“Flower Power” is a historic image captured by photographer Bernie Boston. Taken on October 21, 1967, during an antiwar march to the Pentagon, the iconic photograph demonstrates a young Vietnam War protester placing a flower into a rifle barrel held by the United States National Guard soldier. “Flower Power” became Boston’s signature image and earned him a Pulitzer Prize nomination for news photography. Even though Boston did not win the first place, his photograph has gained global popularity as it successfully chronicled a tumultuous era of 1960s, evoked strong emotions, and even changed traditional worldviews about war. In this critique, three different elements of “Flower Power”, including its background context, story, symbolic meaning, will be discussed.
“Flower Power” was captured in a period of time when civil rights movements, especially the Vietnam antiwar movement, were reaching its peak. As a result of the United States military involvement in Vietnam, Americans from all walks of life were drafted into the armed service. Due to the fact that thousands of them were unable to make it home alive, the young generation started to lose faith in the government’s leadership and decisions. Many of them who believed war merely caused suffers or unnecessary deaths eventually established a social group, known as “the hippies”, who spoke of peace, love, and nonviolence. The hippies called on many antiwar protests, one of which was taken by Bernie Boston. On October 21, 1967, two hundred and fifty thousand antiwar protesters gathered outside the Lincoln Memorial Washington, D.C and marched to the Pentagon, the National Headquarters of the Department of Defense to voice their opposition against the Vietnam War. As twenty-five thousan...
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..., unlike the traditional war, could be a more effective approach to conflict resolution. Bernie Boston’s photograph of a young hippie placing a carnation in the soldier’s gun is where we can see the real value of “Flower Power”.
In conclusion, the period of 1960s witnessed many youth movements by the hippies who stood up for their beliefs – peace and nonviolence. On October 21, 1967, “Flower Power”, one of their antiwar movements, was taken by photographer Bernie Boston. It is not only a photograph that reviews the controversial decade of 1960s in the United States and describes the story behind young adults’ reactions towards their government’s system, its symbolic value has changed the conventional worldview about wars and protests. Hence, despite being captured almost 50 years ago, “Flower Power” still evokes strong emotions of individuals viewing the image.
The 1960’s was a time society fantasized of a better world. However, the horrors of the Vietnam War soon became evident; the mass amounts of death occurring because of the war became a reality. It created a “movement”, especially in American colleges, in order to stand up for what they believed to be “right”. By 1970, many Americans believed sending troops to Vietnam was a mistake, however there were also various individuals becoming increasingly critical of the student antiwar movement
During the 1960’s, there was a rising tide of protests that were taking place. College students began to stand up for their rights and protest for a stronger voice in society. The United States was going through a tough period marked by the Cold War against communism and also the war in Vietnam. From Truman to Nixon the United States government involved the country more and more in Vietnam. Nixon announced a new policy in 1968 called Vietnamization. (Foner, 4th edition, pg.1028) This policy would bring American troops back home, but it neither limited the war nor ended the antiwar movements.
The documentary “Sixties: Years that Shaped a Generation” illustrates a period in United States history defined by cultural movement. Several citizen led campaigns were developed to challenge long established American institutions and traditions. This age of defiance, cultivated a counter culture which stood against social injustice, racial inequalities, and the war in Vietnam.
This photograph, taken in 1967 in the heart of the Vietnam War Protests, depicts different ideologies about how problems can be solved. In the picture, which narrowly missed winning the Pulitzer Prize, a teen is seen poking carnations into the barrels of guns held by members of the US National Guard. This moment, captured by photographer Bernie Boston symbolizes the flower power movement. Flower power is a phrase that referred to the hippie notion of “make love not war”, and the idea that love and nonviolence, such as the growing of flowers, was a better way to heal the world than continued focus on capitalism and wars. The photograph can be analyzed through the elements of image as defined by ‘The Little Brown Handbook’ on page 86. There are a total of nine elements that contribute to the communicative quality of an image. The message that this particular image tries to convey is the strong sense of way that conflict should be handled; by way of guns or by way of flowers. The ‘way of guns’ is violence and excessive force which heavily contradicts the ‘way of flowers’ which is a more peaceful and diplomatic way of handling conflict or disagreement. This photograph depicts these ideologies through its use of emphasis, narration,point of view, arrangement, color, characterization, context and tension.
Vivid imagery is one way with which writers protest war. Crane uses imagery to glorify, and shortly thereafter demean and undercut war, through the use of imagery, by placing positive and negative images of war close to eachother. “Blazing flag of the regiment,” and “the great battle God,” are placed before “A field where a thousand corpses lie.” (A) These lines’ purposes are to put images into the reader’s head, of how great war may appear, and then displaying that there are too many casualties involved with it. In Dulce Et Decorum Est, a man is described dyin...
American society and culture experienced an awakening during the 1960s as a result of the diverse civil rights, economic, and political issues it was faced with. At the center of this revolution was the American hippie, the most peculiar and highly influential figure of the time period. Hippies were vital to the American counterculture, fueling a movement to expand awareness and stretch accepted values. The hippies’ solutions to the problems of institutionalized American society were to either participate in mass protests with their alternative lifestyles and radical beliefs or drop out of society completely. The government and the older generations could not understand their way of life.
