Frankenstein by Mary Shelley
Mary Shelley, the author of Frankenstein, is a writer who was greatly influenced by the Romantic era in which she lived. In fact, she moved among the greatest talents of the English Romantic writers including her poet/husband Percy Shelley and their poet/friend Lord Byron. Her writing was also influenced by the other great Romantic poets Wordsworth and Coleridge, whose ideas she either directly quotes or paraphrases in Frankenstein. Since Mary Shelley was so intimate with these great talents of the Romantic movement, it is quite natural that her most famous work Frankenstein reflects many of the Romantic trends and devices.
Natural and remote settings are essential aspects in Romantic writing. Many Romantics find comfort from the natural scenery and nature as a common place to release their ideas. Most of the time their settings will be located in some unusual or unknown place. Mary Shelley's Frankenstein is no exception to that rule. This novel is placed in modern times to accent the application of contemporary science. One may infer that this particular story transpires in a strange environment to create a realm unknown to the readers. Victor Frankenstein creates his monster in an secluded room located at the top of his university in Germany. In order to create this monster, Victor Frankenstein went in search of various body parts at a grave yard. Victor states: "I pursued nature to her hiding-places. Who shall conceive the horrors of my secret toil as I dabbled among the unhallowed damps of the grave or tortured the living animals to animate lifeless clay? .. . I collected bones from charnelhouses ... the secrets of the human frame" (Shelley 39). Victor journeys to one of the mos...
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...stein and his monster both get involved in there own seperate quests. The monster began his quest to find and kill everyone that was close to his creator. He never gave up with his quest until he had suceeded in doing what he had planned. Victor, on the other hand, became obsessed once again with the monster. Even when Victor lost everyone that was near and dear to him via the monster, he swore that he would destroy what he had created. Victor states: " I pursued him, and for many months this has been my task. Guided by a slight clue . . . I saw the fiend enter by night "
(187). Victor's search continued until he was almost near death. He then enlightens Robert Walton to seek happiness and stay away from the claws of ambition, the same ambition that stimulated him to create the monster. Once Victor gives his last bit of advice to man , he ends up dying.
With nobody to reason with, Victor makes senseless decisions while he is alone. Victor begins this with his process of creating the monster. Nobody in the right mind would ever dig up graves, but that is just what victor goes and does. Once this creation is finally given life, which Victor has spent two years striving for, Victor foolishly abandons it. Victor comes to his senses to some degree after he brings life to the monster as he states, “‘now that I had finished, the beauty of the dream had vanished, and breathless horror and disgust filled my heart” (Shelley 43). Had there been companions around Victor during this creation time, perhaps someone would have been able to guide Victor away from creating the “wretch” (Shelley 43) he so hopelessly conceived. As for the monster, he makes fairly good decisions even without guidance from anyone, including Victor, his creator. The monster has the desire to learn and gain knowledge as a genuine individual. As the monster is continuously rejected and shunned by mankind, his natural benevolence turns to malevolence. In his loneliness, the monster wrongly decides to declare “‘everlasting war against the species, and more than all, against him who had formed me and sent me forth to this insupportable misery’” (Shelley 126). Say the monster was able to have comrades of some kind around him, he would not have turned to this
Frankenstein by Mary Shelly Part One = == == === A main theme in Mary Shelly’s Frankenstein is that of birth, childhood and parenthood, this is explored through Shelly’s choice of frame narrative and structure for the novel.
Victor experiences very little joy at all after the creation of the monster. He suffers from numerous bouts of depression, he most tolerate the deaths of his brother, best friend, and wife, all of which were murdered at the hands of the monster. His friend Justine is executed because of the death of William, for which she is falsely accused and convicted. His father also dies after the murder of Elizabeth, Victor's ill-fated bride. With so much death surrounding his life, how is it possible that Victor could still be cognizant of his actions when he decides to pursue the monster and end its violent fury? He can't. Victor's mind is so clouded by the sorrow and pain of his past that he is blinded to the fact that he is attempting to destroy a creature with far greater physical strength and speed than any mortal. Much of his conflict appears to be created by the monster, when in fact the torment comes from Victor's own hands because he himself created and gave life to the monster.
He possibly could have located the monster, with the help of others, in a timely fashion, thus averting the many calamities that followed. However, Victor chose to abandon his monster and not inform anyone of its creation, and ignore it for months (Shelly 56). When Victor finally sees the monster again, it is after the monster has killed his youngest brother, william. When an innocent woman is blamed for this crime, and Victor could testify and save her life, he takes no action, saying that he would be thought crazy for his tale (Shelly 66).This in and of itself is an insanely selfish thing to do, with minimal effort Victor could have saved another person's life but because it could jeopardize his own reputation, he chooses not to. Even after two people have perished due to his thoughtlessness, Victor still does not inform anyone of the monster which he has created and still allows it to run loose. Later in the novel, after Victor destroys the companion the monster asked him to build, the monster strangles Victor's innocent friend Henry (Shelley 166). Victor’s actions caused a number of deaths and endangered many people. Henry, Elizabeth, William, and Justine all had nothing to do with the creation and subsequent abandonment of the monster, and yet due to Victors irresponsibility, they paid the ultimate price. Williams death is a turning point in the novel, as it shows victor for the first time that his actions actually do have consequences “Nothing in the human shape could have destroyed that fair child. He was the murderer! I could not doubt it”, and yet he chooses to continue to make irresponsible choices that continue to endanger more people (Shelley
Mary Shelley’s, Frankenstein, was written during a period of dramatic revolution. The failed French Revolution and Industrial Revolution seriously mark the novel with hints of moral and scientific revolution. Through Frankenstein, Shelley sends out a clear message that morally irresponsible scientific development can unleash a monster that can destroy its creator.
