Free Song Of Solomon Essays: Milkman's Quest For Identity

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Toni Morrison’s novel, Song of Solomon, follows Macon “Milkman” Dead III through his quest for identity, which creates a circular story that unabashedly approaches the issues of racism in American society and culminates in the main character’s discovery of his familial roots and identity. Though Milkman must distance himself from others’ perspectives of him, the doses of advice he receives leads him closer to his true self by his development or refutation of those wise words as he journeys in his African quest. The main character’s introduction paints him as a victim of his family’s insanity that comes from his twisted household. Milkman’s father, Macon Dead II, articulates his warped view of his son, already characterizing the teenager as …show more content…

She realizes that “‘nothin goin to kill him but his own ignorance . . . [and] it’ll be a woman save his life.’” (Morrison 140) Though Milkman spends much of his youth ignoring wholesome principles, Pilate’s prescient confidence in the recalibration of her nephew’s life accurately predicts who can help him reach fulfillment. Rather than immediately abiding by the principles set by male figures, the protagonist will soon understand that this female force that he constantly defies actually has the strongest answers for his question of identity. Morrison personally believes that “a whole village” must raise a child, yet Michigan has done nothing but delude Milkman with pampering, meaning that he must migrate to Shalimar: the new yet ancient village that will cure his “ignorance” (Doyle 268; Morrison 140). Consequently, Hagar, Pilate, and Magdalene called Lena - all women - impel Milkman south so he may rise up. Though he has spent much of his life eluding his responsibilities, Milkman will learn to act for himself from those who act for others, and then fully …show more content…

Though he seemingly resolves to search the south for himself, his sister, Magdalene called Lena, practically packs his bags with her “‘hog’s gut’” speech (Morrison 216). Here, Lena attributes her brother’s arrogance to “‘that hog’s gut that hangs down between [his] legs,’” an organ that causes him to disregard the goodness that others have bestowed on him, most principally his sisters and mother (215). Though her metaphor seems crude out of context, Lena’s words actually draw from the African ritual in which “circumcision” marks the beginning of a boy’s transition to adulthood, along with elder counseling and forest living (“Liminality” 67; “Child” 226). Yet, Milkman still does not entirely comprehend how he should rectify his past, as he simply concludes that Lena gave him “good advice,” so “[w]hy not take it?” (Morrison 216) These plain words mark the protagonist’s progressive maturity, allow Morrison to show the naivety of the central character, and exhibit how he must think about who he is, instead of only who he is not. According to the African rite of passage, Milkman must let his new scar heal in the woods, and comprehend the differences between a boy and a man (“Child” 226; “Liminality”

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