In the summer of 1969, a music festival called, “Woodstock”, took place for three straight days in Upstate, New York, with thirty-two musical acts playing, and 500,000 people from around the world coming to join this musical, peaceful movement. Woodstock started out being a small concert, created to locally promote peace in the world, by the power of music and its lyrics. Now, Woodstock is still being celebrated over 40 years later. The chaotic political climate that the ‘baby boomers’ were growing up in is most likely the reason for this event becoming of such an importance to the world. The violence of the Vietnam War, protests at Kent State and the Democratic Convention, and the assassinations contributed to an ‘out of control’ world. The fact that so many people came to Woodstock and were able to latch onto the ideals of peace, love, and community became a wonderful, joyous symbol to this generation. This three day music festival represented the ideal for baby boomers during a chaotic political time.
During the sixties and seventies there was an influx of social change movements, from civil rights, gay rights, student’s rights and feminism. In the early sixties the US was experiencing
The Sixties, by Terry H. Anderson, takes the reader on a journey through one of the most turbulent decades in American life. Beginning with the crew-cut conformity of 1950s Cold War culture and ending with the transition into the uneasy '70s, Anderson notes the rise of an idealistic generation of baby boomers, widespread social activism, and revolutionary counterculture. Anderson explores the rapidly shifting mood of the country with the optimism during the Kennedy years, the liberal advances of Johnson's "Great Society," and the growing conflict over Vietnam that nearly tore America apart. The book also navigates through different themes regarding the decade's different currents of social change; including the anti-war movement, the civil rights struggle, and the liberation movements. From the lunch counter sit-in of Greensboro, N.C. in 1960 and the rise of Martin Luther King, Jr. to the Black Power movement at the decade's end, Anderson illustrates the brutality involved in the reaction against civil rights, the radicalization of some of the movement's youth, and the eventual triumphs that would change America forever. He also discusses women's liberation and the feminist movement, as well as the students' rights, gay rights, and environmental movements.
Guttmann, Allen. "Protest against the War in Vietnam." The ANNALS of the American Academy of Political and Social Science 382.1 (1969): 56-63. Print.
In the duration of one year, 1968, the American national mood shifted from general confidence and optimism to chaotic confusion. Certainly the most turbulent twelve months of the post-WWII period and arguably one of the most disturbing episodes the country has endured since the Civil War, 1968 offers the world a glimpse into the tumultuous workings of a revolution. Although the entire epoch of the 1960's remains significant in US history, 1968 stands alone as the pivotal year of the decade; it was the moment when all of the nation's urges toward violence, sublimity, diversity, and disorder peaked to produce a transformation great enough to blanket an entire society. While some may superficially disagree, the evidence found in the Tet Offensive, race relations, and the counterculture's music of the period undeniably affirm 1968 as a turning point in American history.
Jarvis, Christina. “The Vietnamization of World War II in Slaughterhouse-Five and Gravity’s Rainbow.” www.wlajournal.com. War, Literature, and the Arts. 95-117. Web. 15 Nov. 2013.
The Counterculture movement began in 1964, when North Vietnamese torpedo boats attacked two U.S. destroyers. President Johnson ordered the retaliatory bombing of military targets in North Vietnam (Vietnam War Protests). A few months later, people began to question the rationale of fighting the war. People questioned joining the war in Vietnam due to our position in the Cold War. Both America and the Soviets had nuclear weapons, but neither country could afford an all out war. By starting another war with Vietnam that would mean placing more stress on the military forces. With two wars going on, that would require more man power. This problem introduced the draft. Many people of the counterculture movement opposed this, because they didn’t believe in fighting in a war that they didn’t support. Young men tore up their draft cards, or signed up as conscientious objectors. A conscientious objector is someone who doesn...
In the 1960s, the anti-war movement grew rapidly in America. The party reached the summit in 1968 by collecting members of various age ranges throughout the country 6. The song "Revolution," produced by John Lennon and Paul McCartney, expresses the irony of the political group. Although the party is against...
The sixties was a decade of liberation and revolution, a time of great change and exciting exploration for the generations to come. It was a time of anti-war protests, free love, sit-ins, naked hippie chicks and mind-altering drugs. In big cities such as San Francisco, Los Angeles, New York and Paris, there was a passionate exchange of ideas, fiery protests against the Vietnam War, and a time for love, peace and equality. The coming together of like-minded people from around the world was spontaneous and unstoppable. This group of people, which included writers, musicians, thinkers and tokers, came to be known as the popular counterculture, better known as hippies. The dawning of the Age of Aquarius in the late sixties was more than just a musical orgy. It was a time of spiritual missions to fight for change and everything they believed in. Freedom, love, justice, equality and peace were at the very forefront of this movement (West, 2008). Some wore beads. Some had long hair. Some wore tie-dye and others wore turtle-neck sweaters. The Hippie generation was a wild bunch, to say the least, that opened the cookie jar of possibilities politically, sexually, spiritually and socially to forever be known as one of the most memorable social movements of all time (Hippie Generation, 2003).