseus starts on his way home. He then, gets trapped by the Cyclops, while Odysseus is in captivity, he manages to blind the monster and escape. After Odysseus returns to Troy, his son, Telemachus, who also returned, helps him kill the suitors who tried to take his wife. Odysseus and Telemachus, and Poseidon and the Cyclops both have special father and son relationships.
In fact, community is not only the end of his quest but the means; Milkman makes progress only as he acknowledges community. In the characterization of Milkman's father, Macon, and his father's sister, Pilate, the novel sets up a distinct conflict between individualistic and community values. Her communication with her father's ghost, for example, demonstrates her belief that human relationships have substance; her use of conjure in Milkman's conception has helped carry on the family; and her song, "Sugarman done fly away," becomes the clue to the family's history. Macon, on the other hand, represents the individualism of "progress."
Song of Solomon tells the story of Dead's unwitting search for identity. Milkman appears to be destined for a life of self-alienation and isolation because of his commitment to the materialism and the linear conception of time that are part of the legacy he receives from his father, Macon Dead. However, during a trip to his ancestral home, “Milkman comes to understand his place in a cultural and familial community and to appreciate the value of conceiving of time as a cyclical process”(Smith 58).
...ba (112). Throughout the novel, Sethe is devoted to the search of her husband just like Solomon’s beloved wife. Although Sethe never reunites with her husband because he was killed by slaveholders, Morrison creates a replacement in the character Paul D, another former slave. Paul D satisfies the biblical beloved’s description of Sethe’s bridegroom: “I am my beloved’s and his desire is toward me” (7:10), thus fulfilling the promise of a requited love that is pictured in the union of Solomon and Sheba (120).
The role of a father could be a difficult task when raising a son. The ideal relationship between father and son perhaps may be; the father sets the rules and the son obeys them respectfully. However it is quite difficult to balance a healthy relationship between father and son, because of what a father expects from his son. For instance in the narratives, “Death of a Salesman,” and “Fences” both Willy and Troy are fathers who have a difficult time in earning respect from their sons, and being a role model for them. Between, “Death of a Salesman,” and “Fences,” both protagonists, Willy and Troy both depict the role of a father in distinctive ways; however, in their struggle, Willy is the more sympathetic of the two.
The other important father-son relationship that exhibits love is the one between Odysseus and Laertes. Odysseus, when he returns, wishes to go see his father. When he confronts his father and tries to hide his identity, he is unable to finish his story because of the great sorrow in his father's eyes.