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The role of music in movies
The role of music in movies
The role of music in movies
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Wes Anderson’s film, The Royal Tenenbaums (2001), trails about a dysfunctional family coming together for a reunion. The purpose of this essay is to examine and evaluate Anderson’s use of various film techniques to support in building the plot and thus presenting the story. Additionally, reasons as to why the events are presented in that manner would be stated. Anderson employs sequential narrative where events are predominantly introduced in a chronological order without having to change the way the story ends (Riedl and Young, 2006). How the story unfolds is revealed chapter by chapter as portrayed by the fictional book. Prior to the execution of the opening scenes of each chapter, a shot of the first few sentences of that particular chapter …show more content…
Information has been withheld as early as in Chapter 1 as to why the divorce did not legalise. One likely inference from here is Mr Royal would probably hold an influential component of the plot since he is still, by law, attached to the family, though living in separate houses. Additionally, no one knows how Margot lost her finger. Ostensibly, how events are revealed and concealed in a film can be biased as it is dependent on how the filmmaker manipulates it in order to let audience see the characters in the same perspective as he or she does (Neumeyer, …show more content…
A soundtrack is introduced as she walks towards Richie. The purpose of the non-diegetic soundtrack which diverts audience from reality momentarily would frame the scene to be more vivid, and thus emotionally relevant. By doing so, audience would selectively focus on the music that fits the narrative (Cohen, 2001). Subsequently, mental subjectivity is achieved as the point-of-view shot is put into slow motion. Such added information through editing aids in understanding how Richie sees Margot as more than an adopted sibling; a lover. Supported by his numerous paintings of Margot displayed on the wall of his room when he was younger reinforces the expectation that Richie indeed has feelings for
Suspense is a 1913 film that portrays the story of a tramp intruding into a family’s home, where a mother takes care of her child while her husband is away. The plot is a common one that had been used previous times before the film’s release, such as in The Lonely Villa (1909). However, through taking advantage of the single frame shot, the filmmakers were able to create a masterful aesthetic of two separate stories that turn a basic plot into a complex story. The film created an inventive way of illustrating stories within cinema by allowing the audience the chance to consume more narrative in less time within just one take.
BIBLIOGRAPHY An Introduction to Film Studies Jill Nelmes (ed.) Routledge 1996 Anatomy of Film Bernard H. Dick St. Martins Press 1998 Key Concepts in Cinema Studies Susan Hayward Routledge 1996 Teach Yourself Film Studies Warren Buckland Hodder & Stoughton 1998 Interpreting the Moving Image Noel Carroll Cambridge University Press 1998 The Cinema Book Pam Cook (ed.) BFI 1985 FILMOGRAPHY All That Heaven Allows Dir. Douglas Sirk Universal 1955 Being There Dir. Hal Ashby 1979
In the past few years, advertisement has changed significantly, and with it bringing many changes to our current society. Susan Bordo, a modern feminist philosopher, discussed in her article “Beauty (Re)discovers the Male Body” how current society has changed starting with Calvin Klein’s advertising campaign that showed men wearing nothing but underwear. Bordo argues how men are becoming the subject of the gaze, just as women were for centuries. This argument of the gaze is especially pronounced in John McTiernan’s film The Thomas Crown Affair, which focuses on two main characters, a man named Thomas Crown, who is a billionaire Manhattan financier, and a woman named Catherine Banning, and insurance investigator who is investigating Crown’s robbery of the 100-million-dollar painting, the “San Giorgio Maggiore Soleil Couchant”. The film addresses Bordo’s modern feminine and masculine gaze to target a wide range of adult audience.
Hansel & Gretel: Witch Hunters is een film geregisseerd en geschreven door Tommy Wirkola in 2013. Het is een film gebaseerd op het sprookje van Hans en Grietje. Deze film begint waar het sprookje ook begint Hans en Grietje worden achter gelaten in het bos en komen zo bij de heks in het snoephuisje terecht. Van het moment dat ze daar weg komen en ontdekt hebben dat ze immuun zijn voor heksen magie (later komen ze er achter dat dit komt door dat hun moeder een goede heks was) besluiten ze om heksen jagers te worden zoals de titel al doet vermoeden.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...