Although, he did succeed in creating life the monster he created only served to disgust him. He abandons his creation to its own devices and although the monster is a kind gentle soul, the repeated rejections by society and his creator only cause it pain and eventually it lashes out, first by murdering Victor’s brother, than his best friend, and finally his wife. The creature however finds no solace in any of this for even though he has gained his revenge he also destroyed the only connection to society he ever had. The creature leaves society and travels towards the north pole, where victor per sues to his death causing the monster to weep for his creator before also traveling to his
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Compare and Contrast the episodes of the creation of the monster and the creation of the second monster in Mary Shelley's Frankenstein Mary Shelley finished her first edition of 'Frankenstein' in 1816, when she was nineteen years old. Since then her "monster" has become so popular in the twenty-first century that he appears in films, advertisements, comics and even computer games. So how is it that as such a young age she was able to write such a gripping novel, which has become more famous than any other work of 'Romantic' literature, and indeed, her own? It could have been a result of an intellectually stimulating childhood due to having free access to her fathers extensive library and literary connections; or it could have been a result of her being emotionally undernourished as a child. Whichever way, she has succeeded in writing a novel that 'speaks to the mysterious fears of our nature and awaken thrilling horror' (p.8 - author's introduction), as she wanted; and she has included many personal ideas about politics and familial relations as well as moral, philosophical and scientific ideas on the creation and 'elixir of life' (p.42).
When Victor flees the creature, he becomes lonely and unhappy. He rejects his own works. If he stayed and taught him the creature would at least have a chance of happiness. When the monster flees to the cottagers he learns about human nature. He quotes “I continued for the remainder of the day in my hovel in a state of utter and stupid despair. My protector had departed and broken the only link that held me to th...
Victor’s lack of compassion and sympathy towards the monster causes him to become angry instead of guilty. His cruelness to his creation made the monster kill and hurt the people he did but “when [he] reflected on [the monster’s] crimes and malice, [Victor’s] hatred and revenge burst all bounds of moderation,”(Shelley 325). Without compassion Victor thinks that the only way to stop the monster is to get revenge on him, instead of just giving him the empathy and kindness that monster craved. Victor realizes that "if he were vanquished, [he] should be a free man...balanced by those horrors of remorse and guilt which would pursue [him] until death. ”(Shelley 731).
Frankenstien Many punishments for crimes are often given to innocent people. In the novel Frankenstein by Mary Shelly, there are several instances in which the punishment is given to an innocent person. Justine, a maid at the Frankenstein residence, was killed for a crime she did not commit. Felix, a character the Monster encounters, was exiled from his country, for helping an innocent man escape from jail. Lastly, Victor himself was jailed for a murder, which he did not commit.
Victor has a lack of respect for the natural world that leads him on the path to becoming a monster. In creating the monster Victor is trying to change the natural world. He is trying to play the role of god by creating life.
After Frankenstein discovered the source of human life, he became wholly absorbed in his experimental creation of a human being. Victor's unlimited ambition, his desire to succeed in his efforts to create life, led him to find devastation and misery. "...now that I have finished, the beauty of the dream had vanished..." (Shelley 51). Victor's ambition blinded him to see the real dangers of his project. This is because ambition is like a madness, which blinds one self to see the dangers of his actions. The monster after realizing what a horror he was demanded that victor create him a partner. "I now also began to collect the materials necessary for my new creation, and this was like torture..." (Shelley 169). Victor's raw ambition, his search for glory, has left him. His eyes have been opened to see his horrible actions, and what have and could become of his creations. As a result, Victor has realized that he is creating a monster, which could lead to the downfall of mankind. His choice is simple, save his own life or save man.
The novel “Frankenstein” is almost entirely set in remote and desolate locations. The book starts with Captain Walton meeting Victor Frankenstein in the Arctic Circle, where Frankenstein narrates the strange tale of how he got to where he was. His story includes his boyhood in remote and mountainous Geneva; his secluded studies at the University of Ingolstadt, where he creates the monster; Mont Blanc, where he first speaks to his creation; and the bleak Orkney Island, where he destroys the partner he was making for his original creation. Throughout the novel Victor seems isolated, Even when he is at the busy University of Ingolstadt, the setting still has a remote feel to it. Frankenstein becomes so focused on his work to create life that he shuts himself off from the world for months, without even giving himself time to appreciate nature or contact loved ones, as we can see when Victor Frankenstein imparts, “The summer months passed while I was thus engaged, heart and soul, in one pursuit. It was a most beautiful season; never did the fie...
Mary Shelley, with her brilliant tale of mankind's obsession with two opposing forces: creation and science, continues to draw readers with Frankenstein's many meanings and effect on society. Frankenstein has had a major influence across literature and pop culture and was one of the major contributors to a completely new genre of horror. Frankenstein is most famous for being arguably considered the first fully-realized science fiction novel. In Frankenstein, some of the main concepts behind the literary movement of Romanticism can be found. Mary Shelley was a colleague of many Romantic poets such as her husband Percy Shelley, and their friends William Wordsworth and Samuel Coleridge, even though the themes within Frankenstein are darker than their brighter subjects and poems. Still, she was very influenced by Romantics and the Romantic Period, and readers can find many examples of Romanticism in this book. Some people actually argue that Frankenstein “initiates a rethinking of romantic rhetoric”1, or is a more cultured novel than the writings of other Romantics. Shelley questions and interacts with the classic Romantic tropes, causing this rethink of a novel that goes deeper into societal history than it appears. For example, the introduction of Gothic ideas to Frankenstein challenges the typical stereotyped assumptions of Romanticism, giving new meaning and context to the novel. Mary Shelley challenges Romanticism by highlighting certain aspects of the movement while questioning and interacting with the Romantic movement through her writing.