Cinematography is the art of motion pictures recorded using various techniques with a camera. The essential used of cinematography in a film is to create meaning to its audience. In the movie The Royal Tenenbaums, Wes Anderson the director has applied an artistic way to present the scene where Richie Tenenbaum (Luke Wilson) suicide. Anderson has engaged this element to help captivate the audience into the world of misery resided by Richie. He has discovered the untold secrets and past lovers of his adopted, married sister Margot Tenenbaums (Gwyneth Paltrow) whom he secretly love his entire life. This scene lays its dreadfully honest illustration of hitting rock bottom.
In his third feature film, following Bottle Rocket and Rushmore, Texan director Wes Anderson demonstrates what it is like to be a New Wave director decades after the movement ended. Many aspects of The Royal Tenenbaums, namely characters and themes, hark back to many of Francois Truffaut’s work, and the similarities are at the same time obvious and discrete. Both directors’ work is very autobiographical and many of the manifestations of each man’s similar experiences liken each other on screen as well. One theme that is present in The Royal Tenenbaums, as well as Anderson’s other work, is that of grown-ups who seem to be stuck in childhood. As we know, Truffaut has been christened the director of children, as well as being called a “wild child” himself.
The mix of genuine charm, romance, memorable characters, dialogue and scenes makes The Princess Bride, directed by Rob Reiner, stand out from any hero’s journey movie.
In the films The Last King of Scotland by Kevin MacDonald and 12 Years a Slave by Steve McQueen, I will be discussing chapters Three "Types of Movies", Seven “Acting”, Eight “Editing”, and Nine “Sound.” These two films are great examples for us the viewers for that reason that they both illustrate humility and power.
Wes Anderson sets movies in a world of immature adults and mature children; Moonrise Kingdom uses this to reflect a tween’s frusturation in an unaccepting environment. Wes Anderson is known for his quirky films where everything is surreal and unexpected and uses of colors as well as his cinematography creates a fairytale-like world that captivates the viewer. Anderson’s movie The Royal Tenenbaums parallels his movie Moonrise Kingdom
The extraordinary film The 400 Blows (Francois Truffaut, 1959) skillfully uses cinematic devices appropriately within the context of the theme. Part of the underlying theme of this movie as explained by Truffaut himself is, “... to portray a child as honestly as possible...”(Writing About Film, 1982). It is the scenes in this movie that are most helpful in disclosing the overall theme of the film. Within the scenes, the camera angles in this film play an important role in accentuating the emotions behind the scene. The camera angles used in this film will be the primary focus of this paper. The high angle shots utilized in The 400 Blows are effective in helping to develop the overall feel of a scene. This movie uses the high angle shot in three different scenes to evoke three different emotions and it still works extremely well.
Some people may think that filmmaking is about the big picture, not small details. The movie Paradise Lost:The Child Murders at Robin Hood Hill directed by Joe Berlinger and Bruce Sinofsky captures the big picture and exposes raw footage, interviews, court room conferences, and personal family gatherings. The filmmakers use a plethora of rhetorical devices to show the audience their perception of the court cases, whether they perceive the defendants guilty or innocent. Berlinger and Sinofsky communicate their thoughts about their subjects to the viewers. In such a way that is not blunt yet still appeals to the immense audiences with emotion, credibility, and reasoning.
1980. Warner Bros. Directed by Stanley Kubrick. Music by Wendy Carlos and Rcachel Elkind. Cinematography by John Alcott. Editing by Ray Lovejoy. With Jack Nicholson, Shelley Duvall, Danny Lloyd.
... life headed for failure. Additionally, as Royal’s search for redemption beings, Margot is brought closer to her estranged family. Whilst her broken relationship with her father is restored, she learns to forgive and overlook her bleak adolescent years. As a result, Margot regains the bravery to return to her play-writing career, aiming for success and prosperity. Another crucial milestone in Margot’s path to happiness is her confinement in Richie. Being able to openly speak of her secrets enables Margot to free herself and gain trust in others. Nevertheless, the aspect that has the most critical impact on Margot’s life is her ability to trust her heart, giving her the power to confess her love for Richie. Ultimately, she gains the confidence to overcome her past and re-establish her broken dreams. As she learns to set her heart free, Margot finds true happiness.
Barsam, Richard. Looking at Movies An Introduction to Film, Second Edition (Set with DVD). New York: W. W. Norton, 2006. Print.